The Time Machine Unabridged

English novelist, historian and science writer Herbert George Wells (1866–1946) abandoned teaching and launched his literary career with a series of highly successful science-fiction novels. The Time Machine was the first of a number of these imaginative literary inventions. First published in 1895, the novel follows the adventures of a hypothetical Time Traveller who journeys into the future to find that humanity has evolved into two races: the peaceful Eloi — vegetarians who tire easily — and the carnivorous, predatory Morlocks. After narrowly escaping from the Morlocks, the Time Traveller undertakes another journey even further into the future where he finds the earth growing bitterly cold as the heat and energy of the sun wane. Horrified, he returns to the present, but soon departs again on his final journey. While the novel is underpinned with both Darwinian and Marxist theory and offers fascinating food for thought about the world of the future, it also succeeds as an exciting blend of adventure and pseudo-scientific romance. Sure to delight lovers of the fantastic and bizarre, The Time Machine is a book that belongs on the shelf of every science-fiction fan.

In Victorian England, an eccentric scientist unveils his latest invention: a machine capable of travelling through time. Demonstrating its capabilities, the Time Traveller embarks on a journey to the distant future, arriving in the year 802,701. He discovers a seemingly utopian society inhabited by the gentle Eloi, but soon uncovers a dark and terrifying underworld ruled by the sinister Morlocks. As the Time Traveller delves deeper into this bifurcated world, he realises the grim consequences of societal decay and the potential fate of humanity. H.G. Wells’ The Time Machine is a pioneering work in the science fiction genre, introducing the concept of time travel and coining the term »time machine«. First published in 1895, it has since become a classic, influencing countless works of fiction and shaping the genre’s development. H. G. WELLS [1866-1946] was a British author and pioneer in the science fiction genre. His works, including The Time Machine and The War of the Worlds, delved into futuristic and societal critique themes. Wells’s visionary portrayals of technology, social structures, and extraterrestrial life made him one of the most influential writers in his field and a precursor to modern science fiction.

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Retold with stunning modern illustrations by the artist team Ale + Ale, The Time Machine is a masterpiece of invention and storytelling from the father of science fiction, H. G. Wells. In this unabridged classic, the time-traveling protagonist is propelled by his machine to the distant year of 802,701 AD. To his horror, he finds only a decaying Earth that is being gradually swallowed by the Sun, and where two strange species—the delicate Eloi and the fierce, subterranean Morlocks—inhabit an eerie dystopia. The Time Machine is a must-read for any science-fiction fan. The collage illustrations enhance the story through vivid imagery and detail. Key passages of the book are highlighted in eye-catching typography, further enriching the experience for new readers and those familiar with this masterwork. The Classics Reimagined series is a library of stunning collector's editions of unabridged classic novels illustrated by contemporary artists from around the world. Each artist offers his or her own unique, visual interpretation of the most well-loved, widely read, and avidly collected literature from renowned authors. From Frankenstein to The Wonderful Wizard of Oz and from Jane Austen to Edgar Allan Poe, collect every beautiful volume.

The Time Machine is a science fiction novella by H. G. Wells, published in 1895 and written as a frame narrative. The work is generally credited with the popularization of the concept of time travel by using a vehicle that allows an operator to travel purposely and selectively forwards or backwards in time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle. The Time Machine has been adapted into three feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It has also indirectly inspired many more works of fiction in many media productions.Wells had considered the notion of time travel before, in a short story titled "The Chronic Argonauts" (1888). This work, published in his college newspaper, was the foundation for The Time Machine. Wells frequently stated that he had thought of using some of this material in a series of articles in the Pall Mall Gazette until the publisher asked him if he could instead write a serial novel on the same theme. Wells readily agreed and was paid £100 (equal to about £11,000 today) on its publication by Heinemann in 1895, which first published the story in serial form in the January to May numbers of The New Review (newly under the nominal editorship of W. E. Henley). Henry Holt and Company published the first book edition (possibly prepared from a different manuscript) on 7 May 1895 Heinemann published an English edition on 29 May. These two editions are different textually and are commonly referred to as the "Holt text" and "Heinemann text", respectively. Nearly all modern reprints reproduce the Heinemann text. The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration and shares many elements with Edward Bulwer-Lytton's novel Vril, the Power of the Coming Race (1871).[5] Other science fiction works of the period, including Edward Bellamy's novel Looking Backward: 2000-1887 (1888) and the later film Metropolis (1927), dealt with similar themes. Based on Wells' personal experiences and childhood, the working class literally spent a lot of their time underground. His own family would spend most of their time in a dark basement kitchen when not being occupied in their father's shop. Later, his own mother would work as a housekeeper in a house with underground tunnels, where the staff and servants lived in underground quarters. A medical journal published in 1905 would focus on these living quarters for servants in poorly ventilated dark basements. In his early teens, Wells became a draper's apprentice, having to work in a basement for hours on end. This work is an early example of the Dying Earth subgenre. The portion of the novella that sees the Time Traveller in a distant future where the sun is huge and red also places The Time Machine within the realm of eschatology, i.e. the study of the end times, the end of the world, and the ultimate destiny of humankind.

