The Visitor

The current revival of the work of Maeve Brennan, who died in obscurity in 1993, has won her a reputation as a twentieth–century classic—one of the best Irish writers of stories since Joyce. Now, unexpectedly, Brennan's oeuvre is immeasurably deepened and broadened by a miraculous literary discovery—a short novel written in the mid–1940s, but till now unknown and unpublished. Recently found in a university archive, it is a story of Dublin and of the unkind, ungenerous, emotionally unreachable side of the Irish temper. The Visitor is the haunting tale of Anastasia King, who, at the age of twenty–two, returns to her grandmother's house—the very house where she grew up—after six long years away. She has been in Paris, comforting her disgraced and dying mother, the runaway from a disastrous marriage to Anastasia's late father, the grandmother's only son. "It's a pity she sent for you." the grandmother says, smiling with anger. "And a pity you went after her. It broke your father's heart."Anastasia pays dearly for the choice she made, a choice that now costs her her own strong sense of family and makes her an exile—a visitor—in the place she once called home. Penelope Fitzgerald, writing of Brennan's story "The Springs of Affection," said that it carries an "electric charge of resentment and quiet satisfaction in revenge that chills you right through." The same can be said of the The Visitor, Maeve Brennan's "lost" novel—the early work of an incomparable master.

Elise is scared of everything - spiders, people, even trees. So she never goes out, night or day. One day a strange thing flies in through the window and lands at her feel. And then there comes a knock at her door. Elise has a visitor.

With the smart suspense of Emma Donoghue’s Room and the atmospheric claustrophobia of Grey Gardens, this “bizarrely unsettling, yet compulsively readable” (Iain Reid, internationally bestselling author of I’m Thinking of Ending Things) thriller explores the twisted realities that can lurk beneath even the most serene of surfaces. What becomes of a child who grows up without love? Marion Zetland lives with her domineering older brother John in a crumbling mansion on the edge of a northern seaside resort. A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to live by John’s rules, even if it means turning a blind eye to the noises she hears coming from behind the cellar door...and to the women’s laundry in the hamper that isn’t hers. For years, she’s buried the signs of John’s devastating secret into the deep recesses of her mind—until the day John is crippled by a heart attack, and Marion becomes the only one whose shoulders are fit to bear his secret. Forced to go down to the cellar and face what her brother has kept hidden, Marion discovers more about herself than she ever thought possible. As the truth is slowly unraveled, we finally begin to understand: maybe John isn’t the only one with a dark side....

In this small but perfectly formed collection of supernatural short stories, Sophie Hannah takes the comforting scenes of everyday life and imbues them with a frisson of fear, then a gust of terror. Why is a young woman so unnerved by the presence of a visitors book in her boyfriend's inner-city home? And whose spidery handwriting is it that fills the pages? Who is the strangely courteous boy still lingering at a child's tenth birthday party when all the parents have gathered their children and left? And why does the presence of a perfectly ordinary woman in a post office queue leave another customer pallid and sweating with fear? Beware what you open this Christmas!

On Christmas, during one of the worst snowstorms Indiana has ever seen, five strangers are forced to take shelter inside of a roadside diner. As the night progresses, the snowfall shows no signs of relenting, ice begins to build up on the roads, and the temperature seems to be dropping by the hour. But the worst has nothing to do with the weather, and everything to do with the sixth visitor coming to the diner.The jolliest time of the year quickly turns bloody as the diners find themselves fighting for their lives. This Christmas won't just be white. It'll be red, too.

In an age when few ventured beyond their birthplace, André Palmeiro left Portugal to inspect Jesuit missions from Mozambique to Japan. A global history in the guise of biography, The Visitor tells the story of a theologian whose travels bore witness to the fruitful contact—and violent collision—of East and West in the early modern era.

This edited text, intended to support a research-informed approach to learning and teaching, presents an array of concepts, collaborations and in-depth cases related to managing events, festivals and the visitor economy. Authors offer an array of philosophical, political, cultural, and ethical perspectives on how to achieve this across a range of contexts, from Cambodia, China, Egypt to the British cathedral city of Lincoln. Though recognising individual difference, each chapter unites in their common pursuit of supporting the United Nations Sustainable Development Goals (UNSDGs). This is significant as utilising the UNSDGs as a normative organising framework for how we all think about, plan, and manage a 'good' visitor economy is increasingly ubiquitous. It is with this in mind that each chapter provides explicit links to the UNSDGs and policy and/or practical implications, along with a series of critical self-assessment questions to reflect on the chapter's key arguments. This collection aims to satiate what appears to be an increasing appetite of readers and students alike who seek exposure to rigorous debate in and out of the classroom.