The Way You Die Tonight

Edward G Robinson is in Las Vegas researching his new movie, The Cincinnatti Kid with Steve McQueen. Frank Sinatra puts him in touch with Eddie G., floor manager of the Sands Casino and friend to the Rat Pack who frequent it. But rumour has it that Howard Hughes is also in town looking to buy a casino; and what Hughes wants he usually gets. Jack Entratter, the owner of the Sands tries to fight the takeover and sends Eddie G., to go and convince Howard Hughes not to pursue it. Then, Entratter's secretary goes missing and Eddie G. is entrusted with looking for her, delving into the murky underworld of Las Vegas; a world he knows well . . .

Winner of the Edgar Award for Best Paperback Original. Reminiscent of the bestsellers of Laura Lippman and Harlan Coben—with a dose of Big Little Lies or Stranger Things—an absorbing, addictive tale of psychological suspense from the author of the highly acclaimed stand-alone novel What Remains of Me and the USA Today bestselling and Shamus Award-winning Brenna Spector series, in which a seemingly open-and-shut police case with a clear-cut hero and villain turns out to be anything but simple. Late one night in the quiet Hudson Valley town of Havenkill, a distraught woman stumbles into the police station—and lives are changed forever. Aimee En, once a darling of the ’80s pop music scene, claims that a teenage boy stole her car, then ran over another young man who'd rushed to help. As Liam Miller’s life hangs in the balance, the events of that fateful night begin to come into focus. But is everything as it seems? The case quickly consumes social media, transforming Liam, a local high school football star, into a folk hero, and the suspect, a high school outcast named Wade Reed, into a depraved would-be killer. But is Wade really guilty? And if he isn't, why won't he talk? Told from a kaleidoscope of viewpoints—Wade's mother Jackie, his younger brother Connor, Aimee En and Pearl Maze, a young police officer with a tragic past, If I Die Tonight is a story of family ties and dark secrets—and the lengths we'll go to protect ourselves.

The New York Times Bestseller! "An absolute page turner, I'm Not Dying with You Tonight is a compelling and powerful novel that is sure to make an impact. " —Angie Thomas, New York Times bestselling author of The Hate U Give An NAACP Image Award Nominee, I'm Not Dying with You Tonight follows two teen girls—one black, one white—who have to confront their own assumptions about racial inequality as they rely on each other to get through the violent race riot that has set their city on fire with civil unrest. Lena has her killer style, her awesome boyfriend, and a plan. She knows she's going to make it big. Campbell, on the other hand, is just trying to keep her head down and get through the year at her new school. When both girls attend the Friday-night football game, what neither expects is for everything to descend into sudden mass chaos. Chaos born from violence and hate. Chaos that unexpectedly throws them together. They aren't friends. They hardly understand the other's point of view. But none of that matters when the city is up in flames, and they only have each other to rely on if they're going to survive the night. This book is perfect for: Sparking conversations about prejudice and the racial tension that exists in America Parents and educators looking for multicultural and African American books for teens Fans of Nic Stone, Angie Thomas, and Jason Reynolds Additional Praise for I'm Not Dying with You Tonight: "A vital addition to the YA race relations canon." —Nic Stone, New York Times bestselling author of Dear Martin "An astounding achievement. This novel is an incendiary experience, one that does not shy away from difficult questions about privilege and violence. But Jones and Segal don't hold our hands to provide us easy answers; this is a book meant to be devoured in a single sitting and discussed for years to come." —Mark Oshiro, author of Anger is a Gift "I'm Not Dying With You Tonight is a powerful examination of privilege, and how friends are often found in surprising places. Jones and Segal have penned a page-turning debut, as timely as it is addictive." —David Arnold, New York Times bestselling author of Mosquitoland and Kids of Appetite

