The Wearing Of The Green Song Book

Well-researched compilation of music information, analyzes nearly 1,000 of the world's most familiar melodies -- composers, lyricists, copyright date, first lines of music, lyrics, and other data. Includes 30 black-and-white illustrations.

(Fake Book). The popularity of Celtic music has soared over the last decade due to the resurgence of folk instruments, Celtic dancing, and Irish culture overall. This amazing collection assembles over 400 songs from Ireland, Scotland and Wales complete with Gaelic lyrics where applicable and a pronunciation guide. Titles include: Across the Western Ocean * Along with My Love I'll Go * Altar Isle O' the Sea * Auld Lang Syne * Avondale * The Band Played On * Barbara Allen * Blessing of the Road * The Blue Bells of Scotland * The Bonniest Lass * A Bunch of Thyme * The Chanty That Beguiled the Witch * Columbus Was an Irishman * Danny Boy * Duffy's Blunders * Erin! Oh Erin! * Father Murphy * Finnegan's Wake * The Galway Piper * The Girl I Left Behind Me * Has Anybody Here Seen Kelly * I Know Where I'm Goin' * Irish Rover * Loch Lomond * Molly Malone * My Bonnie Lies Over the Ocean * My Wild Irish Rose * The Shores of Amerikay * The Sons of Liberty * That's an Irish Lullaby * When Irish Eyes Are Smiling * Who Threw the Overalls in Mistress Murphy's Chowder * and hundreds more. Also includes many Irish popular songs as a bonus.

The first full critical study of Dion Boucicault, one of the most dynamic and influential figures in nineteenth-century theatre.

This unique book captures the rise of New York's passionately musical Irish Catholics and provides a compelling history of early New York City. The Unstoppable Irish follows the changing fortunes of New York's Irish Catholics, commencing with the evacuation of British military forces in late 1783 and concluding one hundred years later with the completion of the initial term of the city's first Catholic mayor. During that century, Hibernians first coalesced and then rose in uneven progression from being a variously dismissed, despised, and feared foreign group to ultimately receiving de facto acceptance as constituent members of the city's population. Dan Milner presents evidence that the Catholic Irish of New York gradually integrated (came into common and equal membership) into the city populace rather than assimilated (adopted the culture of a larger host group). Assimilation had always been an option for Catholics, even in Ireland. In order to fit in, they needed only to adopt mainstream Anglo-Protestant identity. But the same virile strain within the Hibernian psyche that had overwhelmingly rejected the abandonment of Gaelic Catholic being in Ireland continued to hold forth in Manhattan and the community remained largely intact. A novel aspect of Milner's treatment is his use of song texts in combination with period news reports and existing scholarship to develop a fuller picture of the Catholic Irish struggle. Products of a highly verbal and passionately musical people, Irish folk and popular songs provide special insight into the popularly held attitudes and beliefs of the integration epoch.