The Vespers

Have you ever struggled to find the perfect monologue? Do you want to lose yourself in an unforgettable story? Do you want to be...transported? Philip Ridley's The Vespers is a major work by a major writer. 100 original, self-contained monologues for actors (and readers) of all genders, all ages, and all levels of experience. Varying in length, style and structure – from the surreally comic to the heartbreakingly tragic – this is an essential toolkit for any actor (or anyone who enjoys a good story) with an introduction by Cath Badham, Lecturer in Performance at the University of Derby, UK.

The memoir, by Harriet Mary (Browne) Owen, is attributed by most authorities to Mrs. Hughes, which was perhaps her name by a former marriage.

This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

International bestseller David Baldacci pens the stunning conclusion to Cahills vs. Vespers! It started with a kidnapping. A shadowy organization known only as the Vespers snatched seven members of the Cahill family and demanded a series of bizarre ransoms from around the world. Thirteen-year-old Dan Cahill and his older sister, Amy, began a global treasure hunt, determined to bring back whatever Vesper One needed, so long as it kept the hostages safe.But when they deliver the last ransom, Amy and Dan discover Vesper One's terrifying endgame. The objects he demanded are vital pieces in a Vesper plot that will harm millions of innocent people. Now the two siblings and their friends are in an all-out sprint to stop Vesper One . . . before the whole world goes BOOM.

Amy and Dan are in a race for their lives . . . and the enemy may be even closer than they think. When seven members of their family were kidnapped by a sinister organization known as the Vespers, thirteen-year-old Dan Cahill and his older sister, Amy, vowed they'd stop at nothing to bring the hostages home. But then the ransom comes in and the Vespers demand the impossible. Amy and Dan have just days to track down and steal an ancient map. The only catch? No one has seen the map for half a century.Now Amy and Dan are on a desperate search that will lead them to the Nazis, spies, a mad king and some of history's dirtiest secrets. It's the race of their lives . . . and one misstep will mean certain death for the hostages.