The Transit Of Venus

The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.

A “thrilling adventure story" (San Francisco Chronicle) that brings to life the astronomers who in the 1700s embarked upon a quest to calculate the size of the solar system, and paints a vivid portrait of the collaborations, rivalries, and volatile international politics that hindered them at every turn. • From the author of Magnificent Rebels and New York Times bestseller The Invention of Nature. On June 6, 1761, the world paused to observe a momentous occasion: the first transit of Venus between the Earth and the Sun in more than a century. Through that observation, astronomers could calculate the size of the solar system—but only if they could compile data from many different points of the globe, all recorded during the short period of the transit. Overcoming incredible odds and political strife, astronomers from Britain, France, Russia, Germany, Sweden, and the American colonies set up observatories in the remotest corners of the world, only to be thwarted by unpredictable weather and warring armies. Fortunately, transits of Venus occur in pairs; eight years later, they would have another opportunity to succeed. Thanks to these scientists, neither our conception of the universe nor the nature of scientific research would ever be the same.

The story of the Bounty mutiny is well known. Fletcher Christian's mutineers set Captain William Bligh and others adrift in a ship's boat. Bligh sailed some 5000 kilometres to safety; the mutineers returned to Tahiti before making their way to isolated and uninhabited Pitcairn Island. But what of the Tahitian women who joined the Bounty at Tahiti? Their powerful and compelling story is told in Transit of Venus. Mauatua and her friends and relatives speak directly to us in beautiful and startlingly perceptive ways as they move away from their homeland and pass into the feverish intensity of drunkenness, betrayal and murder that mark the early years on Pitcairn. In so doing they assert their place in a story that has fascinated readers for generations.

The Great Fire is the winner of the 2003 National Book Award for Fiction. A great writer's sweeping story of men and women struggling to reclaim their lives in the aftermath of world conflict The Great Fire is Shirley Hazzard's first novel since The Transit of Venus, which won the National Book Critics Circle Award in 1981. The conflagration of her title is the Second World War. In war-torn Asia and stricken Europe, men and women, still young but veterans of harsh experience, must reinvent their lives and expectations, and learn, from their past, to dream again. Some will fulfill their destinies, others will falter. At the center of the story, Aldred Leith, a brave and brilliant soldier, finds that survival and worldly achievement are not enough. Helen Driscoll, a young girl living in occupied Japan and tending her dying brother, falls in love, and in the process discovers herself. In the looming shadow of world enmities resumed, and of Asia's coming centrality in world affairs, a man and a woman seek to recover self-reliance, balance, and tenderness, struggling to reclaim their humanity.

Obsessions and lifelong loves permeate Maureen Hunter's Transit of Venus as the eighteenth-century astronomer, Le Gentil, charts the heavens for Venus and the realm of his heart for his young fiancee. Le Gentil puts off marrying the young and wilful Celeste as he travels around the world in his attempts to plot the course of Venus across the sky, only to be undone at every turn by weather, war, and misfortune, and to find upon his final return a woman undone by his absence and ready to set her own course. Spanning eleven years in the lives of Le Gentil and Celeste, Hunter's play explores issues of faith, solitude, and the human spirit.

The treatise by Jeremiah Horrocks (1618-1641) on the transit of Venus of 1639 is an account of an important astronomical observation, as well as an analysis and commentary on the changing state and practice of astronomy during the significant period between the achievements of Johannes Kepler (1571-1630), Galileo Galilei (1564-1642) and Isaac Newton (1642-1727). This work has, in addition, the power to delight and charm us as the record of a young astronomer’s encounter with a rare astronomical event and the manner in which he discovered, observed, and drew conclusions from it. Its appeal is heightened by the knowledge that a self-trained young man stole a march on all the astronomers of his day.

Collected Stories includes both volumes of the National Book Award–winning author Shirley Hazzard’s short-story collections—Cliffs of Fall and People in Glass Houses—alongside uncollected works and two previously unpublished stories Shirley Hazzard's Collected Stories is a work of staggering breadth and accomplishment. Taken together, these twenty-eight short stories are masterworks in telescoping focus, ranging from quotidian struggles between beauty and pragmatism to satirical send-ups of international bureaucracy, from the Italian countryside to suburban Connecticut. Hazzard's heroes are high-minded romantics who attempt to fit their feelings into the twentieth-century world of office jobs and dreary marriages. After all, as she writes in "The Picnic," "It was tempting to confine oneself to what one could cope with. And one couldn't cope with love." And yet it is the comedy, the tragedy, and the splendor of love, the pursuit and the absence of it, that animates Hazzard's stories and provides the truth and beauty that her protagonists seek. Hazzard once said, "The idea that somebody has expressed something, in a supreme way, that it can be expressed; this is, I think, an enormous feature of literature." Her stories themselves are a supreme evocation of writing at its very best: probing, uncompromising, and deeply felt.