The Voice Of India
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The Voice of India
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 688 |
Release | : 1888 |
Genre | : India |
ISBN | : COLUMBIA:0036752401 |
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A Voice from India to the men of Manchester By a Manchester Man
Author | : India |
Publsiher | : Unknown |
Total Pages | : 38 |
Release | : 1858 |
Genre | : Electronic Book |
ISBN | : BL:A0017801610 |
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A voice from India in answer to the reformers of England
Author | : John Benjamin Seely |
Publsiher | : Unknown |
Total Pages | : 264 |
Release | : 1824 |
Genre | : Freedom of the press |
ISBN | : NLS:B900389373 |
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On the establishment of a free press in India.
The Groans of India A Voice and a Visitor from Hindostan
Author | : Wm. Underhill |
Publsiher | : BoD – Books on Demand |
Total Pages | : 41 |
Release | : 2024-05-27 |
Genre | : Fiction |
ISBN | : 9783368732615 |
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Reprint of the original, first published in 1843.
A Voice from China and India Relative to the Evils of the Cultivation and Smuggling of Opium
Author | : James Peggs |
Publsiher | : Unknown |
Total Pages | : 100 |
Release | : 1846 |
Genre | : Opium trade |
ISBN | : BL:A0022189775 |
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The Voice of Peace
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 206 |
Release | : 1874 |
Genre | : Peace |
ISBN | : STANFORD:36105027568273 |
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Brought to Life by the Voice
Author | : Amanda Weidman |
Publsiher | : Univ of California Press |
Total Pages | : 270 |
Release | : 2021-06-15 |
Genre | : History |
ISBN | : 9780520377066 |
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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.