The Violent American Century

“Tells how America, since the end of World War II, has turned away from its ideals and goodness to become a match setting the world on fire” (Seymour Hersh, investigative journalist and national security correspondent). World War II marked the apogee of industrialized “total war.” Great powers savaged one another. Hostilities engulfed the globe. Mobilization extended to virtually every sector of every nation. Air war, including the terror bombing of civilians, emerged as a central strategy of the victorious Anglo-American powers. The devastation was catastrophic almost everywhere, with the notable exception of the United States, which exited the strife unmatched in power and influence. The death toll of fighting forces plus civilians worldwide was staggering. The Violent American Century addresses the US-led transformations in war conduct and strategizing that followed 1945—beginning with brutal localized hostilities, proxy wars, and the nuclear terror of the Cold War, and ending with the asymmetrical conflicts of the present day. The military playbook now meshes brute force with a focus on non-state terrorism, counterinsurgency, clandestine operations, a vast web of overseas American military bases, and—most touted of all—a revolutionary new era of computerized “precision” warfare. In contrast to World War II, postwar death and destruction has been comparatively small. By any other measure, it has been appalling—and shows no sign of abating. The author, recipient of a Pulitzer Prize and a National Book Award, draws heavily on hard data and internal US planning and pronouncements in this concise analysis of war and terror in our time. In doing so, he places US policy and practice firmly within the broader context of global mayhem, havoc, and slaughter since World War II—always with bottom-line attentiveness to the human costs of this legacy of unceasing violence. “Dower delivers a convincing blow to publisher Henry Luce’s benign ‘American Century’ thesis.” —Publishers Weekly

The award-winning historian delivers a “brilliant and deeply informed” analysis of American power from the Spanish-American War to the Trump Administration (New York Journal of Books). In this sweeping and incisive history of US foreign relations, historian Alfred McCoy explores America’s rise as a world power from the 1890s through the Cold War, and its bid to extend its hegemony deep into the twenty-first century. Since American dominance reached its apex at the close of the Cold War, the nation has met new challenges that it is increasingly unequipped to handle. From the disastrous invasion of Iraq to the failure of the Trans-Pacific Partnership, fracturing military alliances, and the blundering nationalism of Donald Trump, McCoy traces US decline in the face of rising powers such as China. He also offers a critique of America’s attempt to maintain its position through cyberwar, covert intervention, client elites, psychological torture, and worldwide surveillance.

This compelling and persuasive book is the first to explore all of the interrelated aspects of America's decline. Hard-hitting and provocative, yet measured and clearly written, The End of the American Century demonstrates the phases of social, economic, and international decline that mark the end of a period of world dominance that began with World War II. The costs of the war on terror and the Iraq War have exacerbated the already daunting problems of debt, poverty, inequality, and political and social decay. David S. Mason convincingly argues that the United States, like other great powers in the past, is experiencing the dilemma of "imperial overstretch"--bankrupting the home front in pursuit of costly and fruitless foreign ventures. The author shows that elsewhere in the world, the United States is no longer admired as a model for democracy and economic development; indeed, it is often feared or resented. He compares the United States and its accomplishments with other industrialized democracies and potential rivals. The European Union is more stable in economic and social terms, and countries like India and China are more economically dynamic. These and other nations will soon eclipse the United States, signaling a fundamental transformation of the global scene. This transition will require huge adjustments for American citizens and political leaders alike. But in the end, Americans--and the world--will be better off with a less profligate, more interdependent United States. More information is available on the author's website.

