The Urban Archetypes Of Jane Jacobs And Ebenezer Howard

Ebenezer Howard, an Englishman, and Jane Jacobs, a naturalized Canadian, personify the twentieth century's opposing outlooks on cities. Howard had envisaged small towns, newly built from scratch, fashioned on single family homes with small gardens. Jacobs embraced existing inner-city neighbourhoods emphasizing the verve of the living street. From Howard's idea, the American Dream of garden suburbs had emerged, yet his conceptualization of a modern city received criticism for being uniform and alienated from the rest of the city. Similarly, at the turn of the new century, Jacobs' inner-city neighbourhoods came to be recognized as the result of commodification, vacillating between poverty and newly discovered hubs of urban authenticity. Presenting Howard and Jacobs within a psychocultural context, The Urban Archetypes of Jane Jacobs and Ebenezer Howard addresses our urban crisis in the recognition that "city form" is a gendered, allegorical medium expressing femininity and masculinity within two founding features of the built environment: void and volume. Both founding contrasts bring tensions, but also the opportunities of fusion between pairs of urban polarities: human scale against superscale, gait against speed, and spontaneity against surveillance. Jacobs and Howard, in their respective attitudes, have come to embrace the two ancient archetypes, the Garden and the Citadel, leaving it to future generations to blend their two contrarian stances.

“Jane Jacobs is the kind of writer who produces in her readers such changed ways of looking at the world that she becomes an oracle, or final authority.” —The New York Sun Hailed by the New York Times Book Review as “perhaps the single most influential work in the history of town planning,” Jane Jacobs’s The Death and Life of Great American Cities was instantly recognized as a masterpiece upon its publication in 1961. In the decades that followed, Jacobs remained a brilliant and revered commentator on architecture, urban life, and economics until her death in 2006. These interviews capture Jacobs at her very best and are an essential reminder of why Jacobs was—and remains—unrivaled in her analyses and her ability to cut through cant and received wisdom. From the Trade Paperback edition.

The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence can still be felt in any discussion of urban planning to this day. Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed her writing skills at Iron Age, Architectural Forum, Fortune, and other outlets, while amassing the knowledge she would draw upon to write her most famous book, The Death and Life of Great American Cities. Here, too, is the activist who helped lead an ultimately successful protest against Robert Moses's proposed expressway through her beloved Greenwich Village; and who, in order to keep her sons out of the Vietnam War, moved to Canada, where she became as well known and admired as she was in the United States.

Recounts the life and career of the author of "The Death and Life of Great American Cities," discussing her influence on city planning and architecture.

For students, teachers and curious minds, our carefully structured jargon-free series helps you really get to grips with brilliant intellectuals and their inherently complex theories. Written in an accessible and engaging way, each book takes you through the life and influences of these great thinkers, then takes a deep dive into three of their key theories in plain English.Smart thinking made easy! Jane Jacobs was an urbanist, activist and pioneer and one of the most influential thinkers of the 20th century. Yet she remains hugely underrated, possibly because she was a woman writing in a male-dominated field. The aim of this book is to bring Jacobs' highly original ideas and perceptive insights to light, looking first at who she was as a person, where and how she lived, and how her ferocious intellect led her to unchartered frontiers of thought. Presenting her writings in three core chapters, Who the Hell is Jane Jacobs? looks at not only how Jacobs' ideas about cities and the economy evolved, but how these ideas play out in contemporary society. Jacobs shows us how society is about people, not money or power.

Essential reading for students and practitioners of urban design, this collection of essays introduces the 6 dimensions of urban design through a range of the most important classic and contemporary key texts. Urban design as a form of place making has become an increasingly significant area of academic endeavour, of public policy and professional practice. Compiled by the authors of the best selling Public Places Urban Spaces, this indispensable guide includes all the crucial definitions and various understandings of the subject, as well as a practical look at how to implement urban design that readers will need to refer to time and time again. Uniquely, the selections of essays that include the works of Gehl, Jacobs, and Cullen, are presented substantially in their original form, and the truly accessible dip-in-and-out format will enable readers to form a deeper, practical understanding of urban design.

In the 1970s, New York City hit rock bottom. Crime was at its highest, middleclass exodus was in high gear, and bankruptcy loomed. Many people credit New York's “master builder,” Robert Moses, with turning Gotham around, despite his heavy-handed ways. Roberta Brandes Gratz contradicts this conventional view. She argues that New York City recovered precisely because of the waning power of Moses and the growing influence of Jane Jacobs, the pioneer of organic renewal projects. As American cities face a new economic crisis, Jacobs's philosophy is again vital for metropolitan life. Gratz gives an on-the-ground account of urban renewal and community success. Her writing—at once personal, political, and instructive—breaks down how the impossible was achieved.

The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.