The Time Machine by H. G. Wells is a science fiction classic, which lends itself well to visualization. This version, illustrated by Yoann Laurent-Rouault, an illustrator master who graduated from the Beaux-Arts, and published in the international literary collection Memoria Books, is a reference on the time travel theme. Wells transports us in the year 802 701, in a society made up of the “Elois”, who live peacefully in a kind of big Garden of Eden, eating fruits and sleeping high up, while underground lives another species, also descending from men, the “Morlocks”, who do not stand the light anymore, living in the dark for too long now. At night, they return to the surface, going back up by the wells, in order to kidnap some Elois that they eat ; these last became livestock unknowingly. In The Time Machine, made into a movie several times, the last of them in 2002 by Simon Wells, the great-grandson of H. G. Wells, time is both a pretext to move the class struggle and warn... and also, in a way, a full character, who fascinates, arbitrates, transcends... The illustrations come to reinforce the time travel and provide a new experience to the reader.

It goes without saying that this book is a science fiction classic in every sense of the word and that H.G. Wells was a founding father of the genre. This book proves that science fiction does not necessarily need to be heavily technical but does need to deal with grand themes such as the nature of society; man's hopes, dreams, and fears; and the very humanity of man. Wells does not go to great lengths in describing the time machine nor how it works. He lays the foundation of the story in science and then proceeds with his somewhat moralistic and certainly socially conscious story. This makes his writing much more enjoyable than that of a Jules Verne, who liked to fill up pages with scientific and highly technical nomenclature. One of the more striking aspects of the novel is Wells' treatment of the actual experience of time travel--moving in time is not like opening and walking through a door. There are physical and emotional aspects of the time travel process--in fact, some of the most descriptive passages in the book are those describing what the Time Traveler experiences and sees during his time shifts.Basically, Wells is posing the question of What will man be like in the distant future? His answer is quite unlike any kind of scenario that modern readers, schooled on Star Wars, Star Trek, and the like, would come up with. He gives birth to a simple and tragic society made up of the Eloi and the Morlocks. In contrasting these two groups, he offers a critique of sorts of men in his own time. Clearly, he is worried about the gap between the rich and the poor widening in his own world and is warning his readers of the dangers posed by such a growing rift. It is most interesting to see how the Time Traveler's views of the future change over the course of his stay there. At first, he basically thinks that the Morlocks, stuck underground, have been forced to do all the work of man while the Eloi on the surface play and dance around in perpetual leisure. Later, he realizes that the truth is more complicated than that. The whole book seems to be a warning against scientific omniscience and communal living. The future human society that the Time Traveler finds is supposedly ideal--free of disease, wars, discrimination, intensive labor, poverty, etc. However, the great works of man have been lost--architectural, scientific, philosophical, literary, etc.--and human beings have basically become children, each one dressing, looking, and acting the same. The time traveler opines that the loss of conflict and change that came in the wake of society's elimination of health, political, and social issues served to stagnate mankind. Without conflict, there is no achievement, and mankind atrophies both mentally and physically.

This innovative debut novel by British author H.G. Wells follows an unnamed scientist as he uses a time machine to travel from turn-of-the-century England into the far future. Instead of a world of gleaming technology, the explorer finds a primitive society populated by the fragile, human-like Eloi and the predatory, underground-dwelling Morlocks. Attempting to retrieve his stolen invention and return to his own time, the traveler encounters plenty of dangers and eventually glimpses more unsettling visions of dire future eras.