The Times Literary Supplement Index

An essential selection of Moyra Davey's sly, surprising, and brilliant essays

From the internationally bestselling author of Brooklyn and The Master comes the novel of a lifetime, Colm Tóibín's most dazzling and ambitious book yet. When the Great War breaks out in 1914 Thomas Mann, like so many of his fellow countrymen, is fired up with patriotism. He imagines the Germany of great literature and music, that had drawn him away from the stifling, conservative town of his childhood, might be a source of pride once again. But his flawed vision will form the beginning of a dark and complex relationship with his homeland, and see the start of great conflict within his own brilliant and troubled family. Colm Tóibín's epic novel is the story of a man of intense contradictions. Although Thomas Mann becomes famous and admired, his inner life is hesitant, fearful and secretive. His blindness to impending disaster in the Great War will force him to rethink his relationship to Germany as Hitler comes to power. He has six children with his clever and fascinating wife, Katia, while his own secret desires appear threaded through his writing. He and Katia deal with exile bravely, doing everything possible to keep the family safe, yet they also suffer the terrible ravages of suicide among Thomas's siblings and their own children. In The Magician, Colm Tóibín captures the profound personal conflict of a very public life, and through this life creates an intimate portrait of the twentieth century.

“An outstanding book.”—James Sexton “A welcome and necessary update of the life of one of the twentieth century's most provocative intellectuals.”—Dana Sawyer A rich and lucid account of Aldous Huxley’s life and work. Aldous Huxley was one of the twentieth century’s most prescient thinkers. This new biography is a rich and lucid account that charts the different phases of Huxley’s career: from the early satirist who depicted the glamorous despair of the postwar generation, to the committed pacifist of the 1930s, the spiritual seeker of the 1940s, the psychedelic sage of the 1950s—who affirmed the spiritual potential of mescaline and LSD—to the New Age prophet of Island. While Huxley is still best known as the author of Brave New World, Jake Poller argues that it is The Perennial Philosophy, The Doors of Perception, and Island—Huxley’s blueprint for a utopian society—that have had the most cultural impact.

A comprehensive and entertaining history of theTimes Literary Supplement,this text is not only a "biography" of an institution, but it is a reflection of the changes in British literature and culture throughout the 20th century. From its first tenuous year in 1902 to its modern-day incarnation, theTimes Literary Supplementhas been home to an astonishing assemblage of outstanding writers. This work also reveals for the first time the identities of the journal's anonymous reviewers since 1902—a tradition which lasted until 1974. Derwent May, formerly of the TLS himself, also examines the ethos and aims of the paper's editors, management, and staff; and the controversies, quarrels, and relations between writers and critics.

Russia in the late nineteenth century may have been an autocracy, but it was far from silent. In the 1860s, new venues for public speech sprang up: local and municipal assemblies, the courtroom, and universities and learned societies. Theatre became more lively and vernacular, while the Orthodox Church exhorted its priests to become better preachers. Although the tsarist government attempted to restrain Russia's emerging orators, the empire was entering an era of vigorous modern politics. All the while, the spoken word was amplified by the written: the new institutions of the 1860s brought with them the adoption of stenography. Russian political culture reached a new peak of intensity with the 1905 revolution and the creation of a parliament, the State Duma, whose debates were printed in the major newspapers. Sometimes considered a failure as a legislative body, the Duma was a formidable school of modern political rhetoric. It was followed by the cacophonous freedom of 1917, when Aleksandr Kerensky, dubbed Russia's 'persuader-in-chief', emerged as Russia's leading orator only to see his charisma wane. The Bolsheviks could boast charismatic orators of their own, but after the October Revolution they also turned public speaking into a core ritual of Soviet 'democracy'. The Party's own gatherings remained vigorous (if also sometimes vicious) throughout the 1920s; and here again, the stenographer was in attendance to disseminate proceedings to a public of newspaper readers or Party functionaries. How Russia Learned to Talk offers an entirely new perspective on Russian political culture, showing that the era from Alexander II's Great Reforms to early Stalinism can usefully be seen as a single 'stenographic age'. All Russia's rulers, whether tsars or Bolsheviks, were grappling with the challenges and opportunities of mass politics and modern communications. In the process, they gave a new lease of life to the age-old rhetorical technique of oratory.