The Transit Of Venus Enterprise In Victorian Britain

In nineteenth century, the British Government spent money measuring the distance between the earth and the sun using observations of the transit of Venus. This book presents a narrative of the two Victorian transit programmes. It draws out their cultural significance and explores the nature of 'big science' in late-Victorian Britain.

In nineteenth century, the British Government spent money measuring the distance between the earth and the sun using observations of the transit of Venus. This book presents a narrative of the two Victorian transit programmes. It draws out their cultural significance and explores the nature of 'big science' in late-Victorian Britain.

With just 400 pages, this title provides readers with the results of recent research from some of the world's leading historians of astronomy on aspects of Arabic, Australian, Chinese, Japanese, and North and South American astronomy and astrophysics. Of particular note are the sections on Arabic astronomy, Asian applied astronomy and the history of Australian radio astronomy, and the chapter on Peruvian astronomy. This title is of particular appeal to those with research interests in applied historical astronomy; archaeoastronomy; calendars, manuscripts, and star charts; historical instruments and observatories, and the history of radio astronomy.

Hesketh challenges accepted notions of a single scientific approach to history. Instead, he draws on a variety of sources – monographs, lectures, correspondence – from eminent Victorian historians to uncover numerous competing discourses.

This book offers an in-depth, global history of the British Magnetic Survey - the nineteenth-century, British-government-funded efforts to measure and understand the earth's magnetic field. These scientific efforts are situated within the context of the development of 'global science' and the ways they intersected with empire and colonialism.

From the latest scientific advances to observation advice for amateur astronomers, a beautifully illustrated exploration of one of Earth’s closest neighbors. This book is a new, beautifully illustrated account of Venus, taking in the most recent research into this mysterious, inhospitable world. The book looks at the history of our observations of the planet, from early astronomy to future space missions, and seeks to shed light on many of the questions that remain unanswered, such as why Venus and the Earth—so similar in size and mass—evolved in such different directions, and how Venus acquired its dense carbon-dioxide atmosphere. Above all, Venus assesses whether life might have escaped from the oven-like temperatures at the surface and evolved to become perpetually airborne—in which case Venus may not be lifeless after all.

Throughout its early history, photography's authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.Before photomechanical printing processes became widely used in the 1890s, scientific periodicals were unable to reproduce photographs and instead included these photographic images as engravings, with the label ‘from a photograph’. Consequently, every image was mediated by a human interlocutor, introducing the potential for error and misinterpretation. Rather than ‘reading’ photographs in the context of where or how they were taken, this book emphasises the importance of understanding how photographs are reproduced. It explores and compares the value of photography as authentic proof in both popular and scientific publications during this period of significant technological developments and a growing readership. Three case studies investigate different uses of photography in print: using pigeons to transport microphotographs during the Franco-Prussian War; the debate surrounding the development of instantaneous photography; and finally the photographs taken of the Transit of Venus in 1874, unseen by the human eye but captured on camera and made accessible to the public through the periodical.Addressing a largely overlooked area of photographic history, From a Photograph makes an important contribution to this interdisciplinary research and will be of interest to historians of photography, print culture and science.

Anne DeWitt examines how Victorian novelists challenged the claims of men of science to align scientific practice with moral excellence.