The Wicked Governess

Can the governess teach a damaged hero? Caroline Grey is devastated when she is dismissed from her post as governess to the Earl of Braithwaite's sisters. Finding temporary sanctuary at the eerie and neglected Haven Hall, she does not expect to enjoy the challenges presented by the house's dark and forbidding tenant, Javan Benedict, or by her mute and needy pupil. However, she is quickly intrigued by the oddly charming family and drawn into the several mysteries surrounding them and the hall. What tragedy lurks in Benedict's past, and why does his daughter choose not to speak? Who is trying to frighten them from the house? And most of all, what is the irresistible fascination of Caroline's troubled employer, and how does she help him without losing her heart and her reputation?

This delightfully charming and saucy Regency era romance, is first in the Governess series in which three best friends are employed as governesses for different families, and all find themselves wanting something they can’t have. Elizabeth Porter is quite happy with her position as the governess for two sneaky-yet-sweet girls when she notices that they have a penchant for falling ill and needing the doctor. As the visits from the dashing and handsome Doctor Edward Fellows become more frequent, Elizabeth quickly sees through the lovesick girls’ ruse. Yet even Elizabeth can’t help but notice Edward’s bewitching bedside manner even as she tries to convince herself that someone of her station would not make a suitable wife for a doctor. But one little kiss won’t hurt...

TO KISS A THIEF… Scottish barrister Sinclair McBride can face the most sinister criminals in London—but the widower’s two unruly children are a different matter. Little Caitlin and Andrew go through a governess a week, sending the ladies fleeing in tears. There is, however, one woman in town who can hold her own. Roberta “Bertie” Frasier enters Sinclair’s life by stealing his watch—and then stealing a kiss. Intrigued by the handsome highlander, Bertie winds up saving his children from a dangerous situation and returning them to their father. Impressed with how they listen to her, Sinclair asks the lively beauty to be their governess, never guessing that the uncoventional lady will teach him a lesson or two in love.

Rivalry, romance, and scandal run hot in this Wicked Wallflowers novel from USA Today bestselling author Christi Caldwell. Regina (Reggie) Spark has loved Broderick Killoran, the resourceful and protective proprietor of the Devil's Den, ever since he saved her from the streets and made her his right hand at the notorious gaming hell. For just as long, Reggie has never admitted her true feelings for him. Nor has she revealed her spirited ambitions--to buck convention and expectations and open a music hall. While Broderick built his gaming empire with ruthless cunning, his loyalty to his employees is boundless. So when he learns of Reggie's plan to leave his side and take charge of her own future, the betrayal cuts Broderick to the core. He responds as he would to any business rival...with swift retribution. Instead of wilting, the savvy Reggie rebounds with a fury that shocks Broderick and stirs a desire he's been holding in reserve for only ladies of nobility. But as their seductive battle of wills ignites under the harsh spotlight of the London Season, secrets are exposed as well--ones that could be ruinous in decent society but invaluable for the heart.

Two beautiful sisters – one an illegitimate governess, the other a celebrated debutante – compete for love amidst the scandal and intrigue of a Regency London Season. Lissa Hazlett lives life in the shadows. The beautiful, unacknowledged daughter of Viscount Partington earns her living as drudge to the social climbing Lamonts while her vain and spoiled half sister, Araminta, enjoys London’s social whirl as its most feted debutante. When Lissa’s rare talent as a portraitist brings her unexpectedly into the bosom of society – and into the midst of a scandal involving Araminta and suspected English traitor Lord Debenham – she finds an unlikely ally: charming and besotted Ralph Tunley, Lord Debenham’s underpaid, enterprising secretary. Ralph can’t afford to leave the employ of the villainous viscount much less keep a wife but as an accepted member of the ton he can help Lissa cleverly navigate a perilous web of lies that will ensure everyone gets what they deserve. THE MYSTERIOUS GOVERNESS is Book 3 in the Daughters of Sin series but can be read as a stand-alone as it features the sibling rivalry between Viscount Partington's two nobly-born and three illegitimate daughters from a completely different perspective. Book 1: Her Gilded Prison Book 2: Dangerous Gentlemen Book 3: The Mysterious Governess Book 4: Beyond Rubies Book 5: Lady Unveiled~The Cuckold's Conspiracy Heat rating: sensual. The Daughters of Sin series has been described as a Regency-set 'Dynasty'. What readers are saying: "The storyline is uniquely designed, and cleverly executed. Spies, traitors, deception, betrayal, mystery, suspense and romance, bring together an intriguing Regency Romance, with many twists and turns, and an abundance of adventure"~Amazon customer. "Magnificent and mesmerising." ~Amazon customer.

