The Warrior In My Wardrobe

Merdyn is the greatest wizard of the Dark Ages. Obviously. Rose is his 21st-century descendent. Lucky her. And Vanheldon the vandal warrior is FURIOUS! After all, last time they met, Merdyn turned his army to stone. Seeking revenge, Vanheldon comes up with a way to kidnap Rose and transport her back to Dark Ages Transylvania, set on luring Merdyn into a terrible trap. Except - whoops! - his magical minion kidnaps Rose's teenage brother Kris instead. Rose, Merdyn and Bubbles the guinea pig must team up to save the day. But can they rescue Kris without creating historical mayhem? Will Rose's wizard ancestor even remember her? (And want to help them?) And will Bubbles ever stop pooing? From the writer of the Paddington 2 movie and writer and star of Horrible Histories and Ghosts, this hilariously silly, heartfelt comedy of errors with a historical twist is perfect for fans of David Walliams and David Baddiel. The follow-up to The Wizard in My Shed.

Merdyn the Wild is from the Dark Ages. He's the world's greatest Warlock (don't call him a wizard), banished to the 21st century for bad behaviour, and he's about to create a whole load of trouble for Rose, aged 12. Rose is a totally ordinary girl, on a mission to mend her broken family. Bubbles is Rose's guinea pig. He just poos a lot. When Rose bumps into Merdyn and discovers what he is, she quickly realises that he could be just what she needs. Rose agrees to help Merdyn navigate the confusing ways of the modern world (things like: the lidded bowl in the bathroom is NOT a sink, it's a TOILET, so definitely DON'T wash your face in it) if Merdyn gives her a spell to fix her family in return. Now they just need to hide him in the shed without Rose's mum noticing, track down Merdyn's magic staff and find a way to send Merdyn back through time to the Dark Ages. What could possibly go wrong...?

"[Savaş] writes with both sensuality and coolness, as if determined to find a rational explanation for the irrationality of existence..." -- The New York Times "I fell in love with this book." -- Katie Kitamura, author of A Separation A mesmerizing novel set in Paris and a changing Istanbul, about a young Turkish woman grappling with her past and her complicated relationship with a famous British writer. After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories. A wise and unguarded glimpse into a young woman's coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can't escape.

A trick of magic, a twist of fate. As the orphaned nephew of the king, trusted companion to his cousin, and second heir to the throne of Skala, Prince Tobin’s future is clear. But not as clear as the spring in which a hill witch shows him his true face--and his secret destiny.... Now Tobin carries a burden he cannot share with even his closest friend, Ki, his squire. He is to rule--not as he is but as he was born: a woman. Given the shape of a boy by dark magic, Tobin is the last hope of the people of Illior--those who desperately seek a return to the old ways, when Skala was ruled by a line of warrior queens. They still believe that only a woman can lift the war, famine, and pestilence that have run rampant through the land since the king usurped his half sister’s throne. It is these outlaw wizards and witches who protect Tobin--and it is for them that Tobin must accept his fate. With the unsuspecting yet fiercely loyal Ki at his side, Tobin must turn traitor against the only blood ties he has left. He must lift the masks of Skala’s rulers to show their true colors--before he can reveal the power of the woman within himself.

They open a door and enter a world.

Through a rich and beautiful series of images, British fashion journalist Eloise Moran decodes Princess Diana’s outfits in this smart visual psychobiography of an icon. From the pink gingham pants and pastel-yellow overalls of a sacrificial lamb, to the sexy Versace revenge dresses, power suits, and bicycle shorts of a free woman, British fashion journalist Eloise Moran has studied thousands of pictures of Princess Diana. She soon discovered that behind each outfit lay a carefully crafted strategy: What Lady Di couldn’t express verbally, she expressed through her clothes. Diana’s most show-stopping—and poignant—outfits are all here in The Lady Di Look Book, incisively decoded. Moran sees things no one has before: Why, for example, did Diana have a rotating collection of message sweatshirts? Was she mad for plaid, or did the tartan have a deeper meaning? What about her love of costume jewelry on top of the tiaras and oval sapphire engagement ring? With new interviews from some of the people who dressed Diana, Moran’s book is both a record of what Diana wore and why she wore it—and why we are still obsessed with Lady Di. From 1980s Sloane Ranger cottagecore Diana, to athleisure and Dynasty Di Diana, The Lady Di Look Book is both compulsively delightful and a full biography of the world’s most beloved royal.