The Turn

#1 New York Times bestselling author Kim Harrison returns to her beloved Hollows series with The Turn, the official prequel to the series that will introduce you to a whole new side of Rachel Morgan's world as they've never seen it before! Can science save us when all else fails? Trisk and her hated rival, Kal, have the same goal: save their species from extinction. But death comes in the guise of hope when a genetically modified tomato created to feed the world combines with the government's new tactical virus, giving it an unexpected host and a mode of transport. Plague rises, giving the paranormal species the choice to stay hidden and allow humanity to die, or to show themselves in a bid to save them. Under accusations of scientific misconduct, Trisk and Kal flee across a plague-torn United States to convince leaders of the major paranormal species to save their supposedly weaker kin, but not everyone thinks humanity should be saved, and Trisk fights the prejudices of two societies to prove that not only does humanity have something to offer, but that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst that the best show their true strength, and that love can hold the world together as a new balance is found.

Biographical research methods have become a useful and popular tool for contemporary social scientists. This book combines an exploration of the origins of this field with comparative examples of the ways biographical methods have been applied.

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At the turn of the twenty-first century Britain is in a state of change. It is being transformed by the ongoing process of devolution as well as by its increasing multi-ethnicity. At the same time the relationship with the European Union remains controversial. This book charts these transformations in the context of the changes Britain experienced a century ago, at the turn of the twentieth century. Focusing on British politics, culture and literature the articles examine a range of topics, including models of utopian and apocalyptic thought, the contemporary celebrity cult, the state of literary theory in Britain and the recent "boom" in lyrical poetry and the "drama of blood sperm". The book is of interest to university lecturers, teachers, students of English and the general reader interested in the present condition of the United Kingdom. Book jacket.

The Turn of the Screw, a novella written by Henry James in 1898, is perhaps one of the most widely read ghost stories in classrooms across the country. The story’s ambiguity and characters’ unreliability also mark the book as a work of impressionism, an important literary movement that’s often left out of the children’s literary “canon.” While best-known for The Turn of the Screw, James wrote many ghost stories during his illustrious career. “The Romance of Certain Old Clothes” and “The Ghostly Rental” are two of those short stories that young readers will enjoy reading, featuring relatively accessible plots and writing.

The author of Dirt Music and The Riders captures the urgency of memory and the way an entire life can be shaped by one event from the past in this capsule of connected stories set on the coast of Western Australia. Tim Winton's stunning collection of connected stories is about turnings of all kinds—changes of heart, slow awakenings, nasty surprises and accidents, sudden detours, resolves made or broken. Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

The Plastic Turn offers a novel way of looking at plastic as the defining material of our age and at the plasticity of plastic as an innovative means of understanding the arts and literature. Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. Plastic's growth as a product in the culture industry, its formation through multiple application and chemical syntheses, and its circulation via oceanic movements, Ghosh argues, correspond with, and offers novel insights into, developments in modernist literature and critical theory. Through innovative readings of canonical modernist texts, analyses of art works, and accounts of plastic's devastating environmental impact, The Plastic Turn proposes plastic's unique properties and destructive ubiquity as a "theory machine" to explain literature and life in the Anthropocene. Introducing several new concepts (like plastic literature, plastic literary, etc.) into critical-humanist discourse, Ghosh enmeshes literature and theory, materiality and philosophy, history and ecology, to explore why plastic as a substance and as an idea intrigues, disturbs, and haunts us.

INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.