The Virgin The Dynamo

In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.

In the wake of feminist and poststructuralist contributions to literary study, how can we read images of women in literature written by men? Is it possible to read anything other than appropriation or misrepresentation in these male portraits of women? Starting with these questions, Van Oostrum looks for openings in a debate that seems to be firmly locked into traditional gender roles. While contemporary literary theory works hard to dismantle oppressive binaries, questions about the representation of an other' often lead back to a dizzying number of rigid identities. Through an examination of Henry Adams's and Henry James's attempts to write about American women, Van Oostrum tries to have it both ways, at once holding on to gendered cultural identity and at the same time challenging a stable personality. Using the sentimental fiction written by women in the 1850s, James and Adams write about the new women' of the turn of the 20th century. Traversing multiple oceans, they increasingly entangle concepts of gender and nationality, othering' not only women but the culture of Europe and the South Seas as well. An analogous movement of a male translation of female American sentimental fiction intersected with national identities, the author argues, takes place in two Dutch novels of the late 19th century. By looking through a Dutch lens at American literature, this book on possible gender crossings shows cultural identities always to be on the move. Crossing from the male author to the female subject on such an international landscape, the author tries to navigate a place for women within and beyond literature written by men.

This examination of American novels from 1900 to 1940 traces the literary treatment of the technological sublime, a simultaneous awe and fear of technology. The American technological sublime is a construct that can be useful in understanding the often conflicted and ambivalent reactions of enthusiasm and anxiety, exaltation and depression, associated with the patterns of development experienced in the US in this transitory period. The first four decades of the 20th century saw the culmination of the technological sublime in America: the loss of the innocently one-sided enthusiasm and technological republicanism of the 19th century to a fragmented, often paranoiac, and largely pessimistic vision of technology that became dominant of the literature after World War II. After an evaluation of earlier scholarship on the American technological sublime, the study examines four important decades in the development of the American technological sublime and some of the literary responses to it

The influence of millenarian thinking upon Cromwell's England is well-known. The cultural and intellectual conceptions of the role of millenarian ideas in the `long' 18th century when, so the `official' story goes, the religious sceptics and deists of Enlightened England effectively tarred such religious radicalism as `enthusiasm' has been less well examined. This volume endeavors to revise this `official' story and to trace the influence of millenarian ideas in the science, politics, and everyday life of England and America in the 17th and 18th centuries.

The influence of millenarian thinking upon Cromwell's England is well-known. The cultural and intellectual conceptions of the role of millenarian ideas in the `long' 18th century when, so the `official' story goes, the religious sceptics and deists of Enlightened England effectively tarred such religious radicalism as `enthusiasm' has been less well examined. This volume endeavors to revise this `official' story and to trace the influence of millenarian ideas in the science, politics, and everyday life of England and America in the 17th and 18th centuries.

The post–World War II science-based technological revolution inevitably found its way into almost all international expositions with displays on atomic energy, space exploration, transportation, communications, and computers. Major advancements in Cold War science and technology helped to shape new visions of utopian futures, the stock-in-trade of world’s fairs. From the 1940s to the 1980s, expositions in the United States and around the world, from Brussels to Osaka to Brisbane, mirrored Cold War culture in a variety of ways, and also played an active role in shaping it. This volume illustrates the cultural change and strain spurred by the Cold War, a disruptive period of scientific and technological progress that ignited growing concern over the impact of such progress on the environment and humanistic and spiritual values. Through the lens of world’s fairs, contributors across disciplines offer an integrated exploration of the US–USSR rivalry from a global perspective and in the context of broader social and cultural phenomena—faith and religion, gender and family relations, urbanization and urban planning, fashion, modernization, and national identity—all of which were fundamentally reshaped by tensions and anxieties of the Atomic Age.

What ever happened to the Virgin Mary in the modern Catholic Church? For the past forty years her presence has been radically minimized. In a groundbreaking work, Charlene Spretnak cuts across the battle lines delineated by the left and the right within the Church to champion the recovery of the full spiritual presence of Mary. Spretnak, a liberal Catholic, asserts that a deep loss ensues for women in particular when Mary's female embodiment of grace and mystical presence is denied and replaced with a strictly text-bound version of her as a Nazarene housewife. Complete with a striking insert of contemporary Marian art, Missing Mary is a deeply insightful reflection on Mary in the modern age.