The Walking Dead 169

NEW STORY ARC ñLINES WE CROSSî It is time for Dwight to step up.

Recent events have thrown Alexandria into turmoil, and now Rick, Dwight, Eugene, and Negan all have something to prove. Collects THE WALKING DEAD #169-174

Read it again! It's time to revisit the historic independent series that took the entertainment world by storm 17 years ago! Follow Rick Grimes's journey again, from the very beginning, but this time in STUNNING FULL COLOR by the masterful DAVE McCAIG. This deluxe version will feature a memorable array of variant covers commemorating major character introductions and the series’ most memorable twists and turns. Each issue will include a new installment of “The Cutting Room Floor,” featuring ROBERT KIRKMAN's original handwritten plots along with commentary on abandoned storylines and things that may have changed along the way. This deluxe, definitive presentation of the story in full color will NOT be collected any time soon, so these single issues will be the only way to experience this.

"How many hours are in a day when you don't spend half of them watching television? When is the last time any of us really worked to get something we wanted? How long has it been since any of us really needed something that we wanted? The world we knew is gone. The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled. No government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally start living"--Page 4 of cover.

When humankind faces what it perceives as a threat to its very existence, a macabre thing happens in art, literature, and culture: corpses begin to stand up and walk around. The dead walked in the fourteenth century, when the Black Death and other catastrophes roiled Europe. They walked in images from World War I, when a generation died horribly in the trenches. They walked in art inspired by the Holocaust and by the atomic attacks on Japan. Now, in the early twenty-first century, the dead walk in stories of the zombie apocalypse, some of the most ubiquitous narratives of post-9/11 Western culture. Zombies appear in popular movies and television shows, comics and graphic novels, fiction, games, art, and in material culture including pinball machines, zombie runs, and lottery tickets. The zombie apocalypse, Greg Garrett shows us, has become an archetypal narrative for the contemporary world, in part because zombies can stand in for any of a variety of global threats, from terrorism to Ebola, from economic uncertainty to ecological destruction. But this zombie narrative also brings us emotional and spiritual comfort. These apocalyptic stories, in which the world has been turned upside down and protagonists face the prospect of an imminent and grisly death, can also offer us wisdom about living in a community, present us with real-world ethical solutions, and invite us into conversation about the value and costs of survival. We may indeed be living with the living dead these days, but through the stories we consume and the games we play, we are paradoxically learning what it means to be fully alive.

Examining humor in depictions of the Civil War from the war years to the present, this review covers a wide range of literature, film and television in historical context. Wartime humor served as a form of propaganda to render the enemy and their cause laughable, but also to help people cope with the human costs of the conflict. After the war many authors and, later, movie and television producers employed humor to shape its legacy, perpetuating myths and stereotypes that became ingrained in American memory. Giving attention to the stories behind the stories, the author focuses on what people laughed at, who they laughed with and what it reveals about their view of events.

This introduction to media literacy from a Christian perspective provides the tools to find and assess the beneficial—or harmful—ideologies depicted in notable films, programs, and trends. Television and movies shape popular culture, with audiences often unaware of how media messages influence the way they think, act, and view the world. In this enlightening guide, author Jen Letherer interprets film and television shows from a Christian standpoint, revealing how beliefs and values portrayed on the big and small screens often impact the moral conduct of daily viewers. This book provides the tools for Christians to discern the implicit and explicit messages found within this medium, and shows how motion pictures can improve or erode religious principles and a spiritual way of life. In a conversational tone, the work combines classic film theory, an assessment of story structure, and faith-based film criticism to delve into meaning and interpretations of popular movies and shows. Highlighted television programs include Top Chef, Modern Family, Downton Abbey, and The Walking Dead. The book also features films like Citizen Kane, Thelma and Louise, Star Wars, Inception, and The Hunger Games. This fascinating critique prompts media consumers to analyze the messages that their favorite broadcast programs send, consider if those messages are in line with their own values, and align their viewing choices with their personal beliefs.