The View From Tinsel Town

Los Angeles is a global metropolis whose history and social narrative is linked to one of its top exports: cinema. L.A. appears on screen more than almost any city since Hollywood and is home to the American film industry. Historically, conversations of social and racial homogeneity have dominated the construction of Los Angeles as a cosmopolitan city, with Hollywood films largely contributing to this image. At the same time, the city is also known for its steady immigration, social inequalities, and exclusionary urban practices, not dissimilar to any other borderland in the world. The Spanish names and sounds within the city are paradoxical in relation to the striking invisibility of its Hispanic residents at many economic, social, and political levels, given their vast numbers. Additionally, the impact of the 1992 Los Angeles riots left the city raw, yet brought about changing discourses and provided Hollywood with the opportunity to rebrand its hometown by projecting to the world a new image in which social uniformity is challenged by diversity. It is for this reason that author Celestino Deleyto decided to take a closer look at how the quintessential cinematic city contributes to the ongoing creation of its own representation on the screen. From Tinseltown to Bordertown: Los Angeles on Film starts from the theoretical premise that place matters. Deleyto sees film as predominantly a spatial system and argues that the space of film and the space of reality are closely intertwined in complex ways and that we should acknowledge the potential of cinema to intervene in the historical process of the construction of urban space, as well as its ability to record place. The author asks to what extent this is also the city that is being constructed by contemporary movies. From Tinseltown to Bordertown offers a unique combination of urban, cultural, and border theory, as well as the author’s direct observation and experience of the city’s social and human geography with close readings of a selection of films such as Falling Down, White Men Can’t Jump, and Collateral. Through these textual analyses, Deleyto tries to situate filmic narratives of Los Angeles within the city itself and find a sense of the “real place” in their fictional fabrications. While in a certain sense, Los Angeles movies continue to exist within the rather exclusive boundaries of Tinseltown, the special borderliness of the city is becoming more and more evident in cinematic stories. Deleyto’s monograph is a fascinating case study on one of the United States’ most enigmatic cities. Film scholars with an interest in history and place will appreciate this book.

The remarkable inside story of how two Hollywood A-listers, Rob McElhenney and Ryan Reynolds, stunned the football world by buying a non-league club in North Wales. 'A superb account of a modern-day success story, told beautifully by one of the best writers in the business. This is one of the great football stories of recent years. No matter who you support, if you love football, you will love the story of Tinseltown.' Daniel Taylor, The Athletic 'This is a compelling, multi-layered, page turner, underpinned by a real sense of both place and connection with the eclectic characters involved. It will appeal to anyone with even the slightest interest in the game's enduring place in a changing world.' Louise Taylor, Guardian 'This book comes from the heart. It tells the story of how Wrexham, the club I love, has always been special and achieved so much in the past, as well as the present. I really enjoyed it.' Mickey Thomas, Wrexham FC legend and 1992 FA Cup hero It was one of the most extraordinary takeovers British football has known. In February 2021, Ryan Reynolds joined with Rob McElhenney to buy Wrexham FC, a non-league team in North Wales. Wrexham, a former coal and steel town dealing with its post-industrial legacy, suddenly found itself at the centre of global attention, with broadcast networks around the world descending to discover what was going on. The club became the subject of a smash hit Disney+ docu-series, Welcome to Wrexham. Tinseltown tells the story of this extraordinary, unpredictable and often surreal football takeover and the remarkable events that followed. Written with the full cooperation of Wrexham FC, it is the inside story of what happened when Hollywood met a dot on a map. How a town was transformed when its football club, aspiring only to survive on the fifth rung of the British football ladder, was sprinkled with gold dust and found ambition again. With unique access to key figures, the book charts the club's attempts to climb up the pyramid, providing a vivid sense of what it is like to play for this 'Hollywood' team and the pressure and spotlight that comes with it. At their only press conference since buying the club, nobody laughed when Reynolds and McElhenney said the Premier League could be an aspiration. 'Couldn't we theoretically make this happen?' McElhenney asked. 'Why not dream big?' added Reynolds. 'If you don't dream big, you will never go there, so why not?' Tinseltown is the story of how they did just that.

Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry. Painting colorful portraits of numerous mobsters, producers, actors, and directors, Tinseltown Gangsters tells the gripping, fast-paced, true story of corruption and greed in Hollywood throughout much of the twentieth century.

New York Times Bestseller • Edgar Award winner for Best Fact Crime The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry. By 1920, the movies had suddenly become America’s new favorite pastime, and one of the nation’s largest industries. Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now. In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate. A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.

Meeting by chance, Kate and Jeremy seem destined to be together forever. As Jeremy begins a lucrative career in Hollywood, their relationship takes a back burner to fame. Despite trying to live a "normal" life for themselves and their children, they soon find they may not have a happily ever after in their future. Overcoming every curve ball thrown at them, they discover who they are as individuals, and what they want out of life in order to be happy.

What better place for a silver dragon than the silver screen? Being a dragon rider has a lot of privileges, but longevity isn’t one of them. If the jocust beetles or the whiptail wyverns or a long fall from a great height didn't get them, the clock always would. The last thing Oscar Merrick wants is to delay his government-mandated retirement, but when his friend Jimmy comes to him with an outrageous idea to make the first talkie with an actual dragon in it, Oscar can’t resist his friend’s starry-eyed pleading or his dragoncoat’s bubbling excitement. After all, a few weeks’ delay in Baltimore before heading to the mines of West Virginia won’t be the end of the world, right? With the entertainment industry shifting from movies to talkies, silver screen star Scarlett Owens can no longer hide her deep voice or her Appalachian accent. Dropped by her agent and faced with retirement, Scarlett jumps at the chance to act in a new talkie—even if the crazy director wants her to star alongside a frightfully scary metal dragon. Once on set, Oscar and Scarlett find themselves pushed together in ways they never expected—and not minding it nearly as much as each would have thought. Can the duo produce a successful talkie, and also use it to keep them both from their all-too-early retirements? Or will industry jealousies and salacious secrets from their pasts force them apart forever?

Collection of short critical essays from 2001 to the present.