The Warrior Song Of King Gesar

This is the epic tale in verse and prose of the legendary Tibetan warrior king, Gesar of Ling. Gesar'e life story is the life-force of a vision which has for centuries inspired people throughout Central Asia in dealing with every kind of inner and outer hardship. 6 illustrations.

The Song of King Gesar is one of the world's great epics, as significant for Tibetans as the Odyssey and Iliad for the ancient Greeks, and as the Ramayana and Mahabarata in India. Passed down in song from one generation to the next, it is sung by Tibetan bards even today. Set partly in ancient Tibet, where evil spirits mingle with the lives of humans, and partly in the modern day, The Song of King Gesar tells of two lives inextricably entwined. Gesar, the youngest and bravest of the gods, has been sent down to the human world to defeat the demons that plague the lives of ordinary people. Jigmed is a young shepherd, who is visited by dreams of Gesar, of gods and of ancient battles while he sleeps. So begins an epic journey for both the shepherd and the king. The wilful child of the gods will become Gesar, the warrior-king of Ling, and will unite the nation of Tibet under his reign. Jigmed will learn to see his troubled country with new eyes, and, as the storyteller chosen by the gods, must face his own destiny.

The Gesar of Ling epic is the Tibetan equivalent of The Arabian Nights. For hundreds of years, versions of it have been known in oral and written form in Tibet, China, Central Asia, and across the eastern Silk Route. King Gesar, renowned throughout these areas, represents the ideal warrior. As a leader with his people's loyalty and trust, he conquers all their enemies and protects the peace. His life story, which is full of miracles and magic, is an inspiration and a spiritual example to the people of Tibet and Central Asia even today; Gesar's warrior mask can be seen in the town square and on the door of homes in towns and villages throughout this area. As a Buddhist teaching story, the example of King Gesar is also understood as a spiritual allegory. The "enemies" in the stories represent the emotional and psychological challenges that turn people's minds toward greed, aggression, and envy, and away from the true teachings of Buddhism. These enemies graphically represent the different manifestations of the untamed mind. The teaching is that genuine warriors are not aggressive, but that they subjugate negative emotions in order to put the concerns of others before their own. The ideal of warriorship that Gesar represents is that of a person who, by facing personal challenges with gentleness and intelligence, can attain spiritual realization. This book contains volumes one through three, which tell of Gesar's birth, his mischievous childhood, his youth spent in exile, and his rivalry for the throne with his treacherous uncle. The Gesar epic tells how the king, an enlightened warrior, in order to defend Tibet and the Buddhist religion from the attacks of surrounding demon kings, conquers his enemies one by one in a series of adventures and campaigns that take him all over the Eastern world. He is assisted in his adventures by a cast of heroes and magical characters who include the major deities of Tibetan Buddhism as well as the native religion of Tibet. Gesar fulfills the Silk Route ideal of a king by being both a warrior and a magician. As a magician he combines the powers of an enlightened Buddhist master with those of a shamanic sorcerer. In fact, at times the epic almost seems like a manual to train such a Buddhist warrior-magician. In the story, the people and nation of Ling represent the East Asian notion of an enlightened society. There, meditation, magic, and the oral folk wisdom of a communal nomadic society are synchronized in a lifestyle harmonious with the environment, but ambitious for growth and learning and refined literate culture. Filled with magic, adventure, and the triumphs of this great warrior-king, the stories will delight all—young and old alike. The Gesar epic is still sung by bards in Tibet. The words of the Gesar epic have never been translated into a Western language before.

The first and only English translation of the centuries-old Tibetan spiritual allegory of King Gesar, a tale on a par with The Arabian Nights or the King Arthur stories. For hundreds of years, versions of the Gesar of Ling epic have been sung by bards in Tibet, China, Central Asia, and across the eastern Silk Route. King Gesar, renowned throughout these areas, represents the ideal warrior. As a leader with his people's loyalty and trust, he conquers all their enemies and protects the peace. The example of King Gesar is also understood as a spiritual teaching. The "enemies" in the stories represent the emotional and psychological challenges that turn people toward greed, aggression, and envy and away from the true teachings of Buddhism. The epic of Gesar is the longest single piece of literature in the world canon, encompassing some 120 volumes; here the first three volumes are translated, telling of Gesar's birth, his mischievous childhood and his youth spent in exile, and his rivalry for the throne with his treacherous uncle.

