The Timber Baron S Virgin Bride Mills Boon Modern

Rachel Moore has been in love with dark-hearted tycoon Bryn Donovan for years--ever since they shared one illicit night together. But Rachel is only the hired help.... Now Bryn has chosen her as his bride Rachel is overjoyed--until she discovers the billionaire's proposal is a convenient one. She knows he must continue the Donovan dynasty and, believing she can't give him a child, Rachel flees. But Bryn will not rest until he finds her and demands what is rightfully his

Moore has been in love with dark-hearted tycoon Bryn Donovan for years - ever since they shared one illicit night together. But Rachel is only the hired help. Little does she know, she's Bryn's chosen bride! Rachel's overjoyed - until she discovers the millionaire's proposal is a convenient one. She knows he must continue the Donovan dynasty, and, believing she can't give him a child, Rachel flees. But Bryn will not rest until he finds her and demands what is rightfully his!

Jase Moore is determined to shake Samantha Magnussen's touch-me-not facade. Could this ice princess really be out to steal his sister's new husband? This pirate tycoon will distract her—the only way he knows how! Why does this provocative stranger have such a low opinion of her? Jase's angry contempt gets under Samantha's protective shell. While his voice—dark and full of unspoken sinful promise—storms her heart and offers temptation too hard to resist….

A riveting novel of Eleanor of Aquitaine's early adult years from the author of The Virgin Widow. Orphaned at a young age, Eleanor, Duchess of Aquitaine, seeks a strong husband to keep her hold on the vast lands that have made her the most powerful heiress in Europe. But her arranged marriage to Louis VII, King of France, is made disastrous by Louis's weakness of will and fanatical devotion to the Church. Eleanor defies her husband by risking her life on an adventurous Crusade, and even challenges the Pope himself. And in young, brilliant, mercurial Henry d'Anjou, she finds her soul mate-the one man who is audacious enough to claim her for his own and make her Queen of England.

Folks in town call him a monster—say he’s dangerous. But I know him simply as Elijah Hays, the quiet, gentle giant who works with the horses on my ranch. I can feel him watching me, that steady, intense gaze making me crave things I don’t quite understand, burn in a way that frightens me. He’s always kept his distance...until that night. I remember him coming to my rescue, me following him into the barn, giving him his first taste of a woman, and his inexperienced yet barely reined touch turning me to ash. Now all I can think about is exposing the dark desire I see deep inside him—having him turn those dark desires on me. That low, gritty voice rasping orders in my ear. Those huge, rough hands holding me down when a storm blows in. I want his surrender. His control. I want to break him...and have him break me...

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.