The Vanguard Messiah

In recent years the role of religion in the avant-garde has begun to attract scholarly interest. The present volume focuses on the work of the Romanian Jewish poet and visual artist Isidore Isou (1925–2007) who founded the lettrist movement in the 1940s. The Jewish tradition played a critical part in the Western avant-garde as represented by lettrism. The links between lettrism and Judaism are substantial, yet they have been largely unexplored until now. The study investigates the works of a movement that explicitly emphasises its vanguard position while relying on a medieval religious tradition as a source of radical textual techniques. It accounts for lettrism’s renunciation of mainstream traditions in favour of a subversive tradition, in this case Jewish mysticism. The religious inclination of lettrism also affects the notion of the avant-garde. The elements of the Jewish tradition in Isou’s theories and artistic production evoke a broader framework where religion and experimental art supplement each other.

In recent years the role of religion in the avant-garde has begun to attract scholarly interest. The present volume focuses on the work of the Romanian Jewish poet and visual artist Isidore Isou (1925–2007) who founded the lettrist movement in the 1940s. The Jewish tradition played a critical part in the Western avant-garde as represented by lettrism. The links between lettrism and Judaism are substantial, yet they have been largely unexplored until now. The study investigates the works of a movement that explicitly emphasises its vanguard position while relying on a medieval religious tradition as a source of radical textual techniques. It accounts for lettrism’s renunciation of mainstream traditions in favour of a subversive tradition, in this case Jewish mysticism. The religious inclination of lettrism also affects the notion of the avant-garde. The elements of the Jewish tradition in Isou’s theories and artistic production evoke a broader framework where religion and experimental art supplement each other.

Popular music and its listeners are strongly associated with newness and youth. Young people can stay up late dancing to the latest hits and use cutting-edge technology for listening to and sharing fresh music. Many young people incorporate their devotion to new artists and styles into their own developing personalities. However, if popular music is a genre meant for the youthful, what are listeners to make of the widespread sampling of music from decades-old R&B tracks, sold-out anniversary tours by aging musicians, retrospective box sets of vintage recordings, museum exhibits, and performances by current pop stars invoking music and images of the past? In Same Old Song: The Enduring Past in Popular Music, John Paul Meyers argues that these phenomena are part of what he calls “historical consciousness in popular music.” These deep relationships with the past are an important but underexamined aspect of how musicians and listeners engage with this key cultural form. In chapters ranging across the landscape of twentieth- and twenty-first-century music, Meyers finds indications of historical consciousness at work in multiple genres. Rock music canonizes its history in tribute performances and museums. Jazz and pop musicians cover tunes from the “Great American Songbook.” Hip-hop and contemporary R&B singers invoke Black popular music from the 1960s and 1970s. Examining the work of influential artists like Ella Fitzgerald, Bob Dylan, Miles Davis, Kanye West, Prince, D’Angelo, and Janelle Monáe, Meyers argues that contemporary artists’ homage to the past is key for understanding how music-lovers make meaning of popular music in the present.

Analyzes the reciprocal impact of cultural beliefs, sociopolitical structures, and individual behaviors on protests throughout the world, examining such questions as why people participate in protest activities, what compels them to participate in non- violent movements, and what leads them to engage in revolutionary protest. Annotation copyright by Book News, Inc., Portland, OR

This book probes three issues about the linkage between political protests and social change. First, why do individuals participate in protest activities, including nonviolent movements and revolutions? How do cultural beliefs, sociopolitical structures, personal attitudes, motives and perceptions shape the decision to participate? Second, why do participants choose certain tactics? Protesters use different types of tactics: violent vs. nonviolent, public vs. covert, organized vs. spontaneous and confrontation vs. accommodation with other groups, political parties, and government agencies. Most activists view a particular tactic as a useful means to attain their policy demands. Third, what policy consequences emerge from the activities of protest movements? The book explores the impact of protests on social change and on the distribution of political power, particularly greater access of subordinate groups to government policymakers. A theory of political opportunities helps explain these issues about the origins, activities, and outcomes of protests.

A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book. Scheduled for release at the top of the 2020 US Presidential election, Dispatches from the Vanguard channels the global soul’s hunger for freedom from authoritarian control. Partnering with dozens of Pulitzer Prize Winners, New York Times Best Sellers, poet laureates, TED speakers, and influencers within the Global International African Arts Movement, including Ishmael Reed, Tyehimba Jess, Rich Fresh, Nikki Giovanni, Nnedi Okorafor, Chester Higgins, Tori Reid and Jaki Shelton Green, Dispatches offers a poignant, high-frequency rebuke of Donald J. Trump (actual man, strawman and metaphor for white privilege and capitalist despotism) and his ruthless amoral presidency. As we approach a key moment in the recent history of American politics, Dispatches from the Vanguard is a timely intervention, showing us how we can challenge the impact and influence of politics when it is solely a means of authoritarian control.

A new commentary for today's world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible's grand story. The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding everyday readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is ideal for pastors, students, Sunday school teachers, and laypeople alike. Each volume employs three main, easy-to-use sections designed to help readers live out God's story: LISTEN to the Story: Includes complete NIV text with references to other texts at work in each passage, encouraging the reader to hear it within the Bible's grand story. EXPLAIN the Story: Explores and illuminates each text as embedded in its canonical and historical setting. LIVE the Story: Reflects on how each text can be lived today and includes contemporary stories and illustrations to aid preachers, teachers, and students. —Romans— Romans is a letter that has had monumental impact in the history of Christian thought. Delving into Romans helps us see more clearly the biblical story of how God reveals his salvation to both Israel and the nations and compels us to read the Old Testament with a hermeneutical lens which identifies Jesus as the centerpiece of Israel's redemptive history. Edited by Scot McKnight and Tremper Longman III, and written by a number of top-notch theologians, The Story of God Bible Commentary series will bring relevant, balanced, and clear-minded theological insight to any biblical education or ministry.