The Wild Boy In The Bush

"The Boy in the Bush" by Richard Rowe. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The full story of Brando 'Wildboy' Yelavich's whirlwind tour of the coastline of New Zealand: 8000km almost entirely on foot. Extreme adventure, near misses, good sorts, and one beautiful country – Wildboy has it all! Fast going off the rails and hanging out with the wrong crowd, Brando Yelavich, a plucky 20-year-old from Auckland's North Shore, decided he needed to change his life. He needed a mission. He was going to walk around New Zealand. Brando reached Cape Reinga on 23 August 2014 after a gruelling journey of over 8000 kilometres, traversed almost completely on foot over 600 days – the first time it had ever been done. It was an outlandish odyssey of physical and mental fortitude. He slept under the stars and lived off the land. He almost drowned on several occasions and experienced near-hypothermia. He gained 20 kilograms. But the transformation ran much deeper. As much for fans of Bear Grylls or Cheryl Strayed's Wild as it is for those of the off-the-grid outdoors Kiwi experience, Wildboy is a ripping adventure story with an inspiring life change at its heart.

This is the first critical edition of The Boy in the Bush, a novel whose unlikely genesis has been surrounded in mystery and the subject of claim and counter-claim. A systematic study of all the extant textual documents has revealed a process of composition and revision which qualifies the novel to be treated unequivocally as part of the Lawrence canon. At Lawrence's suggestion an Australian nurse and part-time author, Mollie Skinner (whom he had met in 1922), wrote a tale set in late nineteenth-century Western Australia about a newly-arrived young Englishman's reactions to Perth and the outback. Lawrence's complete rewriting converted her production into an ambitious, powerful novel. The reading text here established eliminates all such instances of censorship and strips away the thousands of regularisings and miscopyings introduced by typists and typesetters. Based on Lawrence's autograph manuscript the text meticulously incorporates his subsequent revisions in the typescripts and proofs.

NATIONAL BESTSELLER • In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. Four months later, his decomposed body was found by a moose hunter. This is the unforgettable story of how Christopher Johnson McCandless came to die. "It may be nonfiction, but Into the Wild is a mystery of the highest order." —Entertainment Weekly McCandess had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Not long after, he was dead. Into the Wild is the mesmerizing, heartbreaking tale of an enigmatic young man who goes missing in the wild and whose story captured the world’s attention. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild. Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless's short life. Admitting an interest that borders on obsession, he searches for the clues to the drives and desires that propelled McCandless. When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity, and renunciation sought by this enigmatic young man are illuminated with a rare understanding—and not an ounce of sentimentality. Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's stoytelling blaze through every page.

In this rousing coming-of-age story set on the American frontier, one ornery twelve-year-old has a lot to learn if he's to survive his new life as a mountain man. Having run away after hitting Pa in a bout of rage, Jesse decides to fend for himself. Too much uncontrollable anger and inexplicable emotion since Ma went away have taken their toll. All he wants now is to be left alone. At first, every day on the mountain is a struggle. Beset by hunger and cold, fear and loneliness, Jesse stubbornly and defiantly refuses to concede defeat. Gradually, he learns to hunt, to skin and cure animal pelts, to build a cabin ... all skills necessary to life in the wilderness. He takes on a mad mountaineer and even helps kill a bear. In so doing, Jesse slowly gains confidence and insight beyond his years. "I was watching me turn myself into a mountain man." An action-packed adventure proves a provocative voyage of self-discovery as one young boy observes the best and worst in nature, people, and himself.

“An inspiring story of resilience, told with a vivid sense of character and humour.” —RICHARD CROUSE, CTV host and film critic Film critic, writer, and broadcaster Thom Ernst chronicles his life growing up with an abusive father in rural Ontario. The residents of Waubamik know about the Wild Boy, a somewhat feral child, standing nearly naked in a rusty playground of weeds and discarded metal, clutching a headless doll. They know the boy has been plucked from poverty and resettled into a middle-class family. But they don’t know that something worse awaits him there. This is the story of a system that failed, a community that looked the other way, and a family that kept silent. It is also a record of the popular culture of the 1960s — a powerful set of myths that kept a boy comforted. But ultimately, The Wild Boy of Waubamik is a story of triumph, of a man who grew up to become a film critic and broadcaster despite his abusive childhood. It reminds us that life, even at its darkest, can surprise us with moments of joy and hope and dreams for the future.