The Vintage Book Of Classic Crime

The great Raymond Chandler once noted that "the detective or mystery story . . . has become so thoroughly explored that the real problem for a writer now is to avoid writing a mystery while appearing to do so." And that is precisely what the contributors in this masterful anthology have accomplished. For in The Vintage Book of Classic Crime, Michael Dibdin has assembled fifty-four of the most stylish, original and subversive examples of the literature of murder. Whether written by eminent practitioners such as James M. Cain or Dashiell Hammett, or distinguished "amateurs" like Ernest Hemingway or Franz Kafka, the stories, essays, and novel excerpts in this volume push past their genre's familiar conventions to explore what makes crime CRIME. Suspenseful and exhilarating, hard-boiled and high art, the result is a dazzling gallery of murder that reveals how daring and controversial crime writing can be. Contributors and stories include: James M. Cain, "The Postman Always Rings Twice"' Raymond Chandler, "Pick-up on Noon Street"; Anton Chekhov, "The Shooting Party"; Umberto Eco; William Faulkner, "Smoke"; Dashiell Hammett, "The Glass Key"; Ernest Hemingway, "The Killers"; George V. Higgins, "Trust"; Patricia Highsmith, "Strangers on a Train"; P.D. James and T.A. Critchley, "The Maul and the Pear Tree"; James Joyce; Franz Kafka; Elmore Leonard; Walter Mosley, "A Red Death"; Edgar Allan Poe,"The Tell-tale Heart"; Georges Simenon, "Maiget's Memoirs"; Isaac Bashevis Singer, "Under the Knife"; Julian Symons, "The Man Who Killed Himself"; Barbara Vine, "A Dark-Adapted Eye"; James Thurber; Oscar Wilde, "The Picture of Dorian Gray"; and Emile Zola, "Therese Raquin."

"A book that should provide hours of entertainment and discovery for fans of mysteries and especially those with British roots and overtones." — Criminal Element Vintage Crime is a CWA anthology with a difference, celebrating members’ work over the years. The book will gather stories from the mid-1950s until the twenty-first century by great names of the past, great names of the present together with a few hidden treasures by less familiar writers. The first CWA anthology, Butcher’s Dozen, appeared in 1956, and was co-edited by Julian Symons, Michael Gilbert, and Josephine Bell. The anthology has been edited by Martin Edwards since 1996, and has yielded many award-winning and nominated stories in the UK and overseas. This new edition includes an array of incredible and award-winning authors: Robert Barnard, Simon Brett, Liza Cody, Mat Coward, John Dickson Carr, Marjorie Eccles, Martin Edwards, Kate Ellis, Anthea Fraser, Celia Fremlin, Frances Fyfield, Michael Gilbert, Paula Gosling, Lesley Grant-Adamson, HRF Keating, Bill Knox, Peter Lovesey, Mick Herron, Michael Z. Lewin, Susan Moody, Julian Symons and Andrew Taylor.

The Adventures of Sherlock Holmes A Study in Scarlet The Hound of the Baskervilles The Return of Sherlock Holmes The Sign of the Four "To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his."

"Sixty years later, Jaffe’s classic still strikes a chord, this time eerily prescient regarding so many of the circumstances surrounding sexual harassment that paved the way toward the #MeToo movement." -Buzzfeed When Rona Jaffe’s superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Almost sixty years later, The Best of Everything remains touchingly—and sometimes hilariously—true to the personal and professional struggles women face in the city. There’s Ivy League Caroline, who dreams of graduating from the typing pool to an editor’s office; naïve country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; and Gregg, the free-spirited actress with a secret yearning for domesticity. Jaffe follows their adventures with intelligence, sympathy, and prose as sharp as a paper cut.

This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on

Christmas is a season of overindulgence. For most of us, that means an extra mince pie, a second helping of turkey, or perhaps a third glass of mulled wine. But for some, the festive season is a time to settle old scores, dispatch new enemies and indulge ... in murder. Here, ten masters of the genre serve up mystery and mayhem aplenty. From a dowager's missing jewels to a festive dinner gone horribly wrong, these classic crime stories will delight, puzzle and satisfy long after the last strands of tinsel have been cleared away.

"This book tells the story of crime fiction published during the first half of the twentieth century. The diversity of this much-loved genre is breathtaking, and so much greater than many critics have suggested. To illustrate this, the leading expert on classic crime discusses one hundred books ranging from The Hound of the Baskervilles to Strangers on a Train which highlight the entertaining plots, the literary achievements, and the social significance of vintage crime fiction. This book serves as a companion to the acclaimed British Library Crime Classics series but it tells a very diverse story. It presents the development of crime fiction-from Sherlock Holmes to the end of the golden age-in an accessible, informative and engaging style. Readers who enjoy classic crime will make fascinating discoveries and learn about forgotten gems as well as bestselling authors. Even the most widely read connoisseurs will find books (and trivia) with which they are unfamiliar-as well as unexpected choices to debate. Classic crime is a richly varied and deeply pleasurable genre that is enjoying a world-wide renaissance as dozens of neglected novels and stories are resurrected for modern readers to enjoy. The overriding aim of this book is to provide a launch point that enables readers to embark on their own voyages of discovery."