The Tibetan Iconography Of Buddhas Bodhisattvas And Other Deities

The Book Studies The 360 Icons Of The Chu Fo P U-Sa Sheng Hsiang Tsan Pantheon Referring To A Rare Set Of Woodcuts Distinct Among Buddhist Pantheons. It Analyses The Unique Features Of This Pantheon, Pointing Out The Significance Of Each Figure In The Mythological/Theological Framework And Minutely Describing The Iconography Of The Images.

The Dictionary details the characteristic attributes,chronology and symbolism of over twelve thousand main and minor deities.It reflects the extraordinary cultural, literary,aesthetic and spiritual achievements of several nations of Asia over two millennia.It will help to identify the masterpieces along with the profusion of masters and divine beings around them.The last few decades have seen an exuberant flourishing of the study and popularisation of the patrimony of Buddhist art for its aesthetic magnificence.This Dictionary will add a dimension of precision and depth of perception to the visual tradition of paintings and sculptures.

Invaluable reference covers names, attributes, symbolism, representations of deities in Mahayana pantheon of China, Japan, Tibet, etc. 185 illus.

The Iconography of Tibetan Lamaism is an authoritative text on the specifically Tibetan branch of Buddhism—one which possesses a rich visual history of Buddhist art and Iconagraphy. This book gives a descriptive outline of the principal gods in the Tibetan pantheon, tracing the main features and symbols that are used to denote each one. A Comprehensive illustrated list of the various ritual objects, talismans, symbols, mudras (symbolic hand poses), and asanas and vahanas (position of the lower limbs) that are used in the images of the gods is accompanied with a word list of the Sanskrit terms most commonly encountered in a study of Lamaism. A set of thirty-one thang-kas from the famous collection of Baron A. von Stael-Holstein, formerly of Peking, China, which came to America after the publication of the original edition of the book, has been included in this new and revised edition.

Mainly Based on THE SADHANAMALA and Cognate Tantric Texts of Rituals

The Present Book On The Iconography Of The Buddhist Sculpture Of Orissa Utilizes The Author'S Expertise Of Orissan Brahmanical Art To Develop A Similar Consistent And Reliable Iconographic And Stylistic Evolution For The Buddhist Arts Of Orissa And Its Adherence To, Or Deviation From, Surviving Textual Icono-Graphic Peculiarities. There Is Little Doubt That Orissa Played A Major Role In The Creation, Development And Dissemination Of Buddhist Doctrines And Concepts Throughout India And The Buddhist World, Particularly In Respect To Vajrayana Buddhism And The Iconography Of Sculptural Mandalas. Particular Emphasis In This Book Is Placed On The Reciprocal Influence Between Brahmanical And Buddhist Art In Orissa, Both Religions Expanding At The Same Time In Regard To The Proliferation Of Deities And Their Variant Forms, And Each Apparently Competing With The Other For Patronage And Converts.