The Tvs Of Tomorrow

In 1968 a team of scientists and engineers from RCA announced the creation of a new form of electronic display that relied upon an obscure set of materials known as liquid crystals. At a time when televisions utilized bulky cathode ray tubes to produce an image, these researchers demonstrated how liquid crystals could electronically control the passage of light. One day, they predicted, liquid crystal displays would find a home in clocks, calculators—and maybe even a television that could hang on the wall. Half a century later, RCA’s dreams have become a reality, and liquid crystals are the basis of a multibillion-dollar global industry. Yet the company responsible for producing the first LCDs was unable to capitalize upon its invention. In The TVs of Tomorrow, Benjamin Gross explains this contradiction by examining the history of flat-panel display research at RCA from the perspective of the chemists, physicists, electrical engineers, and technicians at the company’s central laboratory in Princeton, New Jersey. Drawing upon laboratory notebooks, internal reports, and interviews with key participants, Gross reconstructs the development of the LCD and situates it alongside other efforts to create a thin, lightweight replacement for the television picture tube. He shows how RCA researchers mobilized their technical expertise to secure support for their projects. He also highlights the challenges associated with the commercialization of liquid crystals at RCA and Optel—the RCA spin-off that ultimately manufactured the first LCD wristwatch. The TVs of Tomorrow is a detailed portrait of American innovation during the Cold War, which confirms that success in the electronics industry hinges upon input from both the laboratory and the boardroom.

The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.

Hannah learns that old wounds never die, especially in a retirement community full of vengeful murderers. When Hannah Ivy visits her friend Nadine Smith Gray at the Calvert Colony retirement community, she didn’t expect to be introduced to such a wide range of characters. Nor did she expect to become a volunteer in the memory care unit. Even more surprising is her discovery of the dead body of one of the residents. As it’s clearly not a victim of old age, Hannah helps the local detective sift through a disturbingly large cast of suspects. Seems old grudges never retire, but Hannah is determined to put a murderer on ice forever. “This is the thirteenth Hannah Ives mystery, and the series feels as fresh as the day it was born.” —Booklist

The fourteen essays featured here focus on series such as Space Patrol, Tom Corbett, and Captain Z-Ro, exploring their roles in the day-to-day lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.

The sci-fi adventure that began with Yesterday continues with a thriller that can also be read as a standalone. 2063, United North America: climate change has rendered great swathes of the country uninhabitable, the rise of robot workers has created mass unemployment, eco-terrorism is a constant threat and a 2059 nuclear exchange between Pakistan and India has torn large holes in the world's ozone layer and pushed humanity's existence towards a cliff. Garren and Freya have managed to escape that nightmare world and lose themselves in 1986 Vancouver. But the future's reach is long, and they're no longer safe there. No one is. Shadowy forces are intent on influencing the past's path. And when Freya is taken, it's up to Garren to save both her, and the future.

A discussion of a truly international range of television programs, this title covers alternative modes of television such as digital and satellite.

The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.