Praise for The Violent Century “The Violent Century is a very sophisticated blend of fantasy and real life. Of flawed superheroes engaging with key events in the twentieth and twenty-first centuries. Lavie Tidhar is a veteran of seamlessly weaving an intriguing blend of fiction into world changing historical events.” —Strange Alliances “The Violent Centuryis a wonderfully constructed, crafted work that bears a great emotional weight even as it raises more intellectual questions. It’s the kind of work that lingers in the mind long after the reading.” —Fantasy Literature “Heart, a sly sense of humour, great action set-pieces and a range of fascinating supporting players.” —Newtown Review of Books “A brilliantly etched phantasmagoric reconfiguring of that most sizzling of eras—the twilight 20th . . . a torrid tour de force.” —James Ellroy, author of L.A. Confidential and Blood’s a Rover “A brilliant novel of ideas.” — B&N Book Blog “The Violent Century is admirably plotted and well paced, with an atmosphere of menace throughout, I’m puzzled as to why this wasn’t on any award shortlist for its year.” —Jack Deighton, author of A Son of the Rock “Like Watchmen on crack.” —io9 “If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like The Violent Century.” —Adam Roberts, author of Jack Glass “Pack your bags and go home; the superhero genre is now completed . . . if John le Carre wrote a superhero novel about the Cold War, it might be this good.” —Charles Stross, author of Neptune’s Brood: A Space Opera “The Violent Century is a brilliant story of superheroes and spies and secret histories. It stands with Alan Moore’s Watchmen as an examination of the myths that we made in the 20th Century and the ways they still haunt us now. it’s as dramatic and vital as the best comic books and as beautifully written and evocative as any literary novel today. Read it. You’ll see.” — Christopher Farnsworth, author of Blood Oath and Flashmob “An alternative history tour-de-force. Epic, intense and authentic. Lavie Tidhar reboots the 20th century with spies and superheroes battling for mastery—and the results are electric.” —Tom Harper, author of The Lost Temple “A stunning masterpiece” —The Independent “Tidhar synthesises the geeky and the political in a vision of world events that breaks new superhero ground.” —The Guardian “It’s hard, but not impossible as Alan Moore, Neil Gaiman, Mike Carey and others have shown, to create a morally complex, artistically ambitious story based on characters whose origins are not that far removed from the simplicity of Superman, Spiderman, and their ilk. Tidhar has succeeded brilliantly in this task.” —LA Review of Books “A sophisticated, moving and gripping take on 20th century conflicts and our capacity for love and hate, honour and betrayal.” —The Daily Mail “A love story and meditation on heroism, this is an elegiac espionage adventure that demands a second reading.” —Metro “Could keep anyone, regardless of the types of stories they regularly enjoy, interested and engaged. Tidhar has created a book that oozes excellence in both characterisation and storytelling.” —The Huffington Post [STARRED REVIEW]"This study in heroism, love, revenge, and violence will be in demand by lovers of complex, intelligent sf and alternative history. Anyone who enjoys stories of people with supernatural abilities will thrive reading Tidhar’s world.” —Library Journal “A terrifically told tale of heroism and enduring friendship that captures our imaginations from the very first page.” —Booklist “If you love Philip K. Dick, Lavie Tidhar should be your new favorite writer . . . an unforgettable read.” —The Jewish Standard “He’s dealing with the grandest schemes on the largest of backdrops in time and place, and this level of awe-inspiring craft places him firmly within the highest tier of writers working today, no longer an emerging writer, but a master.” —British Fantasy Society “Intense and evocative.” —SFX “Gripping, imaginative and moving.” —Sci Fi Now “The sort of thing Quentin Tarantino did as bloody wish-fulfillment in Inglourious Basterds, multiplied by several orders of magnitude.” —Locus “This is a novel that can break your heart and then, ever so subtly, include a cameo by Stan Lee. Tidhar clearly knows as much about supermen of all kinds as he does about the circumstances that produce them.” —Strange Horizons “The Violent Century is an excellent novel that demonstrates, once again, the impressive versatility of its author.” —Interzone “A masterful example of alternate universe science fiction and can only add to its author’s rapidly growing reputation.”