The Vernacular Veda

Compares the religious poem "Tiruvaymoli" alongside the "Vedas."

Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck's earlier work, Sonic Theology: Hinduism and Sacred Sound, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship. Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater, in the vernacular poetry of the Bhakti movements, in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, and drawing upon diverse sources in both Sanskrit and vernacular languages, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms "sonic liturgy," a structure of religious worship and experience that incorporates sound and music on many levels. In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music. As he maps the evolution of sonic liturgy in Hindu culture, Beck shows how, parallel to the development of religious ritual from ancient times to the present, there is a less understood progression of musical form, beginning with Vedic chants of two to three notes to complicated genres of devotional temple music employing ragas with up to a dozen notes. Sonic liturgy in its maturity is manifest as a complex interactive worship experience of the Vaishnava sects, presented here in Beck's final chapters.

In this multifaceted work, John Carman and Vasudha Narayanan clarify historical developments in South Asian religion and make important contributions to the methodology of textual interpretation and the comparative study of world religions.

"Advaita Vedåanta is one of the best-known schools of Indian philosophy, but much of its history-a history closely interwoven with that of medieval and modern Hinduism-remains surprisingly unexplored. This book focuses on a single remarkable work and its place within that history: The Ocean of Inquiry, a vernacular compendium of Advaita Vedåanta by the North Indian monk Niâscaldåas (ca. 1791 - 1863). Though not well known today, Niâscaldåas's work was once referred to by Vivekananda (himself a key figure in the shaping of modern Hinduism) as the most influential book in India. The present book situates The Ocean of Inquiry as a representative of both a neglected genre (vernacular Vedåanta) and a neglected period (ca. 17th-19th centuries) in the history of Indian philosophy. It argues that the rise of Advaita Vedåanta to a position of prestige began well before the period of British rule in India, and that vernacular texts like The Ocean of Inquiry played an important role in popularizing Vedåantic teachings. It also offers a new appraisal of the period of late Advaita Vedåanta, arguing that it should not be seen as one of barren scholasticism. For thinkers like Niâscaldåas, intellectual "inquiry" (vicåara) was not an academic exercise but a spiritual practice-indeed, it was the central practice on the path to liberation. The book concludes by arguing that without understanding both vernacular Vedåanta and the scholasticism of the period, one cannot fully understand the emergence of modern Hinduism"--

In Writing Tamil Catholicism: Literature, Persuasion and Devotion in the Eighteenth Century, Margherita Trento explores the process by which the Jesuit missionary Costanzo Giuseppe Beschi (1680-1747), in collaboration with a group of local lay elites identified by their profession as catechists, chose Tamil poetry as the social and political language of Catholicism in eighteenth-century South India. Trento analyzes a corpus of Tamil grammars and poems, chiefly Beschi’s Tēmpāvaṇi, alongside archival documents to show how, by presenting themselves as poets and intellectuals, Catholic elites gained a persuasive voice as well as entrance into the learned society of the Tamil country and its networks of patronage. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 840879.

This fascinating volume offers a transdisciplinary and transcultural approach to understanding the senses by exploring themes in anthropologies of sound, sight, smell, taste, touch, and movement as expressed through aesthetic, perceptual, religious, and spiritual experiences. In drawing upon comparative perspectives from Indian and Western theories, the essays demonstrate the integral relation of senses with each other as well as with allied notions of the body, emotion and cultural memory. Stressing the continued relevance of senses as they manifest in a globalized world under the influence of new media, this work will interest scholars of anthropology, cultural studies, sociology, ritual studies, psychology, religion, philosophy, and history.

"This book offers a fresh approach to the study of religion in modern South Asia. It uses a series of case studies to explore the development of religious ideas and practices, giving students an understanding of the social, political and historical context. It looks at some familiar themes in the study of religion, such as deity, authoritative texts, myth, worship, teacher traditions and caste, and some of the key ways in which Buddhism, Hinduism, Islam and Sikhism in South Asia have been shaped in the modern period. The book points to the diversity of ways of looking at religious traditions and considers the impact of gender, politics, and the way religion itself is variously understood."--Publisher's description

The Hindu World is the most complete, authoritative and up-to-date one-volume guide to Hindu faith and culture available today. With twenty-four dedicated chapters written by the world's leading Hinduism scholars, it elucidates the history, philosophy and practice of one of the world's great religious traditions. The perfect reference for all students of Hinduism, it is ideal for both for introductory-level study and for use as a definitive reference source. Proving invaluable for its wealth of historical material, in addition, The Hindu World also offers new insights into all aspects of Hindu life, ranging from the devotional texts of the Vedas and Ramayana to current perspectives on dharma and kama, temple architecture, sacred food, ritual, caste, cosmic philosophy, history and modernization. The Hindu World emphasizes Hinduism's classical heritage and daily practice as well as contemporary approaches to Hindu scholarship. Exploring the enormous diversity of Hindu devotion whilst considering Hinduism's academic status as a category for analysis, the book achieves a distinctive creative balance between the beliefs and values of Hindus themselves, and scholarly 'outsider' perspectives.