The Voyeurs Motel

From Gay Talese, a remarkable new work of reportage more than thirty years in the making. On January 7, 1980, in the run-up to the publication of Thy Neighbor's Wife, Gay Talese received an anonymous letter from a man in Colorado. 'Since learning of your long awaited study of coast-to-coast sex in America,' the letter began, 'I feel I have important information that I could contribute to its contents or to contents of a future book.' The man went on to tell Talese a remarkable, shocking secret, so compelling that Talese travelled to Colorado to verify it in person. But because the letter-writer insisted on remaining anonymous, Talese filed his reporting away, certain the story would remain untold. Over the next thirty-five years, the man occasionally reached out to Talese to fill him in on the latest developments in his life, but he continued to insist on anonymity. Finally, after thirty-five years, he's ready to go public. In the tradition of Thy Neighbor's Wife, Talese's landmark, best-selling exploration of the sexual revolution in America, this will be a provocative, eye-opening and much-talked-about book.

The controversial chronicle of a motel owner who secretly studied the sex lives of his guests by the renowned journalist and author of Thy Neighbor’s Wife. On January 7, 1980, in the run-up to the publication of his landmark bestseller Thy Neighbor’s Wife, Gay Talese received an anonymous letter from a man in Colorado. “Since learning of your long-awaited study of coast-to-coast sex in America,” the letter began, “I feel I have important information that I could contribute to its contents or to contents of a future book.” The man—Gerald Foos—hen divulged an astonishing secret: he had bought a motel outside Denver for the express purpose of satisfying his voyeuristic desires. Underneath its peaked roof, he had built an “observation platform” through which he could peer down on his unwitting guests. Over the years, Foos sent Talese hundreds of pages of notes on his guests, work that Foos believed made him a pioneering researcher into American society and sexuality. Through his Voyeur’s motel, he witnessed and recorded the harsh effects of the war in Vietnam, the upheaval in gender roles, the decline of segregation, and much more. In The Voyeur’s Motel. “the reader observes Talese observing Foos observing his guests.” An extraordinary work of narrative journalism, it is at once an examination of one unsettling man and a portrait of the secret life of the American heartland over the latter half of the twentieth century (Daily Mail, UK). “This is a weird book about weird people doing weird things, and I wouldn’t have put it down if the house were on fire.” —John Greenya, Washington Times

From the winner of the Pulitzer Prize: the much-anticipated final volume, following Some Luck and Early Warning, of her acclaimed American trilogy—a richly absorbing new novel that brings the remarkable Langdon family into our present times and beyond A lot can happen in one hundred years, as Jane Smiley shows to dazzling effect in her Last Hundred Years trilogy. But as Golden Age, its final installment, opens in 1987, the next generation of Langdons face economic, social, political—and personal—challenges unlike anything their ancestors have encountered before. Michael and Richie, the rivalrous twin sons of World War II hero Frank, work in the high-stakes world of government and finance in Washington and New York, but they soon realize that one’s fiercest enemies can be closest to home; Charlie, the charming, recently found scion, struggles with whether he wishes to make a mark on the world; and Guthrie, once poised to take over the Langdons’ Iowa farm, is instead deployed to Iraq, leaving the land—ever the heart of this compelling saga—in the capable hands of his younger sister. Determined to evade disaster, for the planet and her family, Felicity worries that the farm’s once-bountiful soil may be permanently imperiled, by more than the extremes of climate change. And as they enter deeper into the twenty-first century, all the Langdon women—wives, mothers, daughters—find themselves charged with carrying their storied past into an uncertain future. Combining intimate drama, emotional suspense, and a full command of history, Golden Age brings to a magnificent conclusion the century-spanning portrait of this unforgettable family—and the dynamic times in which they’ve loved, lived, and died: a crowning literary achievement from a beloved master of American storytelling.

“Beautifully documented . . . no less than a landmark in the field of writing and journalism.”—The Nation “Fascinating . . . Seldom has anyone been so successful in making a newspaper come alive as a human institution.”—The New York Times In this century and the last, most of history's important news stories have been broken to a waiting nation by The New York Times. In The Kingdom and the Power, former Times correspondent and bestselling author Gay Talese lays bare the secret internal intrigues at the daily, revealing the stories behind the personalities, rivalries, and scopes at the most influential paper in the world. In gripping detail, Talese examines the private and public lives of the famed Ochs family, along with their direct descendants, the Sulzbergers, and their hobnobbing with presidents, kings, ambassadors, and cabinet members; the vicious struggles for power and control at the paper; and the amazing story of how a bankrupt newspaper turned itself around and grew to Olympian heights. Regarded as a classic piece of journalism, The Kingdom and the Power is as gripping as a work of fiction and as relevant as today's headlines. Praise for The Kingdom and the Power “I know of no book about a great institution which is so detailed, so intensely personalized, or so dramatized as this volume about The New York Times.”—The Christian Science Monitor “A serious and important account of one of the few genuinely powerful institutions in our society.”—The New Leader “A superb study of people and power.”—Women's Wear Daily

The provocative classic work newly updated An intimate personal odyssey across America's changing sexual landscape When first published, Gay Talese's 1981 groundbreaking work, Thy Neighbor's Wife, shocked a nation with its powerful, eye-opening revelations about the sexual activities and proclivities of the American public in the era before AIDS. A marvel of journalistic courage and craft, the book opened a window into a new world built on a new moral foundation, carrying the reader on a remarkable journey from the Playboy Mansion to the Supreme Court, to the backyards and bedrooms of suburbia—through the development of the porn industry, the rise of the "swinger" culture, the legal fight to define obscenity, and the daily sex lives of "ordinary" people. It is the book that forever changed the way Americans look at themselves and one another.

One thing about a new day--you really never know where it will go, even if you know where it starts. Marcel the Shell with Shoes On is walking on the blanket when he is unexpectedly launched high into the air. Tumbling through space, the bird's-eye view offers our small friend not only a glimpse of the important things in life--his beloved Nana who sleeps in a fancy French bread, a stinky shoe, and a monstrous baby--but also a much bigger picture. Sometimes the most wonderful discoveries are the ones we least expect.

From the acclaimed creator, producer, and star of HBO’s Girls comes a hilarious, wise, and fiercely candid collection of personal essays that establishes Lena Dunham as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one’s way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and, most of all, having the guts to believe that your story is one that deserves to be told. “Take My Virginity (No, Really, Take It)” is the account of Dunham’s first time, and how her expectations of sex didn’t quite live up to the actual event (“No floodgate had been opened, no vault of true womanhood unlocked”); “Girls & Jerks” explores her former attraction to less-than-nice guys—guys who had perfected the “dynamic of disrespect” she found so intriguing; “Is This Even Real?” is a meditation on her lifelong obsession with death and dying—what she called her “genetically predestined morbidity.” And in “I Didn’t Fuck Them, but They Yelled at Me,” she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are “treated like the paper thingies that protect glasses in hotel bathrooms—necessary but infinitely disposable.” Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. “I’m already predicting my future shame at thinking I had anything to offer you,” Dunham writes. “But if I can take what I’ve learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile.”