The Wallenstein Figure In German Literature And Historiography 1790 1920

Albrecht von Wallenstein (1583-1634), one of the most famous and controversial personalities of the Thirty Years War, gained heightened prominence in the nineteenth century through Schiller's monumental drama Wallenstein (1798-99). This study tests Schiller's impact on historians as well as on later literary texts.

Döblin’s texts, which range widely across contemporary discourses, are paradigms of the encounter between literary and scientific modernity. With their use of ‛Tatsachenphantasie’, they explode conventional language, seeking a new connection with the world of objects and things. This volume reassesses and reevaluates the uniquely interdisciplinary quality of Döblin’s interdiscursive, factually-inspired poetics by offering challenging new perspectives on key works. The volume analyses not only some of Döblin’s best-known novels and stories, but also neglected works including his early medical essays, political journalism and autobiographical texts. Other topics addressed are Döblin’s engagement with German history; his relation to medical discourse; his topography of Berlin; his aestheticisation of his own biography and his relation to other major writers such as Heine, Benn, Brecht and Sebald. With contributions in English and in German by scholars from Germany and the United Kingdom, the volume presents insights into Döblin that are of value to advanced researchers and to students alike.

Czasopismo obejmuje artykuły i rozprawy naukowe historyków prawa oraz historyków doktryn politycznych i prawnych z polskich i zagranicznych ośrodków naukowych. Zamierzeniem redaktorów i pomysłodawców wydawnictwa było umożliwienie publikacji rezultatów badań z zakresu szeroko pojętej historii prawa, historii państwa oraz historii doktryn politycznych i prawnych. Czasopismo zawiera także dział recenzji oraz kronikę wydarzeń naukowych.

One of the most prolific and versatile writers of all time, Johann Wolfgang Goethe (1749–1832) made an impact that continues to extend far beyond his native Germany. The variety of human questions and experiences treated in his works is arguably without parallel. He also had (for his era) an unusually long life, which spanned the French Revolution, the end of the Holy Roman Empire and subsequent reshaping of the German-speaking world, and the rapid onset of industrial modernity. In thirty-seven short essays, leading international scholars explore Goethe's life and times, his literary works, his activity in the realms of art, philosophy and natural science, his reception of – and indeed by – other cultures, and, finally, the resonance of his work in our time. The aim of this collection is to open as many windows as possible onto Goethe's wide-ranging intellectual and practical activity, and to give a sense of his ongoing importance.

This volume examines the multifaceted ways in which textual material in nineteenth-century European cultures intersected with non-literary cultural artefacts and concepts. The essays consider the presence of such diverse phenomena as the dandy, nationhood, diasporic identity, operatic and dramatic personae and effects, trapeze artists, paintings, and the grotesque and fantastic in the work of a variety of writers from France, Germany, Spain, Britain, Russia, Greece and Italy. The volume argues for a view of the long nineteenth century as a century of lively cultural dialogue and exchange between national and sub-national cultures, between ‘high’ and popular art forms, and between different genres and different media, and it will be of interest to general readers and scholars alike.

The relationship of texts and maps, and the mappability of literature, examined from Homer to Houellebecq. Literary authors have frequently called on elements of cartography to ground fictional space, to visualize sites, and to help readers get their bearings in the imaginative world of the text. Today, the convergence of digital mapping and globalization has spurred a cartographic turn in literature. This book gathers leading scholars to consider the relationship of literature and cartography. Generously illustrated with full-color maps and visualizations, it offers the first systematic overview of an emerging approach to the study of literature. The literary map is not merely an illustrative guide but represents a set of relations and tensions that raise questions about representation, fiction, and space. Is literature even mappable? In exploring the cartographic components of literature, the contributors have not only brought literary theory to bear on the map but have also enriched the vocabulary and perspectives of literary studies with cartographic terms. After establishing the theoretical and methodological terrain, they trace important developments in the history of literary cartography, considering topics that include Homer and Joyce, Goethe and the representation of nature, and African cartographies. Finally, they consider cartographic genres that reveal the broader connections between texts and maps, discussing literary map genres in American literature and the coexistence of image and text in early maps. When cartographic aspirations outstripped factual knowledge, mapmakers turned to textual fictions. Contributors Jean-Marc Besse, Bruno Bosteels, Patrick M. Bray, Martin Brückner, Tom Conley, Jörg Dünne, Anders Engberg-Pedersen, John K. Noyes, Ricardo Padrón, Barbara Piatti, Simone Pinet, Clara Rowland, Oliver Simons, Robert Stockhammer, Dominic Thomas, Burkhardt Wolf