The Wild Man Within

These essays trace the myth of the wild man from the Middle Ages to its disintegration into symbol in the periods following the discovery of America and encounter with real “wild men.” This is the first book to discuss the concept of wildness in the writings of the Enlightenment period in Western Europe and the first to attempt a broad, interdisciplinary approach to the subject of primitivism, not only from a strict “history of ideas” approach, but through discussions of individual works, both literary and political, and encompassing various subject matter from racism to the origins of language.Contributors: Richard Ashcraft; Ehrhard Bahr; John G. Burke; Earl Miner; Gary B. Nash; Stanley Robe; Geoffrey Symcox; Peter Thoralev; Hayden V. White, and the editors.

The book examines ‘wildmen’such as Homo floresiensis and ebu gogo, images of hairy humanlike creatures known to rural villagers and other local people in Southeast Asia and elsewhere. It explores the source of these representations and their status in local systems of knowledge.

When Ishi, "the last wild Indian," came out of hiding in August 1911, he was quickly whisked away by train to San Francisco to meet Alfred Kroeber, one of the fathers of American anthropology. When Kroeber and Ishi came face to face, it was a momentous event, not only for each man but also for the cultures they represented. Each stood on the brink--one was in danger of losing something vital while the other was in danger of disappearing altogether. Ishi was a survivor, and he viewed the bright lights of the big city with a mixture of awe and bemusement. What surprised everyone is how handily he adapted himself to the modern city while maintaining his sense of self and his culture. Kroeber was professionally trained to document Ishi's culture and his civilization. What he didn't count on was how deeply working with the man would lead him to question his own profession and his civilization--how it would rekindle a wildness of his own. Although Ishi's story has been told before in film and fiction, Wild Men is the first book to focus on the depth of Ishi and Kroeber's friendship. Exploring what their intertwined stories tell us about Indian survival in modern America and about America's fascination with the wild, this text is an ideal supplement for courses on Native American history, the U.S. West, and the history of California.

Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.

"How can a complete stranger know you better than the people you've known your entire life?" Lance Hendricks is homeward bound, four hundred highway miles from the best night of his life. There's an epic graduation party brewing, his girlfriend will be there, and they've got a private bedroom with their names on it. When his '93 Buick breaks down in the middle of nowhere, Lance is sure he'll be back on the road in no time. After all, he's the high school valedictorian. First chair trumpet player. Scholarship winner. Nothing can stop Lance Hendricks. But afternoon turns to night, and Lance ends up stranded at the Trainsong Motel. The place feels ominous, even before there's a terrible car wreck outside his room. When Lance rushes out to help, the townies take notice. They call him Wildman, and an intriguing local girl asks him to join in their nighttime adventures. He begins to live up to his new name. As one day blurs into the next, Lance finds himself in a bar fight, jumping a train, avoiding the police. Drifting farther from home and closer to a girl who makes him feel a way he's never felt before—like himself. This debut novel by a remarkable new talent explores the relationship between identity and place, the power of being seen, and the speed at which a well-planned life can change forever.

The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.