The Wendigo Unabridged Horror Classic

This thrilling story is based on Blackwood's experience's hunting in the backwoods of Canada. A group of men deep in the Northern wilderness are visited by a terrifying creature from Native American legend... Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre.

This eBook edition of "The Wendigo" has been formatted to the highest digital standards and adjusted for readability on all devices. This thrilling story is based on Blackwood's experience's hunting in the backwoods of Canada. A group of men deep in the Northern wilderness are visited by a terrifying creature from Native American legend… Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre.

This carefully crafted ebook: "The Wendigo (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. This thrilling story is based on Blackwood's experience's hunting in the backwoods of Canada. A group of men deep in the Northern wilderness are visited by a terrifying creature from Native American legend... Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre.

This carefully crafted ebook: "The Damned (Unabridged)” is formatted for your eReader with a functional and detailed table of contents. Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre. Blackwood wrote a number of horror stories. His most work seeks less to frighten than to induce a sense of awe. Excerpt: "Certain things, however, gradually then became apparent, forcing themselves upon me. They came slowly, but overwhelmingly. Not that facts had changed, or natural details altered in the grounds—this was impossible—but that I noticed for the first time various aspects I had not noticed before—trivial enough, yet for me, just then, significant. Some I remembered from previous days; others I saw now as I wandered to and fro, uneasy, uncomfortable,—almost, it seemed, watched by some one who took note of my impressions. The details were so foolish, the total result so formidable. I was half aware that others tried hard to make me see. It was deliberate. My sister's phrase, 'one layer got at me, another gets at you,' flashed, undesired, upon me.”

Classic Horror Tales by Algernon Blackwood

Algernon Henry Blackwood (1869-1951) was an English writer of tales of the supernatural. In his late thirties, Blackwood started to write horror stories. He was very successful, writing ten books of short stories and appearing on both radio and television to tell them. He also wrote fourteen novels and a number of plays, most of which were produced but not published. He was an avid lover of nature, and many of his stories reflect this. Although Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur (1911) and Julius LeVallon (1916) and its sequel The Bright Messenger (1921).

This eBook edition of "The Damned" has been formatted to the highest digital standards and adjusted for readability on all devices. Algernon Blackwood (1869-1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre. Blackwood wrote a number of horror stories. His most work seeks less to frighten than to induce a sense of awe. Excerpt: "Certain things, however, gradually then became apparent, forcing themselves upon me. They came slowly, but overwhelmingly. Not that facts had changed, or natural details altered in the grounds—this was impossible—but that I noticed for the first time various aspects I had not noticed before—trivial enough, yet for me, just then, significant. Some I remembered from previous days; others I saw now as I wandered to and fro, uneasy, uncomfortable,—almost, it seemed, watched by some one who took note of my impressions. The details were so foolish, the total result so formidable. I was half aware that others tried hard to make me see. It was deliberate. My sister's phrase, 'one layer got at me, another gets at you,' flashed, undesired, upon me."