The Voyage To Illyria

First published in 1937. This study argues that the plays of Shakespeare must be studied by comparison with each other and not as separate entities; that they must be related to one another, to the poems and to the Sonnets; that each individual play acquires a deeper significance from its setting in the corpus. Muir and O'Loughlin's critical analysis takes place against the personality of Shakespeare, asserting that that despite all their diversities a single mind and a single hand dominate them and that they are the outcome of one man's critical and emotional reactions to life.

After three eco-catastrophes, the world has reverted to a feudal, agricultural society. After two attempts to assassinate him, the boy, Sal, has found refuge in the Illyrian Monastery. But just when he's making a new life there, why does the Oracle at Om tell him to go to Shad? Shad is a long, hard voyage. Shad is high mountains, perilous jungles, on odd priesthood and a strange tiger cult. Shad is so off the beaten track it's almost a myth. No-one from Illyria goes to Shad.And then there's Tamblyn. Is he a minstrel or an assassin? Why has Tamblyn been stalking Sal? Why is Tamblyn now on a ship bound for the islands where Sal grew up? And why is Tamblyn about to sink his own ship in mid ocean?If that wasn't puzzle enough, there's Tamblyn's assistant, Dimitrios. Nobody knows much about his past. Dimitrios doesn't answer questions. Tamblyn is beginning to suspect Dimitrios is more than he seems...Finally, here is the sequel to "Dropping into Darkness" that fans have been waiting for.

Shakespeare is the national poet of many nations besides his own, though a peculiarly subversive one in both east and west. This volume contains a score of essays by scholars from Britain, Bulgaria, Croatia, Germany, Poland, Romania, Spain, Ukraine and the USA, written to show how the momentous changes of 1989 were mirrored in the way Shakespeare has been interpreted and produced. The collection offers a valuable record of what Shakespeare has meant in the modern world and some pointers to what he may mean in the future.

Illyria in Shakespeare’s England studies the eastern Adriatic region known as “Illyria” in five plays by Shakespeare and other early modern English writing. It examines the origins and features of past discourses on the area, expanding our knowledge of the ways in which England and other polities negotiated their position in the early modern world.

This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

First Published in 2002. This is a collection of essays and commentary on some of Shakespeare’s Sonnets looking at the areas of symbolism, time and eternity, integration and their expansion and moves onto the metaphysical poem of the Phoenix and the Turtle and considers if it has the same love as celebrated in the Sonnets.

First published in 1950. This volume contains the essence of over three hundred well-known literary critics who, between 1661 and 1947, considered the great literary riddle of the years · Entries arranged chronologically by date of publication · International authorship of material

This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.