The Tragic Flaw

Daisy Miller is the story of a young woman from New York's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. The novella was the first big success for author Henry James who would repeat the theme of a venturesome American girl in the treacherous waters of European society in his later masterpiece, The Portrait of a Lady.

Following in his Italian father's gangster footsteps, the bi-racial Cicero Day has little problem rising to the top of the Kansas City underworld. He and his comrades deal with their enemies with all manner of weaponry: guns, knives, poison, trained beasts and even HIV. Yet, Cicero is haunted by recurring nightmares, and bothered with his mother's steadfast belief in God. Cicero, who is an atheist, feels there's no place for myths in a man's life who is trying to ascend to power. While he is the master of his domain and even viewed as a hero to some, there is an unseen kink in his seemingly impregnable armor.

Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.

In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."

*INSTANT NATIONAL BESTSELLER Detectives dig into the dark side of Toronto when a serial killer targets homeless people camped out near one of the city’s most exclusive enclaves in this latest crime thriller from bestselling author Robert Rotenberg. Exactly what is one person’s death worth? For decades, the Humber River Golf Course has been one of the city’s most elite clubs. All is perfect in this playground for the rich, until homeless people move into the pristine ravine nearby, and tensions mount between rich and poor and reach a head when two of the squatters are brutally murdered. The killings send shockwaves through the city, and suspicion immediately falls upon the members of the club. Protests by homeless groups and their supporters erupt. Suddenly the homelessness problem has caught the attention of the press, politicians, and the public. Ari Greene, now the head of the homicide squad, leaves behind his plush new office and, with his former protégé Daniel Kennicott in tow, returns to the streets to investigate. Meanwhile, Greene’s daughter, Alison, a dynamic young TV journalist, reports on the untold story of extreme poverty in Toronto. With all the attention focused on the murders, pressure is on Greene to find the killer—now. He calls on his old contacts and his well-honed instincts to pursue the killer and save the city and the people he loves. But then a third body is found. A riveting page-turner ringing with authenticity, Downfall is a scathing look at the growing disparity between rich and poor in Canada’s wealthiest city.

Aristotle and the Arc of Tragedy is the latest of Leon Golden’s books to connect Ancient Greece to modern culture. In a world facing many pressing issues Classics professor Golden wants to champion the values and achievements of Classical Civilization. He asserts that Homeric Epic and Greek Tragedy are as relevant today as they were millennia ago because they are riveting and insightful studies of the human condition. Their universality grants them a contemporary relevance despite the passage of time and changes in custom and taste. In one of his previous books, Understanding the Iliad, Golden illuminated the relevance of The Iliad for modern readers. The Bryn Mawr Classical Review praised Understanding the Iliad because it, “achieves what it sets out to accomplish: to provide an interpretation of the Iliad that emphasizes its didactic aspects, its ability to improve its readers by presenting the spectacle of the evolution of a flawed warrior consumed by destructive anger to a legitimate hero who transcends his narcissism and grandiosity and reaches out to others and by doing so heals his own aching soul in the process.” Golden, making use of correspondence and personal contact with Joseph Heller, himself, argues convincingly in Achilles and Yossarian that Homer’s The Iliad exerted a profound influence over Heller as he wrote his modern classic, Catch-22. A Kirkus review acclaims Achilles and Yossarian in these words: “Golden combines impressive erudition with a sharp critical eye and a lucid prose style that laymen will find accessible and engaging. The result is an original and persuasive work of literary scholarship that finds much more than mere war stories in these classics.”

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.