The Travelling Grave And Other Stories Valancourt 20th Century Classics

Though best known for his classic novel of Edwardian childhood The Go-Between, L. P. Hartley was also a master of supernatural and macabre fiction, the best of which is collected in The Travelling Grave and Other Stories. This volume demonstrates Hartley's versatility, ranging from traditional ghost stories like 'Feet Foremost' and 'The Cotillon' to the wickedly black humour of the horror masterpieces 'The Travelling Grave' and 'The Killing Bottle'. Originally published in 1948 and long out of print, this collection features twelve of Hartley's finest tales, presented in this edition with a new introduction by John Howard.

Colonel Macready thinks his bookish seventeen-year-old son Fergus is too soft, so he enlists the help of his manly chauffeur, Fred Carrington, to help whip the boy into shape. But the sweaty afternoons in the harness room above the garage take a turn the Colonel hadn't foreseen when Fergus and Fred's boxing sessions lead first to friendship, and then to something more . . . L. P. Hartley (1895-1972) is best known for his classics The Go-Between and Eustace and Hilda, as well as his supernatural stories, but The Harness Room (1971), the author's only explicitly gay-themed novel, reveals another side to this important 20th-century English writer. This first-ever reprint of Hartley's scarce novel features a new introduction by Gregory Woods, who writes that The Harness Room 'can be seen as representing a pivotal moment, not only in the career of this significant gay author, but also in the development of gay fiction itself'.

Jack Quinlan, an American writer, travels to a small village in the remote western part of Ireland to research a book on the Irish Famine. The quiet, picturesque village seems just the place to spend a few months writing, but beneath its placid exterior lurk dark secrets. Why do the locals behave so strangely? What is Father Henning, the enigmatic parish priest, hiding? And what is the meaning of the strange ritual Jack observes in the cemetery? The search for answers will lead him to the terrifying discovery that the ghosts of the past linger on in the present, and they cry out for blood ... An atmospheric, haunting ghost story, Cast a Cold Eye (1984) is a slow burn horror novel that will keep readers in suspense until its chilling conclusion. ​

Welcome to Babylon, a typical sleepy Alabama small town, where years earlier the Larkin family suffered a terrible tragedy. Now they are about to endure another: fourteen-year-old Margaret Larkin will be robbed of her innocence and her life by a killer who is beyond the reach of the law. But something strange is happening in Babylon: traffic lights flash an eerie blue, a ghostly hand slithers from the drain of a kitchen sink, graves erupt from the local cemetery in an implacable march of terror ... And beneath the murky surface of the river, a shifting, almost human shape slowly takes form. Night after night it will pursue the murderer. And when the full moon rises over Babylon, it will seek a terrible vengeance ...

In this volume, you will encounter tales of ghosts, haunted houses, witchcraft, vampirism, lycanthropy, and sea monsters. Stories of cruelty and vengeance, of a body that refuses to be cremated, a deranged performer with one last shocking show, a frozen corpse that may not be dead. With stories ranging from frightening to horrific to weird to darkly funny, by a lineup of authors that includes both masters of horror fiction and award-winning literary greats, this is a horror anthology like no other. Spanning two hundred years of horror, this new collection features seventeen macabre gems, including two original tales and many others that have never or seldom been reprinted, by: Charles Birkin • John Blackburn • Michael Blumlein • Mary Cholmondeley • Hugh Fleetwood • Stephen Gregory • Gerald Kersh • Francis King • M. G. Lewis • Florence Marryat • Richard Marsh • Michael McDowell • Christopher Priest • Forrest Reid • Bernard Taylor • Hugh Walpole 'The things were there and they were hiding in the slime; waiting ... waiting to clutch and claw and savage’ - AUNTY GREEN by John Blackburn ‘The sound that came from her throat, a small, pleading cry of terror, was cut off before she’d hardly had a chance to utter it’ - OUT OF SORTS by Bernard Taylor ‘The words filled her with an indescribable fear, and she turned to run; but her way was blocked by a figure, gigantic in stature​ – and its monstrous shape moved towards her, and she knew it was the incarnation of evil itself ’ - THE TERROR ON TOBIT by Charles Birkin

"The best writer in the genre since H. P. Lovecraft." - Los Angeles Herald-Examiner "Outstanding in the genre." - August Derleth "In the same class as M.R. James and Algernon Blackwood." - Michael and Mollie Hardwick "One of the last great traditionalists of English fiction." - Colin Wilson Frederick Plowright, a well-known scientific photographer, is recruited by Professor Clark Ashton Scarsdale to accompany his research team in search of "The Great White Space," described in ancient and arcane texts as a portal leading to the extremities of the universe. Plowright, Scarsdale, and the rest of their crew embark on the Great Northern Expedition, traversing a terrifying and desolate landscape to the Black Mountains, where a passageway hundreds of feet high leads to a lost city miles below the surface of the earth. But the unsettling discoveries they make there are only a precursor of the true horror to follow. For the doorway of the Great White Space opens both ways, and something unspeakably evil has crossed over-a horrifying abomination that does not intend to let any of them return to the surface alive . . . One of the great British horror writers of the 20th century, Basil Copper (1924-2013) was best known for his macabre short fiction, which earned him the World Horror Convention's Lifetime Achievement Award in 2010. The Great White Space (1974) is a tale in the mode of H. P. Lovecraft and is recognized as one of the best Lovecraftian horror novels ever written. This edition, the first in more than 30 years, includes a new introduction by Stephen Jones.

The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens's "A Christmas Carol" will be surprised and delighted at the astonishing variety of ghostly tales in this volume. "In the sickly light I saw it lying on the bed, with its grim head on the pillow. A man? Or a corpse arisen from its unhallowed grave, and awaiting the demon that animated it?" - John Berwick Harwood, "Horror: A True Tale" "Suddenly I aroused with a start and as ghostly a thrill of horror as ever I remember to have felt in my life. Something--what, I knew not--seemed near, something nameless, but unutterably awful." - Ada Buisson, "The Ghost's Summons" "There was no longer any question what she was, or any thought of her being a living being. Upon a face which wore the fixed features of a corpse were imprinted the traces of the vilest and most hideous passions which had animated her while she lived." - Walter Scott, "The Tapestried Chamber"

First published: London: Secker and Warburg, 1957.