The Third Policeman

With the publication of The Third Policeman, Dalkey Archive Press now has all of O'Brien's fiction back in print.

One man wants to publish, so another must perish, in this darkly witty philosophical novel by “a spectacularly gifted comic writer” (Newsweek). The Third Policeman follows a narrator who is obsessed with the work of a scientist and philosopher named de Selby (who believes that Earth is not round but sausage-shaped)—and has finally completed what he believes is the definitive text on the subject. But, broke and desperate for money to get his scholarly masterpiece published, he winds up committing robbery—and murder. From here, this remarkably imaginative dark comedy proceeds into a world of riddles, contradictions, and questions about the nature of eternity as our narrator meets some policemen with an obsession of their own (specifically, bicycles), and engages in an extended conversation with his dead victim—and his own soul, which he nicknames Joe. By the celebrated Irish author praised by James Joyce as “a real writer, with the true comic spirit,” The Third Policeman is an incomparable work of fiction. “’Tis the odd joke of modern Irish literature—of the three novelists in its holy trinity, James Joyce, Samuel Beckett and Flann O’Brien, the easiest and most accessible of the lot is O’Brien. . . . Flann O’Brien was too much his own man, Ireland’s man, to speak in any but his own tongue.” —The Washington Post

A twenty-first-century corporation invades the domain of a warlike sixteenth-century Scottish clan in this "brilliantly imagined" time-travel adventure (Philip Pullman). The miraculous invention of a Time Tube has given Great Britain's mighty FUP corporation unprecedented power, granting it unlimited access to the rich natural resources of the past. Opening a portal into sixteenth-century Scotland, the company has sent representatives back five hundred years to deal with the Sterkarms, a lawless barbarian clan that has plundered both sides of the English-Scottish border for generations. Among the first of the company's representatives to arrive from the future, young anthropologist Andrea Mitchell finds herself strangely drawn to this primitive tribe of raiders and pillagers who, not surprisingly, view her as magical. As translator and liaison, she becomes enmeshed in the personal lives of these proud, savage folk, developing an especially strong emotional bond with Per, the handsome son of the ruthless Sterkarm chieftain, Toorkild. But the Sterkarms' welcome does not extend to the FUP corporate despoilers from the future--and soon a fragile agreement between the untamable Scots and the interloping "Elves" begins to crumble. Suddenly war looms on the horizon, and when treachery on both sides ignites a firestorm of violence, Andrea will have to choose where her loyalties truly lie: with her coldhearted employers or with the barbarous kinfolk of the man she has come to love. A winner of the Guardian Fiction Prize and a finalist for the Carnegie Medal, called "enthralling" by Philip Pullman, the author of the His Dark Materials novels, Susan Price's Sterkarm Handshake is a masterful blend of historical and science fiction critics have called "dazzling," "exciting," "memorable," "thought provoking," and "a thumping good page-turner."

In the darkest hour of a freezing Midwinter, a night-walking witch adopts a newborn baby and carries her off in her house on chicken legs. She names her Chingis and teaches her the Three Magics. She grows into such a powerful witch that she rouses the jealousy of Kuzma, the bear-shaman. The Czar of this cold realm fears his newborn son, Safa, will out do him, and so imprisons the baby at the top of a tall tower, to live and die there without ever glimpsing the real world. Loneliness and confinement drive him to rage and despair until Chingis hears the crying of his trapped spirit and frees him. But now their enemies unite against them, with steel and deadly magic. Chingis and Safa's fight for freedom will take them even through the Ghost World into the Land of the Dead. A timeless and atmospheric tale of fierce magic.

'Myles Before Myles' is a selection of writings from pen of Flann O'Brien.

"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.

Two orphaned boys, Manus and Finbarr, descend into the house of the disputatious Mr. Collopy. This is a tale of growing up in the midst of eccentricity: of Mr. Collopy's mysterious humanitarian work on behalf of women; of his progressive-sounding (and often blasphemous) arguments with his priest, Father Fahrt. Manus quickly proves himself a master of business, teaching people by post to walk the tightrope in Edwardian Dublin. He soon dispatches Collopy on a trip to Rome, seeking relief from the unexpected effects of his eldest charge's attempts at pharmaceuticals. Finbarr, meanwhile, watches and waits, a young boy with only the foggiest notion of the world he is describing...

"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times