Folklore provides a metaphor for insecurity in British women's writing published between 1750 and 1880. When characters feel uneasy about separations between races, classes, or sexes, they speak of mermaids and «Cinderella» to make threatening women unreal and thus harmless. Because supernatural creatures change constantly, a name or story from folklore merely reinforces fears about empire, labor, and desire. To illustrate these fascinating rhetorical strategies, this book explores works by Sarah Fielding, Ann Radcliffe, Sydney Owenson, Charlotte Brontë, George Eliot, Anne Thackeray, and Jean Ingelow, pushing our understanding of allusions to folktales, fairy tales, and myths beyond «happily ever after.»

"The honorable Clarissa Warrington despairs when her beautiful, foolish sister becomes the latest female to set her cap at the Ton's most notorious rake. For Amelia's sake, Clarissa must act fast ... . The devastatingly attractive Kit, Lord Rasenby, is bored. London society has lost its thrill, so when presented with a most unusual offer this incurable womanizer is tempted. If he can provide the intriguing Clarissa with the adventure of a lifetime, she will give him--herself! How could a self-respecting rake possibly refuse such a wicked proposition?"--Publisher.

In his 1896 short story, The Figure in the Carpet, James sets forth a riddle for his critical readers as he approaches the major phase in his career. He imagines a fictional novelist, Hugh Vereker, who tantalizes his critics with the idea of a single thread, a design woven throughout all of his major works, hidden in plain sight. The design, Vereker says, is as obvious as a foot stuck in a shoe but the distinguished novelist is convinced no one will ever see it. One critic, Corvick, however, during a trip to India, has an astonishing flash of revelation: he sees the figure and the discovery is immense. When Corvick returns and shares his epiphany with Vereker, the novelist assures him that his discovery is precisely accurate; there is not a single, wrong note. But Corvick dies in a road accident before he can write his definitive book on Verekers secret design. My study will show the reader that there is a distinct figure in the carpet in the works of Henry James himself. But James only uses the figure in a select group of his major novels and tales, all six of which we will examine here. These major works are all experimental and radical and show James allowing himself the artistic freedom to follow his own arcane and personal path. The pattern is fully manifested in The Turn of the Screw in 1897 and remains the consistent thread all the way through the Masters final completed novel, The Golden Bowl, in 1904. I began writing about the relation of writing to painting and how James translates structural aspects of the silent art of painting into prose. James borrows both silence and simultaneity from the painter, his brother of the brush, and experiments with their narrative equivalents. I saw with increasing clarity that James admiration of the powers of painting led him into depicting nonverbal aspects of consciousness in language. Finally I saw the whole system lock into place; everything fit. The figure in the carpet was revealed as visible silence. With only a minute adjustment of focus I suddenly saw that James narrative pictorial structure that I had been tracing all these years constitutes the figure in the carpet itself. The pictorial pattern literally governs every line, and chooses every word.. James brings the reader into the full consciousness of his character by taking us into the silent radiation of the visible. As readers we experience the silence before language, the silence between words, and the silence after language. In this book I will show my reader how the figure in the carpet operates as the controlling design in every square inch of text in each of James most famous novels and tales.