The Tumbler Of God

We need a new kind of mystic, writes Fr. Robert Wild; and in The Tumbler of God, he presents a spiritual portrait of G.K. Chesterton that convincingly shows why he is precisely the kind of new mystic we need. Chesterton s mysticism was grounded in an experiential knowledge that existence is a gift from God, and that the only response is a spirituality of gratitude and praise for the unveiled beauty of creation. "What was his secret ? It was to love the splendor of the real, and to live in adulthood the innocence and wonder of the child who sees everything for the first time. The Gospel tells us we must become again like little children in order to enter the kingdom. Chesterton shows us how. One of the best books I have ever read on Chesterton. --Dale Ahlquist A book that speaks openly of what is, in the end, the most important thing about him: his friendship with God. --Stratford Caldecott A ground-breaking examination of G.K. Chesterton. --Mark Sebanc Robert Wild s fascinating perspective is a welcome addition to the enlivening field of Chestertonian studies. --Chris Chan An exploration, made with deep and affectionate familiarity with GKC s writings, of what is meant by the word mystic . --Francis Phillips, The Catholic Herald

This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.

"Following Jesus on the Narrow Path to God," is a book that explores the hard choices for following Jesus throughout our lifetime; despite the busy nature of our lives and the many distractions the world often entices us with each day. God is calling every person in the world to come home to Him in heaven, but this pathway can only be found through Jesus at the Cross on Calvary. It is a journey where we must decide who we want to follow in life. Will we follow Jesus or will we follow the World? One path leads to everlasting life, while the other path leads to death. I will share with you many lessons the Lord has given me to strengthen me in my own journey from a wheelchair. Inside the book, "Following Jesus on the Narrow Path to God," you will be given a chance to explore many areas within each of your lives and you will see how these areas have impacted your faith: - The two different roads in life - Knowing thy self - The need for mercy - Knowing God - Following Jesus - Accepting help from the Holy Spirit - Finding your place in the Church

"Hearing God in the Battle" explores many of the strategies and tools that are available to Christians because of their relationship with the King. (Practical Life)

The Canticle of the Creatures “is Francis’s love song. It is Franciscan wholeness, for in it is contained the depth of his prayer and of his life in Christ. In its singing he was singing his dying and his rising, for his song was a journey of praise and thanksgiving for his place of origin and his destination, the Most High, All-Powerful, Good Lord.”—Murray Bodo Using St. Francis’s canticle as a framework, Murray Bodo, a Franciscan friar, and Susan Saint Sing, a secular Franciscan, reflect on the vision of Francis and Clare as it has played out over the course of their own lives. Susan’s experiences of healing during trips to Assisi and praying in nature and Murray’s deep understanding of Francis and Clare as poets and mystics come together in a duet that brings God’s love song to life. These deeply personal reflections explore the power of prayer and meditation, the sacredness of all creation, and the pull of sacred places. This meditative, reflective reading experience conveys what a lifetime of Franciscan spirituality looks like and will draw you into exploring your own experience of the vision of Francis and Clare.

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

War is coming... Peninsular India, fourteenth century. The Pandyan empire is at its peak, its enemies subdued and its people at peace. Having left behind his step-brother Sundar in the race to the throne, Crown Prince Veera Pandyan is set to rule from Madurai, reputed to be the richest city in the subcontinent. But invisible fractures within the kingdom threaten to destroy it, and a new enemy approaches, swifter than anyone can imagine. In Delhi, Sultan Alauddin Khilji’s trusted general, the eunuch Malik Kafur, has trained his eyes on the distant south, fabled for its riches. A slave captured by the Khiljis, Kafur is renowned for his ambition and cunning. None, not even the mighty Mongols, have defeated him – no empire can withstand the trail of destruction he leaves in his wake. And all he wants is to see Madurai on its knees, its wealth pillaged, its temples destroyed. As an ancient city combusts in flames of treachery, bloodlust and revenge, brother will battle brother, ambition will triumph over love, slaves will rise to rule, cities will be razed to dust, and the victor will be immortalized in history...