— The Los Angeles Review of Books “An original, engrossing fusion of noir-ish super-heroes and gritty espionage thriller . . . a fantastic novel” —Civilian Reader “Lavie Tidhar is no longer a rising star in the genre, but one burning bright.” —Staffer’s Book Review Praise for the Campbell Award and Neukom Literary-winning novel Central Station An NPR Best Book of 2016 An Amazon Featured Best Science Fiction & Fantasy Book A Tor.com Best Book of 2016 A Guardian Best SF & Fantasy Book of 2016 A Publishers Weekly Staff Pick A Kirkus Best Science Fiction and Fantasy pick British Science Fiction Award, shortlist Arthur C. Clarke Award, shortlist “It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.” —NPR Books [STARRED REVIEW] "Readers of all persuasions will be entranced.” —Publishers Weekly [STARRED REVIEW] “. . . a fascinating future glimpsed through the lens of a tight-knit community. Verdict: Tidhar (A Man Lies Dreaming; The Violent Century) changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” —Library Journal, starred review "A sprawling hymn to the glory and mess of cultural diversity.” —Guardian ”Quietly enthralling and subtly ingenious.” —Asimov's Science Fiction “Beautiful, original, a shimmering tapestry of connections and images - I can't think of another SF novel quite like it. Lavie Tidhar is one of the most distinctive voices to enter the field in many years.” —Alastair Reynolds, author of the Revelation Space series “If you want to know what SF is going to look like in the next decade, this is it.” —Gardner Dozois, editor of the bestselling Year’s Best Science Fiction series “A dazzling tale of complicated politics and even more complicated souls. Beautiful.” —Ken Liu, author of The Paper Menagerie “Central Station is masterful: simultaneously spare and sweeping—a perfect combination of emotional sophistication and speculative vision. Tidhar always stuns me.” —Kij Johnson, author of At the Mouth of the River of Bees “ A unique marriage of Philip K. Dick, William Gibson, C. L. Moore, China Miéville, and Larry Niven with 50 degrees of compassion and the bizarre added. An irresistible cocktail.” —Maxim Jakubowski, author of the Sunday Times bestselling Vina Jackson novels Praise for Unholy Land “Lavie Tidhar does it again. A jewelled little box of miracles. Magnificent.” —Warren Ellis, author of Gun Machine “[STARRED REVIEW] Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.” —Publishers Weekly “It’s precisely what we’ve come to expect of Tidhar, a writer who just keeps getting better.” —Angela Slatter, author of the World Fantasy Award-winning The Bitterwood Bible “There are SFF writers. There are good SFF writers. And there is Lavie Tidhar . . . Bold and witty and smoky, [Unholy Land] plays games and coquetries, makes dark dalliances and will leave you dazzled and delighted.” —Ian McDonald, author of Time Was and Luna: Wolf Moon "A genius, dreamlike fantasy for those who slip across might-have-been worlds.” —Saad Z. Hossain, author of Escape from Baghdad! “Unholy Land is a stunning achievement.” —The Speculative Shelf “Lavie Tidhar has given us a mystically charged, morally complex vision of Theodor Herzl’s famous Jewish state that might have been.” —James Morrow, author of The Last Witchfinder and Shambling Towards Hiroshima “Lavie Tidhar’s daring Unholy Land brilliantly showcases one of the foremost science fiction authors of our generation.” — Silvia Moreno-Garcia, World Fantasy Award-winning editor and author of Certain Dark Things “Unholy Land is probably better than Michael Chabon’s Yiddish Policeman’s Union.” —Bradley Horner, author of the Darkside Earther series

