The True West

Did you know that the Lone Ranger was likely inspired by a black cowboy? Or that some of the most famous sharpshooters in the West were women? Or how a Native American rodeo star could ride even a buffalo? These are no tall tales! In fact, historians estimate that 1 in 4 cowboys were actually black, latino, or Native American--or even women! So saddle up for a tour of the Wild West with some of history's most unsung heroes and discover how the great Western story is really everyone's story.

In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature,øpopular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the ?real? authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park?s Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.

The best-seller that presents the living traditions and the design highlights of Western life. Collector's treasures of cowboy gear, leather goods, rugs and textiles, and even 1950s "Cowboyana" are here in rich detail, along with adobe homes, mountain cabins, and historic ranches; round-ups and rodeos; and wagon wheels and movie stills. Full-color photographs.

Western Australia, 1988. After betraying the Knights bikie gang, 17-year-old Lee Southern flees to the city with nothing left to lose. Working as a rogue tow truck driver in Perth, he is captured by right-wing extremists whose combination of seduction and blackmail keeps him on the wrong side of the law and under their control.As the true nature of what is driving his captors unfolds, Lee becomes an unwilling participant in a breathtakingly ambitious plot &– and a cold-blooded crime that will show just how much he, and everyone else, still has to lose.A noir crime novel, True West is full of white-knuckle suspense perfect for readers who like thrilling, gritty fiction.PRAISE FOR THE BOOK&‘ But for all of Whish-Wilson' s skill with impactful action and white-knuckle suspense, True West ultimately reveals itself as a complex morality tale about the tenacious spread of prejudice.' Books+Publishing&‘ This is compelling, thrilling, and still feels like it could be played out today ...' Readings

Return with us to yesteryear, when cowboys were cowboys and gunslingers lurked around every corner. Today that colorful period continues to resonate in the collective imagination of red-blooded Americans everywhere--and now we have True West, which illustrates, in hundreds of full-color illustrations, how America's mass media stamped that vision so indelibly on our collective unconscious over the past century, into today. Boasting hundreds of rare and colorful movie posters, pulp magazines, television memorabilia, advertisements, paperback books, record album jackets, toys, and clothing, True West covers such hugely popular television series as Gunsmoke, The Lone Ranger, and Bonanza, along with classic Western novels, including Shane, The Searchers, Welcome to Hard Times and that epic of all epics, Lonesome Dove. True West bows to the icons who ruled the silver screen--Tom Mix, Gene Autry, Roy Rogers, John Wayne, and Clint Eastwood, to name a few, while offering up such indelible movie triumphs as Red River, The Searchers, Hud, The Wild Bunch, and Unforgiven. It also showcases the great Western comic books and comic strips--Colt, Red Ryder, Straight Arrow, and Jonah Hex--along with all those nifty toys and other ephemera that helped link kids to celluloid heroes like Hopalong Cassidy, Roy and Dale, and the ubiquitous Gene Autry. And what would the Wild West be without an accompanying soundtrack? True West reproduces the sublime album covers and sheet music that served up classic odes like "Streets of Laredo" and "Cool Water," narrative ballads like "El Paso" (with Marty Robbins bedecked in his black gunfighter togs on the cover!), and "High Noon."

A powerful, yet funny confrontation between two brothers set in the contemporary West.

A historian offers the biography of the soldier and explorer for whom Pike's Peak is named, describing his amazing expeditions through areas that would become modern-day Mississippi, Minnesota and Arkansas before being captured by the Spanish.

This ground-breaking work documents Russian efforts to appropriate Western solutions to the problem of economic backwardness since the time of Catherine the Great. Entangled then as now with issues of cultural borrowing, educated Russians searched for Western nations, ideas, and social groups that embodied universal economic truths applicable to their own country. Esther Kingston-Mann describes Russian Westernization--which emphasized German as well as Anglo-U.S. economics--while she raises important questions about core values of Western culture and how cultural values and priorities are determined. This is the first historical account of the significant role played by Russian social scientists in nineteenth-century Western economic and social thought. In an era of rapid Western colonial expansion, the Russian quest for the "right" Western economic model became more urgent: Was Russia condemned to the fate of India if it did not become an England? In the 1900s, Russian liberal economists emphasized cultural difference and historical context, while Marxists and prerevolutionary government reformers declared that inexorable economic laws doomed peasants and their "medieval" communities. On the eve of 1917, both the tsarist regime and its leading critics agreed that Russia must choose between Western-style progress or "feudal" stagnation. And when peasants and communes survived until Stalin's time, he mercilessly destroyed them in the name of progress. Today Russia's painful modernizing traditions shape the policies of contemporary reformers, who seem as certain as their predecessors that economic progress requires wholesale obliteration of the past.