The White Ship

"The White Ship" is a short story written by science fiction and horror fiction writer H. P. Lovecraft. It was first published in The United Amateur (Volume 19) #2, November 1919. Unlike many of Lovecraft's other tales, "The White Ship" does not expressly tie into the popularized Cthulhu Mythos. However, the story cannot be entirely excluded from mythos continuity either, since it makes reference to preternatural, godlike beings. The tone and temperament of "The White Ship" speaks largely of the Dream Cycle literary structure that Lovecraft utilized in other stories such as The Dream-Quest of Unknown Kadath (1926) and "The Cats of Ulthar" (1920).

'The most calamitous event ever to afflict the royal family of England.' 'Riveting' THE TIMES The White Ship sank in the English Channel on 25 November 1120, with other one survivor. On the 900th anniversary of the tragedy, this tale of anarchy, passion and revenge brings the past vividly to life. For fans of Ken Follett, Robert Harris and Antonia Fraser. --- REVENGE CAN CHANGE THE COURSE OF HISTORY. Normandy, 1119. A hotbed of malcontent barons is kept in fragile order by their duke - Henry I, King of England. Fresh from early years in a monastery, Bertold, the bastard son of one of these barons, meets Juliana, a countess and daughter of the King. He falls in love - or lust - but sees that his chance could come with work in her small court. Soon, he finds himself caught up in a ruthless feud between Juliana and her father. And when Juliana's daughters are offered as hostages for a strategic castle, even love may not be enough to allay a tragedy that will change everything. Reader praise for THE WHITE SHIP 'The period and characters are brought alive in a gripping tale' 'Wonderfully written and entirely captivating, this is an excellent historical novel' 'Told with humour combined with the drama and savagery of the time' 'I loved the history, I loved the characters - heroic and villainous'

Alacrity Fitzhugh is made commander of the White Ship, an advanced starship designed to trace the mysterious Precursor aliens and unlock their secrets

The sinking of the White Ship is one of the greatest disasters in English history. Here, Sunday Times bestselling author Charles Spencer tells the real story behind the legend to show how one cataclysmic shipwreck changed England's course. In 1120, the White Ship was known as the fastest ship afloat. When it sank sailing from Normandy to England it was carrying aboard the only legitimate heir to King Henry I, William of Atheling. The raucous, arrogant young prince had made a party of the voyage, carousing with his companions and pushing wine into the eager hands of the crew. It was the middle of the night when the drunken helmsman rammed the ship into rocks. The next day only one of the three hundred who had boarded the ship was alive to describe the horrors of the slow shipwreck. William, the face of England's future had drowned along with scores of the social elite. The royal line severed and with no obvious heir to the crown, a civil war of untold violence erupted. Known fittingly as 'The Anarchy', this game of thrones saw families turned in on each other, with English barons, rebellious Welsh leaders and Scottish invaders all playing a part in the bloody, desperate scrum for power. One incredible shipwreck and two decades of violent uncertainty; England's course had changed forever.

A crew of outcasts tries to find a legendary ship before it falls into the hands of those who would use it as a weapon in this science fiction adventure series for fans of The Expanse and Firefly. A washed-up treasure hunter, a hotshot racer, and a deadly secret society. They're all on a race against time to hunt down the greatest warship ever built. Some think the ship is lost forever, some think it's been destroyed, and some think it's only a legend, but one thing's for certain: whoever finds it will hold the fate of the universe in their hands. And treasure that valuable can never stay hidden for long. . .

William of Malmesbury's Regesta Regum Anglorum (Deeds of the English Kings) is one of the great histories of England, and one of the most important historical works of the European Middle Ages. Volume II of the Oxford Medieval Texts edition provides a full historical introduction, a detailed textual commentary, and an extensive bibliography. It forms the essential complement to the text and translation which appeared in Volume I.

This original and “meticulously researched retelling of history’s most infamous voyage” (Denise Kiernan, New York Times bestselling author) uses the sinking of the Titanic as a prism through which to examine the end of the Edwardian era and the seismic shift modernity brought to the Western world. “While there are many Titanic books, this is one readers will consider a favorite” (Voyage). In April 1912, six notable people were among those privileged to experience the height of luxury—first class passage on “the ship of dreams,” the RMS Titanic: Lucy Leslie, Countess of Rothes; son of the British Empire Tommy Andrews; American captain of industry John Thayer and his son Jack; Jewish-American immigrant Ida Straus; and American model and movie star Dorothy Gibson. Within a week of setting sail, they were all caught up in the horrifying disaster of the Titanic’s sinking, one of the biggest news stories of the century. Today, we can see their stories and the Titanic’s voyage as the beginning of the end of the established hierarchy of the Edwardian era. Writing in his signature elegant prose and using previously unpublished sources, deck plans, journal entries, and surviving artifacts, Gareth Russell peers through the portholes of these first-class travelers to immerse us in a time of unprecedented change in British and American history. Through their intertwining lives, he examines social, technological, political, and economic forces such as the nuances of the British class system, the explosion of competition in the shipping trade, the birth of the movie industry, the Irish Home Rule Crisis, and the Jewish-American immigrant experience while also recounting their intimate stories of bravery, tragedy, and selflessness. Lavishly illustrated with color and black and white photographs, this is “a beautiful requiem” (The Wall Street Journal) in which “readers get the story of this particular floating Tower of Babel in riveting detail, and with all the wider context they could want” (Christian Science Monitor).