The Wild West History Myth The Making Of America

On 14 May 1804, one Captain Meriwether Lewis and his companion William Clark led a thirty-three-man expedition to the new lands of Louisiana. 8,000 miles and two years later, after rafting up the Missouri and crossing the Rocky Mountains, they reached the far side of the world, the Pacific Ocean. Fredrick Nolan explores the first US settlers of the American West, including the remarkable stories of unsung heroes and heroines, the bloody battles between settlers and the native American inhabitants, the crimes committed by corrupt Sheriffs, and the occasions when citizens had to take the law into their own hands. This is the story of the men and women who answered the call of the West.

The Wild West of Hollywood and American folklore is nothing more than a functional myth asserts D.H. Murdoch in this study, which presents a sustained analysis of how the myth originated and why.

Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 2,0, University of Paderborn (Institut für Anglistik/Amerikanistik), course: Pro-Seminar 'The American Frontier', language: English, abstract: In this term paper I’m going to answer the question if the Western Myth and the idea of an American Frontier are still current topics in modern day America. The glorified myth of a frontier moving faster and faster into the unknown is deeply rooted in the heads of the American people, since the first settlers moved westwards, over hundred-fifty years ago. It had an enormous impact on America’s history and on its national identity. But can this idea of a frontier still be found today, or is it just a historically important, but today mostly unappealing episode in recent history books? Furthermore, I will try to find an answer where hints and connections to the myth of the Old West - with its cowboys, lonesome riders and sheriffs - can be found in modern American culture. Are those images of the wild, deserted West still topical and influential, and if so, where. In which parts of life and culture can they be found, or are the Old West and the Western Myth just outdated? I’m going to carry out my researches about this topic with the help of the books ‘The American frontier – Go West, young man’ by Prof. Dr. Michael Porsche, ‘The frontier in American History’ by Frederick Jackson Turner, ‘The Wild West: Myth and History’ by Alexander Emmerich and several internet sources to illustrate and prove my theses. At the end of this term paper I hope to be able to point out, in which parts of everyday life in modern America references to the myth of the Wild West and the American Frontier can be found and which significance they have.

Part of this brilliant new series of fun and educational reference books for children, Wild West covers the history of America's most turbulent region, from the arrival of the first Europeans to the battle of Wounded Knee. This fascinating, informative and colourful guide looks at one of the most tempestuous periods in American history as well as telling the stories of such famous names as Chief Sitting Bull and Annie Oakley.

Compares the reality of Western history with its Hollywood treatment in movies.

Now a major motion picture starring Nicolas Cage and directed by Gabe Polsky. In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.