The Winchester Codex

Books can be dangerous. Fitz believes he is guardian of one of the most dangerous of all - The Winchester Codex was responsible for wiping out the entire draconic race, of which he is one of the last vestiges. Caught in a trap from the deep time of history, the dragon had vowed to protect the book’s author. Yet in the 21st century, what relevance does this ancient manuscript have? He hides the codex in his attic and tries to forget about it. A surprise visit from a friend leads to one last quest, forcing them both to confront their past. In Swansea, Fitz and his friend Perceval happen upon a temporarily homeless teenager who joins them on a walk around the coast of Wales to raise funds for charity and records everything on social media. But not all their followers are benign. Someone wants the codex that has lain neglected in Fitz’ attic for centuries and wants it badly. What started as a simple walk, ends with a journey into darkness and to the gates of death.

Books can be dangerous. Fitz believes he is guardian of one of the most dangerous of all - The Winchester Codex was responsible for wiping out the entire draconic race, of which he is one of the last vestiges. Caught in a trap from the deep time of history, the dragon had vowed to protect the book’s author. Yet in the 21st century, what relevance does this ancient manuscript have? He hides the codex in his attic and tries to forget about it. A surprise visit from a friend leads to one last quest, forcing them both to confront their past. In Swansea, Fitz and his friend Perceval happen upon a temporarily homeless teenager who joins them on a walk around the coast of Wales to raise funds for charity and records everything on social media. But not all their followers are benign. Someone wants the codex that has lain neglected in Fitz’ attic for centuries and wants it badly. What started as a simple walk, ends with a journey into darkness and to the gates of death.

A gospel harmony composed c. 172 C.E., the Diatessaron is one of the earliest witnesses to the gospels. Regarded as the first version of the gospels in Latin, Syriac, and Armenian, the Diatessaron was used by Encratites, Judaic-Christians, and “Great Church” Christians alike. This study is the first comprehensive treatment of the Diatessaron in more than a century. After sketching the second-century setting and Tatian's biography, it describes virtually every Diatessaronic witness and provides a scholar-by-scholar summary of research from 546 to the present. Criteria for reconstructing Diatessaronic readings are developed, and numerous examples offer the reader first-hand experience with the witnesses. It contains the first Bibliography of research on the Diatessaron (600+ titles) and the first “Catalogue of Manuscripts of Diatessaronic Witnesses and Related Works” ever published.

This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.

This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.

Malory's Morte Darthur text, history and reception -- expertly appraised by international scholars.