The Traditional History And Characteristic Sketches Of The Ojibway Nation Classic Reprint

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Excerpt from The Traditional History and Characteristic Sketches of the Ojibway Nation About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"A sketch of my nation's history, describing its home, its country, and its peculiarities, and...its traditional legends," written by George Copway, (also known as Kah-Ge-Ga-Gah-Bowh, Chief of the Ojibway Nation), and first published in England, in 1850. A thorough examination of Ojibway Indian history, culture, traditions, and beliefs, by a chief who had one foot in the life of his tribe and the other in the white world. Includes discussions of Indian writing and language, along with illustrations depicting various symbols used in picture writing. Copway offers one of the earliest arguments for Indian reservations. George Copway (1818-ca.1863), was an Ojibwa Indian chief, educated in Illinois, who produced important translations into the Chippewa language. He lived and worked mostly in Michigan, but was also connected with the New York press, and he toured and lectured widely in Europe.

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Opening a dialogue between ecocriticism and transatlantic studies, this collection shows how the two fields inform, complement, and complicate each other. The editors situate the volume in its critical contexts by providing a detailed literary and historical overview of nineteenth-century transatlantic socioenvironmental issues involving such topics as the contemporary fur and timber trades, colonialism and agricultural "improvement," literary discourses on conservation, and the consequences of industrial capitalism, urbanization, and urban environmental activism. The chapters move from the broad to the particular, offering insights into Romanticism’s transatlantic discourses on nature and culture, examining British Victorian representations of nature in light of their reception by American writers and readers, providing in-depth analyses of literary forms such as the adventure novel, travel narratives, and theological and scientific writings, and bringing transatlantic and ecocritical perspectives to bear on classic works of nineteenth-century American literature. By opening a critical dialogue between these two vital areas of scholarship, Transatlantic Literary Ecologies demonstrates some of the key ways in which Western environmental consciousness and associated literary practices arose in the context of transatlantic literary and cultural exchanges during the long nineteenth century.