The Wild West

Explore the Wild West! 25 Great Projects, Activities, Experiments invites young readers ages 6–9 to experience the spirit of the Wild West. Kids learn about explorers who mapped the American West, Native Americans, gold miners, cowboy culture, cattle drives, Wild West legends, frontier towns, peacekeepers, lawbreakers, and much more. Through projects ranging from making a settler’s soddie to mining for gold, kids develop a better understanding of the rich history of the Wild West in the 1800s.

An extensively illustrated day-by-day adventure that tells the stories of pioneers and cowboys, gold rushes, and saloon shoot-outs on America’s frontier. Beginning in the nineteenth century, the lure of land rich in minerals, fertile for farming, and plentiful with buffalo bred an all-out obsession with heading westward. The Wild West: 365 Days takes you back to these booming frontier towns that became the stuff of American legend, breeding characters such as Butch Cassidy and Jesse James. Prize-winning journalist and historian Michael Wallis spins a colorful narrative, separating myth from fact, in 365 vignettes. Learn the stories of Davy Crockett, Wild Bill Hickok, and Annie Oakley; travel to the O.K. Corral and Dodge City; ride with the Pony Express; and witness the invention of the Colt revolver. Included throughout are images drawn from Robert G. McCubbin’s extensive collection of Western memorabilia, encompassing rare books, photographs, ephemera, and artifacts, including Billy the Kid’s knife.

This true crime history of the American Frontier separates fact from fiction with in-depth profiles of thirty-eight career criminals and infamous outlaw gangs. In the years following the American Civil War, the country’s western frontier was home to a prodigious number of myth-making cowboys, infamous gunslingers, saloon madams, and not always law-abiding lawmen. But the romantic mystique of these individuals and the time in which they lives is largely the product of novelists and filmmakers. In Outlaws of the Wild West, Terry Treadwell presents the real stories behind such legends as Billy the Kid, Butch Cassidy, the Dalton Brothers, and others—as well as their lesser-known but equally criminal peers. Here are the stories of William Clark Quantrill and his Confederate Army unit, Quantrill’s Raiders, who turned hit-and-run raids into a way of life; Henry Starr, the Native American career criminal who went on to play himself in the movie of his life; Ann and Josie Bassett, the sisters who defended their ranch from cattle barons with the help of Butch Cassidy and the Wild Bunch; and many more.

This book, written by the author of the celebrated volume Six Guns and Society, explains why the myth of the Wild West is popular around the world. It shows how the cultural icon of the Wild West speaks to deep desires of individualism and liberty and offers a vision of social contract theory in which a free and equal individual (the cowboy) emerges from the state of nature (the wilderness) to build a civil society (the frontier community). The metaphor of the Wild West retained a commitment to some limited government (law and order) but rejected the notion of the fully codified state as too oppressive (the corrupt sheriff). Compelling and magnificently suggestive, the book unpacks one of the core icons of our time.

On 14 May 1804, the personal secretary President Thomas Jefferson, one Capt. Meriwether Lewis, and a companion, William Clark, led a thirty-three-man expedition to the new lands of Louisiana, purchased from Napoleon the previous year. 8,000 miles (13,000 km) and two years later, after rafting up the Missouri and crossing the Rocky Mountains, the...

Winner of the Western Writers of America “SPUR Award” and the Western Association of Women Historians “Gita Chaudhuri Prize”! Born a slave in eastern Tennessee, Sarah Blair Bickford (1852–1931) made her way while still a teenager to Montana Territory, where she settled in the mining boomtown of Virginia City. Race and the Wild West is the first full-length biography of this remarkable woman, whose life story affords new insight into race and belonging in the American West around the turn of the twentieth century. For many years, Sarah Bickford’s known biography fit into a single paragraph. By examining her life in all its complexity, Arata fills in what were long believed to be unrecoverable “silent spaces” in her story. Before establishing herself as a successful business owner, we learn, she was twice married, both times to white men. Her first husband, an Irish immigrant, physically abused her until she divorced him in 1881. Their three children all died before the age of ten. In 1883, she married Stephen Bickford and gave birth to four more children. Upon his death, she inherited his shares of the Virginia City Water Company, acquiring sole ownership in 1917. For the final decade of her life, Bickford actively preserved and promoted a historic Virginia City building best known as the site of the brutal lynching in 1864 of five men. Her conspicuous role in developing an early form of heritage tourism challenges long-standing narratives that place white men at the center of the “Wild West” myth and its promotion. Bickford’s story offers a window into the dynamics of race in the rural West. Although her experiences defy easy categorization, what is clear is that her navigation of social norms and racial barriers did not hinge on exceptionalism or tokenism. Instead, she built a life that deserves to be understood on its own terms. Through exhaustive research and nuanced analysis, Laura J. Arata advances our understanding of a woman whose life embodied the contradictory intersections of hope and disappointment that characterized life in the early-twentieth-century American West for brave pioneers of many races.

Re-explore the Wild West, where America's legends and myths were made, for the first time with fully colorized images by best-selling author and cinematographer John Guntzelman. The lure of the Wild West has been a driving force in the American experience. Originally the stuff of dreams, dime novels, and Wild West shows, the fascination continued in motion pictures such as The Great Train Robbery, High Noon, The Magnificent Seven, the so-called spaghetti westerns of Clint Eastwood, and hundreds more. Whether through the appeal of wide-open spaces, the control of our own destiny, or just the desire for a better life, the Wild West still strikes a chord that resonates within. Following the Civil War and Reconstruction, the country expanded westward ready to grow--and grow it did. The evocative landscapes of these unexplored lands were recorded by a number of excellent photographers: John C. H. Grabill; Edward S. Curtis; John K. Hillers; and Timothy O'Sullivan, the famed Civil War photographer. Many of their striking images survive and continue to inspire us today. These iconic and incredibly evocative photographs from another era capture the reality and immediacy of that time and only require the careful addition of color to make them far more accessible, believable, and meaningful to present-day readers. The Wild West in Color includes over 200 of the best black-and-white photographs from that time, fully colorized to bring this lost world back to life! It offers a new glimpse into a period of the American experience that has inspired countless books, motion pictures, and stories--a time that continues to resonate and inspire us to the present day.

The aristocratic Rose Pender and her husband, James, were among the thousands of English travelers in the American West during the latter half of the nineteenth century. This is Pender's lively account of a grand tour in 1883 of Texas, California, Salt Lake City, Wyoming, Dakota Territory, and far-flung points. ø A. B. Guthrie Jr. in his foreword writes that "all students and collectors will want" A Lady's Experiences in the Wild West in 1883. "It deals with a West in transition from frontier to the glimmer of modern times, from open range to fenced pastures, from trails to trains, from makeshift and made-do to more convenient and easier ways. We see it through the eyes and from the sensibilities of a gentlewoman and a Britisher to boot. The woman was indeed a Lady. She brought to America her highborn prejudices and standards. . .and with them a sharp eye, a chatty pen, and a game spirit. . . . She adds to our knowledge of a time no one is old enough to remember."