Lords Of Chaos It was big news in Ft. Myers, Florida when an abandoned historic building was destroyed by vandals in a spectacular blast. Behind it lay the Lords of Chaos, a band of teenage misfits led by Kevin Foster, 18, a vicious hatemonger who idolized Oklahoma City bomber Timothy McVeigh and was known as "God" to his five-man gang. Vortex Of Violence The explosion was only one episode in a month-long crime spree that began with vandalism and theft, escalating into what a local sheriff later called "a vortex of bloodlust and arson." The rampage culminated in the brutal shotgun murder of high school band director Mark Schwebes, 32. Police busted the gang before they could unleash a planned racist mass murder at Disney World--but their leader wasn't done yet. Compulsion To Kill Author Jim Greenhill conducted extensive interviews with Kevin Foster on Florida's Death Row. In an astounding development, Greenhill was solicited by the prisoner and his mother Ruby Foster to arrange the killings of three witnesses, leading to a new case against Foster in 2002. Here is the chilling inside story of how a pack of teenage losers found a way to succeed--at murder. . . 16 Pages Of Shocking Photos Praise for Jim Greenhill and Someone Has to Die Tonight "Fascinatingly lurid . . . insightful and well written. . . . Greenhill has brought the light of excellent reporting and emotional insight to the brooding darkness that consumes fringe-dwellers at virtually any high school." --Mike Clark, The Durango Herald (Durango, CO) "Recommended reading. . . . True crime in the strictest sense . . . the most factual account possible of the events of that stormy April." --Jay MacDonald, The News-Press (Fort Myers, FL) "Greenhill, a big fan of Truman Capote's In Cold Blood, did his hero proud . . . the most detailed true crime you will read." --Sam Cook, The News-Press (Fort Myers, FL) "Meticulously reported and carefully crafted, a major debut." --Gregg Olsen, bestselling author of Abandoned Prayers "Riveting and gut wrenching." --Lt. Col. Dave Grossman, bestselling author of On Killing "A searing look, by a true journalist, behind a sordid tale of murder and deception--a real page-turner." --M. William Phelps, author of Murder in the Heartland "An extraordinary book . . . compelling . . . it accumulates force as it rolls along and winds up flooring you with the sheer power of Greenhill's reporting." --Bob Norman, The Daily Pulp

At age twelve, Lucinda is the mother of a one-year-old half white/black baby after being brutally raped. After Ray Shawn is born; he constantly hears and sees sights and sounds of racism, hatred and insults directed at him and his mother. When their lives are threatened and all hell breaks loose because three "good ole boys" are about to stand trial for attacking Lucinda; baby girls only option is to take little Ray, and jet from the warm conditions of their small hometown to avoid the murderous claws of a mob made up of a few of Alabama's most racists. She must also avoid the blood dripping branches of Jim Crow's "hang a nigger" tree. Ten years later in a housing project near Boston, Lucinda is murdered and little Ray becomes a hustler at age fifteen at the height of the AIDS epidemic. As he watches his boys being taken out by the disease, he realizes that he's about to become a statistic also, but he develops a desire while in prison to eventually tell their stories. After becoming a follower of Louis Farrakhan while doing an eight year stretch, he no longer carries within him the hate and revenge that had overtaken his mind, body and soul for whites. And his desire to take out white men and continue to hustled white women as revenge for his mother's death had all but vanished by the time he's released He's now on a mission to clean up his community and save his young brothers and sisters, and to keep them from following in his path as a street hustler whose only mission was to degrade women and destroy their integrity.

After Dean Martin saves Eddie G. from being hit by a car, Eddie's torpedo buddy Jerry arrives from Brooklyn with the news: somebody's put an open contract out on him. As anybody can cash it in, pros and amateurs alike are coming out of the woodwork to have a shot. So when Eddie is asked by Frank Sinatra to go to LA to help his friend Judy Garland with a problem she's having, Eddie and Jerry seize the opportunity to leave Vegas. Unfortunately the contract follows Eddie there. While doing his best to stay alive long enough to find out who hates him so much they want him dead, Eddie must also solve Judy Garland's problem of a possible stalker and blackmailer. PRAISE FOR RAT PACK MYSTERY NOVELS "Entertaining . . . A breezy period romp"—Publishers Weekly on The Way You Die Tonight "An engaging mix of humor and Vegas history. Randisi's light touch and sense of nice-and easy swing keeps the plot moving in sprightly four-four time"—Booklist on The Way You Die Tonight "Randisi's eighth Rat Pack mystery delivers a tasty slice of nostalgia with healthy dollop of crime and humor"—Publishers Weekly on You Make Me Feel So Dead "The light, breezy style delivers its own brand of Nelson Riddle, toe-tapping pleasure."—Booklist on It Was a Very Bad Year "Offers plenty of Hollywood glamour."—Publishers Weekly on Fly Me to the Morgue “If you remember the Rat Pack era fondly . . . then you won’t stop smiling.”—Booklist on I’m A Fool To Kill You “Randisi gives a lively sense of Vegas’s glitz and the glittering, feckless people who flourished in the spotlight.”—Publishers Weekly on I’m A Fool To Kill You

John Headston is a private detective who, early in his career, was very successful, running a 12-man operation called THE HEADSTONE DETECTIVE AGENCY, mainly because the guy who painted the name on the door added the “e” at the end without realizing it was wrong. As the book opens, however, Headston is now 50, and the agency is down to just him. In his past he had run-ins with not only the law, but with the New York State Agency who had licensed him. As a result he spent some time in jail, and had his license revoked. Now he has it back, and is trying to get started again. His first case is a missing persons case, a wealthy woman whose husband just seems to have vanished from his Wall Street stockbroker job. Headston finds the man, who is now living under very odd circumstances, but the missing persons case quickly turns to murder. Aided by a tattooed young lady who decides she should work for him, Headston decides to work on the murder case, while attempting to avoid running afoul of the law and having his licensed revoked again—and possibly for good, this time.