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The so-called postwar peace was, and still is, saturated in blood and wracked with suffering. It is reasonable to argue that total war-related fatalities during those Cold War decades were lower than in the six years of World War II, and far less than the toll for the twentieth century’s two world wars combined. #2 The idea that the long postwar era is an epoch of relative peace is disingenuous. It ignores the fact that the United States has contributed to, rather than impeded, militarization and mayhem after 1945. #3 The difficulty of assessing the toll of civil, tribal, ethnic, and religious conflicts is obvious. The same is true of politicides, which range from millions of mass deaths caused by government policies to tens of thousands of more selective political murders by authoritarian regimes. #4 Figures and tables can only hint at the psychological and social violence suffered by combatants and noncombatants alike. It has been suggested that one in six people in areas affected by war may suffer from mental disorder, compared to one in ten in normal times.

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

Winner of the 2023 Pulitzer Prize in Biography Winner of the 2022 National Book Critics Circle Award in Biography, the 2023 Bancroft Prize in American History and Diplomacy, and the 43rd LA Times Book Prize in Biography | Finalist for the 2023 PEN/Jacqueline Bograd Weld Award for Biography Named a Best Book of 2022 by The Atlantic, The Washington Post and Smithsonian Magazine and a New York Times Top 100 Notable Books of 2022 “Masterful…This book is an enduring, formidable accomplishment, a monument to the power of biography [that] now becomes the definitive work”—The Washington Post “A nuanced portrait in a league with the best of Ron Chernow and David McCullough.”—The Wall Street Journal A major new biography of J Edgar Hoover that draws from never-before-seen sources to create a groundbreaking portrait of a colossus who dominated half a century of American history and planted the seeds for much of today's conservative political landscape. We remember him as a bulldog--squat frame, bulging wide-set eyes, fearsome jowls--but in 1924, when he became director of the FBI, he had been the trim, dazzling wunderkind of the administrative state, buzzing with energy and big ideas for reform. He transformed a failing law-enforcement backwater, riddled with scandal, into a modern machine. He believed in the power of the federal government to do great things for the nation and its citizens. He also believed that certain people--many of them communists or racial minorities or both-- did not deserve to be included in that American project. Hoover rose to power and then stayed there, decade after decade, using the tools of state to create a personal fiefdom unrivaled in U.S. history. Beverly Gage’s monumental work explores the full sweep of Hoover’s life and career, from his birth in 1895 to a modest Washington civil-service family through his death in 1972. In her nuanced and definitive portrait, Gage shows how Hoover was more than a one-dimensional tyrant and schemer who strong-armed the rest of the country into submission. As FBI director from 1924 through his death in 1972, he was a confidant, counselor, and adversary to eight U.S. presidents, four Republicans and four Democrats. Franklin Roosevelt and Lyndon Johnson did the most to empower him, yet his closest friend among the eight was fellow anticommunist warrior Richard Nixon. Hoover was not above blackmail and intimidation, but he also embodied conservative values ranging from anticommunism to white supremacy to a crusading and politicized interpretation of Christianity. This garnered him the admiration of millions of Americans. He stayed in office for so long because many people, from the highest reaches of government down to the grassroots, wanted him there and supported what he was doing, thus creating the template that the political right has followed to transform its party. G-Man places Hoover back where he once stood in American political history--not at the fringes, but at the center--and uses his story to explain the trajectories of governance, policing, race, ideology, political culture, and federal power as they evolved over the course of the 20th century.

NATIONAL BESTSELLER SHORTLISTED for the 2021 Lionel Gelber Prize Thoughtful and brilliant insights into the very nature of war--from the ancient Greeks to modern times--from world-renowned historian Margaret MacMillan. War--its imprint in our lives and our memories--is all around us, from the metaphors we use to the names on our maps. As books, movies, and television series show, we are drawn to the history and depiction of war. Yet we nevertheless like to think of war as an aberration, as the breakdown of the normal state of peace. This is comforting but wrong. War is woven into the fabric of human civilization. In this sweeping new book, international bestselling author and historian Margaret MacMillan analyzes the tangled history of war and society and our complicated feelings towards it and towards those who fight. It explores the ways in which changes in society have affected the nature of war and how in turn wars have changed the societies that fight them, including the ways in which women have been both participants in and the objects of war. MacMillan's new book contains many revelations, such as war has often been good for science and innovation and in the 20th century it did much for the position of women in many societies. But throughout, it forces the reader to reflect on the ways in which war is so intertwined with society, and the myriad reasons we fight.