Chögyam Trungpa was born in Tibet and strictly trained in the manner traditional for re-incarnations of great teachers. At the age of 19, he led 300 people over the Himalayas to India in a dramatic escape recounted in his autobiography Born in Tibet. Over the following 30 years, Trungpa became one of the foremost pioneers of Tibetan Buddhism in the West. He was also a highly controversial figure, considered by many to be one of the greatest Buddhist teachers ever to come to the west and viewed with suspicion by others. He taught in a style that went altogether beyond conventional ideas of what a "holy man" should be like, dressing in ordinary western clothes, drinking and taking sexual consorts. He taught in English with a direct and penetrating voice that drew to him many intelligent young students. These memoirs tell the story of the author, Jeremy Hayward, a close student and friend of Trungpa Rinpoche who became a senior teacher and administrator in the organizations Rinpoche established. This intimate chronological account opens with Hayward's first meeting with Trungpa Rinpoche in 1970 and progresses year by year until Rinpoche's death and beyond. Each chapter/year includes some discussion of the teachings that Rinpoche was presenting at that time as well as the context and atmosphere in which these teachings occurred and the evolution of the society and organizations which he inspired. The book should be of interest to all students of Buddhism as well as others interested in the evolution of Buddhism in the west, and possibly other seekers on the spiritual path.

Diary of a Detour is film scholar and author Lesley Stern's memoir of living with chronic lymphocytic leukemia. She chronicles the fears and daily experience of coming to grips with an incurable form of cancer by describing the dramas and delving into the science. Stern also nudges cancer off center stage by turning to alternative obsessions and pleasures. In seductive writing she describes her life in the garden and kitchen, the hospital and the library, and her travels—down the street to her meditation center, across the border to Mexico, and across the world to Australia. Her immediate world is inhabited with books, movies, politics, and medical reports that provoke essayistic reflections. As her environment is shared with friends, chickens, a cat called Elvis, mountain goats, whales, lions, and microbes the book opens onto a larger than human world. Intimate and meditative, engrossing and singular, Diary of a Detour offers new ideas about what it might mean to live and think with cancer, and with chronic illness more broadly.

Windhorse Warrior offers an inside look at the struggles and aspirations of the Tibetan people during the 1950s. It is a tale that weaves together the politics of occupation and resistance, an other-worldly romance between a Chinese communist and an educated Tibetan woman, and the soaring vision of the Tibetan spiritual heart. Chuang Wei Ming, a young zealot from Shanghai, arrives in Lithang—on the eastern Tibetan plateau—with a mission to prepare the people for Maoism but soon outgrows its limiting worldview. Chuang falls in love with the beautiful and intelligent Dechen, who introduces him to the richness of Tibetan Buddhism. Palden Rinpoche, Dechen’s spiritual teacher, includes Chuang in their plan for a general spiritual awakening based on the Legend of King Gesar of Ling. Together, they pursue a pure communism infused with Buddhist teachings to create an ‘enlightened society’. This is a story that extends beyond the decade in which it is set. Its message is true today in the global context of oppression and disparity, fake news, and injustice. Those who believe in a just and beautiful world will find themselves longing for an ‘enlightened society’ filled with spiritually awakened women and men, free to pursue their true potential and eager to enrich the lives of others.

Crossings On A Bridge of Light is the first English rendition of a vibrant and pivotal episode in the Gesar of Ling epic. In this story, Gesar, King of Ling, moves between life and death to free his mother from the bonds of hell. He traverses the six realms of being and passes through the five traditional states (bardos). His journey reaches its apex in four visions of the enlightened rulers of the Kingdom of Shambhala. Gesar's inner journey, his encounters with a panoply of beings embodying the spontaneous presence of the awakened state, enable him to heal the doubts and divisions that have come to threaten his kingdom. This tale of how the vision of an enlightened society can be realized on this earth has inspired people for many centuries; it is equally powerful today. The miraculous images of King Gesar dance so vividly on the pages of 'Crossings On A Bridge of Light' it's as if they were alive. It's beautiful! -The Ven. Tulku Thondup, translator of many important Nyingma texts, author of Healing Power of Mind, Boundless Healing, and Peaceful Death, Joyful Rebirth 'Crossings On A Bridge of Life' is a treasure, a work of true inspiration. It demonstrates that the tradition of Gesar and his significance is not lost, and that singers may appear in any land or time. In relating Gesar's quest to liberate his mother from hell, it vividly brings to life the Buddhist teachings on the six realms, the cycle of bardos, the pure lands of the five transcendent Buddhas, and the inseparability of existence and awakening. The poetry of its language deeply touches the heart with compassion and opens the mind to the ever-present reality of the awakened state. -Dr. Francesca Fremantle, translator (with Chogyam Trungpa, Rinpoche) of The Tibetan Book of the Dead and author of Luminous Emptiness