The Treasure Trove Of American Jewish Humor

These essays address Jewish identity, Jewish survival, and Jewish continuity. The authors account for and analyze trends in Jewish identification and the reciprocal effects of the relationship between the Diaspora and Israel at the end of the twentieth century. Jewish identification in contemporary society is a complex phenomenon. Since the emancipation of Jews in Europe and the major historic events of the Holocaust and the establishment of the State of Israel, there have been substantial changes in the collective Jewish identity. As a result, Jewish identity and the Jewish process of identification had to confront the new realities of an open society, its economic globalization, and the impacts of cultural pluralism. The trends in Jewish identification are toward fewer and weaker points of attachment: fewer Jews who hold religious beliefs with such beliefs held less strongly; less religious ritual observance; attachment to Zionism and Israel becoming diluted; and ethnic communal bonds weakening. Jews are also more involved in the wider society in the Diaspora due to fewer barriers and less overt anti-Semitism. This opens up possibilities for cultural integration and assimilation. In Israel, too, there are signs of greater interest in the modern world culture. The major questions addressed by this volume is whether Jewish civilization will continue to provide the basic social framework and values that will lead Jews into the twenty-first century and ensure their survival as a specific social entity. The book contains special contributions by Professor Julius Gould and Professor Irving Louis Horowitz and chapters on "Sociological Analysis of Jewish Identity"; "Jewish Community Boundaries"; and "Factual Accounts from the Diaspora and Israel."

The thirteen chapters in this book are derived from the First International Conference on Jewish Humor held at Tel-Aviv University. The authors are scientists from the areas of literature, linguistics, sociology, psychology, history, communications, the theater, and Jewish studies. They all try to understand different aspects of Jewish humor, and they evoke associations, of a local-logical nature, with Jewish tradition. This compilation reflects the first interdisciplinary approach to Jewish humor. The chapters are arranged in four parts. The first section relates to humor as a way of coping with Jewish identity. Joseph Dorinson's chapter underscores the dilemma facing Jewish comedians in the United States. These comics try to assimilate into American culture, but without giving up their Jewish identity. The second section of the book deals with a central function of humor--aggression. Christie Davies makes a clear distinction between jokes that present the Jew as a victim of anti-Semitic attacks and those in which the approach is not aggressive. The third part focuses on humor in the Jewish tradition. Lawrence E. Mintz writes about jokes involving Jewish and Christian clergymen. The last part of the book deals with humor in Israel. David Alexander talks about the development of satire in Israel. Other chapters and contributors include: -Psycho-Social Aspects of Jewish Humor in Israel and in the Diaspora- by Avner Ziv; -Humor and Sexism: The Case of the Jewish Joke- by Esther Fuchs; -Halachic Issues as Satirical Elements in Nineteenth Century Hebrew Literature- by Yehuda Friedlander; -Do Jews in Israel still laugh at themselves?- by O. Nevo; and -Political Caricature as a Reflection of Israel's Development- by Kariel Gardosh. Each chapter in this volume paves the way for understanding the many facets of Jewish humor. This book will be immensely enjoyable and informative for sociologists, psychologists, and scholars of Judaic studies.

Humor has had a profound effect on the way the Jewish people see the world, and has sustained them through millennia of hardships and suffering. God Laughed reviews, organizes, and categorizes the humor of the ancient Jewish texts-the Hebrew Bible, the Talmud, and Midrash-in a clear, readable, and accessible manner. These works have influenced the Jewish people in many ways, and all are replete with humor and wit. Inevitably, this oeuvre of Jewish humor has itself influenced generations of comics, as well as genres of humor. The authors use examples of Biblical humor from several broad categories, including irony, sarcasm, wordplay, humorous names, humorous imagery, and humorous situations. Because their primary purpose is not to entertain, but to teach humanity how to live the ideal life, much of the humor in the Talmud and the Midrash has a single purpose: to demonstrate that evil is wrong and even, at times, ludicrous. This may help explain why approximately 1,500 years after its closing, the Talmud is still such a fascinating work.

With an ongoing international conference, Jewish humor in recent years has been a subject of serious scholarly inquiry. Most academic publications, however, have been individual works representing a particular thesis or viewpoint, generally on literary aspects. The present collection of essays by scholars from England, France, the United States, Denmark, Israel, and Australia explores characteristics of Jewish humor from a variety of perspectives, including anthropology, literature, psychology, sociology, and religion. Geographically, the work distinguishes between the Jewish humor of Israel and that of the diaspora; historically, it traces Jewish humor to the Bible. The linkages with Judaism and the Yiddish language are explored. Essays deal with the Jewish use of humor in stressful and tragic situations, with self-disparagement in Jewish humor, with anti-semitism and stereotyping, and with Jewish women as the objects of humor. The contributions to world culture of humorists Sholom Aleichem, Woody Allen, Philip Roth, Charlie Chaplin, and numerous contemporary performers are discussed as are the Jewish theorists of humor, including Sigmund Freud, Henri Bergson, and Arthur Koestler. An interdisciplinary book, it will be of interest to students and researchers of Jewish tradition and folklore, Jewish-American literature, American studies, and humor, popular culture, anthropology, psychology, and sociology.

Defines the distinctive field of Jewish cultural studies and its basis in folkloristic, psychological, and ethnological approaches.

The Mirth of Nations is a social and historical study of jokes told in the principal English-speaking countries. It is based on use of archives and other primary sources, including old and rare joke books. Davies makes detailed comparisons between the humor of specific pairs of nations and ethnic and regional groups. In this way, he achieves an appreciation of the unique characteristics of the humor of each nation or group.A tightly argued book, The Mirth of Nations uses the comparative method to undermine existing theories of humor, which are rooted in notions of hostility, conflict, and superiority, and derive ultimately from Hobbes and Freud. Instead Davies argues that humor merely plays with aggression and with rule-breaking, and that the form this play takes is determined by social structures and intellectual traditions. It is not related to actual conflicts between groups. In particular, Davies convincingly argues that Jewish humor and jokes are neither uniquely nor overwhelmingly self-mocking as many writers since Freud have suggested. Rather Jewish jokes, like Scottish humor and jokes are the product of a strong cultural tradition of analytical thinking and intelligent self-awareness.The volume shows that the forty-year popularity of the Polish joke cycle in America was not a product of any special negative feeling towards Poles. Jokes are not serious and are not a form of determined aggression against others or against one's own group. The Mirth of Nations is readable as well as revisionist. It is written with great clarity and puts forward difficult and complex arguments without jargon in an accessible manner. Its rich use of examples of all kinds of humor entertains the reader, who will enjoy a great variety of jokes while being enlightened by the author's careful explanations of why particular sets of jokes exist and are immensely popular. The book will appeal to general readers as well as those in cultural stu