The Voyage Of Argo

Written in the third century BC in Alexandria, this is the only full surviving account of Jason's legendary quest for the Golden Fleece. It describes the thrilling adventures of the Argonauts on their voyage to Colchis to plead with king Aeetes for the fleece, his greatest treasure - and the Eros-inspired passion felt by his daughter, the beautiful witch-princess Medea, for the scheming Jason. Chronicling a journey that sees Jason and his crew traverse perilous seas, negotiate the treacherous Cyanean Rocks, and confront the lure of the Sirens' song, The Voyage of Argo is a masterful depiction of distinctly human heroism and betrayal caused by love. An eloquent marriage of romance and realism, it tells the definitive version of one of the greatest legends of the classical age: an epic tale of bravery, prophecy and magic.

The Voyage of the Argo, is an epic poem centering Jason and his legendary crew as they venture to find the Golden Fleece. Faced with various hurdles and unbeatable odds, they’re committed to achieving their ultimate goal. When a young man threatens the throne, King Pelias sends him on a futile mission to Colchis. Once there, the fearless Jason must confront the volatile King Aetes and seize his most valued possession—the Golden Fleece. With help from the Argonauts, Jason navigates multiple challenges including winged harpies, violent waters and six-armed brutes. Despite surprising obstacles, the heroes continue and are pushed to their mental and physical limits. Much like Homer’s Odyssey, The Voyage of the Argo, is a staple in Greek mythology. It’s a classic hero’s journey full of unexpected detours and ambiguous characters. Although a product of the Hellenistic period, this enduring epic has stood the test of time, continuing to captivate and inspire. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Voyage of the Argo is both modern and readable.

The story of Jason and the Argonauts and their quest for the Golden Fleece is one of the oldest and most familiar tales in classical literature. Apollonius of Rhodes wrote the best-known version, in Greek, in the third century B.C.E. The Latin poet Gaius Valerius Flaccus began his own interpretation of the story in the first century of the Christian era, but he died before completing it. With The Voyage of the "Argo," the acclaimed poet and translator David Slavitt recovers for modern readers the only surviving work of this little-known writer. The result is an engaging rendition of Jason's adventures, of particular interest when compared to the Greek version of the story. While Apollonius' tale offers a subtle psychological study of Medea, Valerius Flaccus' achievement is to present Jason as a more complete and compelling heroic figure. Slavitt, for one, enjoyed the rediscovery immensely—and he invites his readers to do the same. "I am content to let my rendition into English speak for Valerius, but for those whom I imagine standing in an aisle of a library or bookstore, trying to decide, I can offer some reassurance. This piece is playful, unpredictable, oddly contrarian, sometimes almost mannerist. Valerius' description in book 8 of Medea's putting the serpent to sleep so Jason can filch the fleece involves a gesture no other Latin poet I know would have thought to try—a brief moment in Medea's head when she allows herself to feel sorry for the snake . . . It is this kind of droll surprise that drew me to undertake the translation of a work that is not, I freely confess, well known."—David Slavitt

The first new Penguin Classics translation of the Argonautica since the 1950s Now in a riveting new verse translation, Jason and the Argonauts (also known as the Argonautica) is the only surviving full account of Jason’s voyage on the Argo in quest of the Golden Fleece aided by the sorceress princess Medea. Written in the third century B.C., this epic story of one of the most beloved heroes of Greek mythology, with its combination of the fantastical and the real, its engagement with traditions of science, astronomy and medicine, winged heroes, and a magical vessel that speaks, is truly without parallel in classical or contemporary Greek literature and is now available in an accessible and engaging translation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful. In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.

An innovative critical study emphasizing thematic and narrative complexities arising from the poet's use of language.