The Walking Dead 47

Mother and Child. No one is safe.

Tired of waiting, the Governor has a tank, and he decides to use it…

An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it. From comics and television to social media, apps, and mobile games, utilizing concepts derived from literary studies, media studies, history, anthropology, and religious studies, Matthew Freeman examines the functions and affordances of new digital platforms. In doing so, he establishes a new transdisciplinary framework for analyzing imaginary worlds across multiple media platforms, bolstering the critical arena of world-building studies by providing a greater array of vocabulary, concepts, and approaches. The World of The Walking Dead is an engaging exploration of stories, their platforms, and their reception, ideal for students and scholars of world-building, film and TV studies, new media, and everything in-between.

Tegneserie. Efter at have ligget i koma er betjent Rick Grimes vågnet til en totalt forandret verden, stort set kun befolket af menneskeædende zombier. Hans første tanker gælder hans familie

The assault on the prison begins, and NO ONE is safe! This deluxe presentation in STUNNING FULL COLOR also features another installment of Cutting Room Floor and creator commentary.

Whoever kills the war child will hold the fate of the world in their hands. Only two issues left!

Walking Deadheads. Either you are one or you know one. Now in its seventh season, "The Walking Dead" has gone from cult hit to cultural movement and has now achieved the status of appointment television. Mostly because of one simple word - community: This is a show about a tight community made by a tight community for a tight community, and part of its simple appeal is that it makes us face the most basic questions about who we'd become in an extreme world, and who would be there with us. Now, in an all-new collector's edition, Entertainment Weekly takes readers into the writing room, behind the scenes and onto the sets in The Ultimate Guide to The Walking Dead. Go inside each season with exclusive photographs, interviews with the cast and crew, a season-by-season recap, as well as original art that traces the journey of survivors in the series, created by the artists who draw The Walking Dead comic books. Additionally, this collector's edition has two front covers, one of the living, and one of the undead (you should probably collect them both!). With exclusive insights into season 7, special sidebars, as well as an original essay on Why We Love Zombies, The Ultimate Guide to The Walking Dead is the drop un-dead companion to one of the hottest shows on television today.

In 2010, The Walking Dead premiered on AMC and has since become the most watched scripted program in the history of basic cable. Based on the graphic novel series by Robert Kirkman, The Walking Dead provides a stark, metaphoric preview of what the end of civilization might look like: the collapse of infrastructure and central government, savage tribal anarchy, and purposeless hordes of the wandering wounded. While the representation of zombies has been a staple of the horror genre for more than half a century, the unprecedented popularity of The Walking Dead reflects an increased identification with uncertain times. In The Walking Dead Live! Essays on the Television Show, Philip L. Simpson and Marcus Mallard have compiled essays that examine the show as a cultural text. Contributors to this volume consider how the show engages with our own social practices—from theology and leadership to gender, race, and politics—as well as how the show reflects matters of masculinity, memory, and survivor’s guilt. As a product of anxious times, The Walking Dead gives the audience an idea of what the future may hold and what popular interest in the zombie genre means. Providing insight into the broader significance of the zombie apocalypse story, The Walking Dead Live! will be of interest to scholars of sociology, cultural history, and television, as well as to fans of the show.