The Wind Doesn T Need A Passport

"There are other books dealing with life at the border, but none as intelligent, searching, objective or encompassing as Tyche Hendricks' vivid evocation of this region--its people, its landscape, its industry, its problems and its unique culture."_Peter Schrag, author of Not Fit for Society: Immigration and Nativism in America "This vivid, evocative book made me think of the Robert Frost line, 'Something there is that doesn't love a wall.' Tyche Hendricks' multilayered portrait of the human communities that transcend the U.S.-Mexico border should remind us all of what an artificial thing barriers, fences and checkpoints are. Maybe, just maybe, someday we, like so much of western Europe, can do without them."_Adam Hochschild, author of Bury the Chains "This is an ambitious undertaking and Hendricks excels, finding stories along the way that illustrate the clash between, within and along that nearly 2,000-mile stretch of territory. Her reporting illustrates that for many U.S.-Mexico border residents, the international bridge is something you cross on your way to visit family, shop for groceries, get to a doctor or work."_Macarena Del Rocio Hernandez, University of Houston "Dear President Obama, next time you are at Camp David spend a couple of hours reading The Wind Doesn't Need a Passport. While the Health Care overhaul may well come to define your presidency, immigration will define the future of our country. In this marvelous book_rigorously grounded, smartly argued, beautifully crafted, Tyche Hendricks captures, in stories of biblical proportion, the contours of the magical line that at once unites us and divides us as Americans and as neighbors of our indispensable partner in the South. Ms. Hendricks's book, Mr. President, will remind you just what is at stake in getting immigration reform right. All Californians, Texans, and Arizonians, who think they know the border, should read this book. It is essential reading for our times."_Marcelo M. Suárez-Orozco, Fisher Membership Fellow, Institute for Advanced Study, and co-author of Latinos: Remaking America

You Don't Need a Passport to Move to New Mexico By Debora L. Carr When an east coast 'Jersey girl' moves west to her new 'home on the range' in Albuquerque, it does not take long to figure out that 'they do things differently in New Mexico'. She finds she has moved from a state that has perpetually been the butt of comedian's jokes, to a state that is generally not even recognized as such by a large portion of the US population. A compilation of firmly tongue-in-cheek vignettes regarding life in New Mexico as viewed through the eyes of an oftimes bewildered transplanted 'Easterner', the reader is invited on a rollicking ride through a state filled with weird wonders from moss rocks to the 'mummy truck' and populated with a cast of colorful characters such as Tat2 Tammy, the Masked Man of Central Avenue and Jesus on a Harley, to name but a few. Born out of the humorous newsletters Debora wrote and sent to friends and family members 'back east', the book relates tales of crazy drivers, odd customs, and strange roadway sights amid a landscape straight out of a Roadrunner cartoon. All are part of the Land of Enchantment that is known as New Mexico. About the Author Debora Carr was born and raised in the central New Jersey area, graduating from Rutgers University with a BA in Art Education in 1980 and became a successful professional graphic artist and packaging designer. She chose to accompany her parents when they decided to relocate to and retire in Albuquerque, New Mexico in 2003, where she continued her chosen profession of graphic artist, working as a one-person art department for a small print shop. She continued to keep in touch with friends and family members 'back east' by means of periodic humorous newsletters which she called her 'Albu-Quirky Journals' in which she detailed her perspective on life in New Mexico. These collected essays were developed from those early newsletters and are written in a tongue-in-cheek style, emulating those written by two of her favorite authors, James Thurber and Mark Twain. She has a penchant for collecting stories and photos of all things weird, odd and unusual and is delighted to find that her new home state of New Mexico is overflowing with them.

"There are other books dealing with life at the border, but none as intelligent, searching, objective or encompassing as Tyche Hendricks' vivid evocation of this region--its people, its landscape, its industry, its problems and its unique culture."—Peter Schrag, author of Not Fit for Society: Immigration and Nativism in America "This vivid, evocative book made me think of the Robert Frost line, 'Something there is that doesn't love a wall.' Tyche Hendricks' multilayered portrait of the human communities that transcend the U.S.-Mexico border should remind us all of what an artificial thing barriers, fences and checkpoints are. Maybe, just maybe, someday we, like so much of western Europe, can do without them."—Adam Hochschild, author of Bury the Chains "This is an ambitious undertaking and Hendricks excels, finding stories along the way that illustrate the clash between, within and along that nearly 2,000-mile stretch of territory. Her reporting illustrates that for many U.S.-Mexico border residents, the international bridge is something you cross on your way to visit family, shop for groceries, get to a doctor or work."—Macarena Del Rocio Hernandez, University of Houston "Dear President Obama, next time you are at Camp David spend a couple of hours reading The Wind Doesn't Need a Passport. While the Health Care overhaul may well come to define your presidency, immigration will define the future of our country. In this marvelous book—rigorously grounded, smartly argued, beautifully crafted, Tyche Hendricks captures, in stories of biblical proportion, the contours of the magical line that at once unites us and divides us as Americans and as neighbors of our indispensable partner in the South. Ms. Hendricks's book, Mr. President, will remind you just what is at stake in getting immigration reform right. All Californians, Texans, and Arizonians, who think they know the border, should read this book. It is essential reading for our times."—Marcelo M. Suárez-Orozco, Fisher Membership Fellow, Institute for Advanced Study, and co-author of Latinos: Remaking America

When he turned sixty-five, the playwright Simon Gray began to keep a diary: not a careful honing of the day's events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. The Smoking Diaries was the result, in which one of Britain's most beloved and original writers reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Few diarists have been as frank about themselves, and even fewer as entertaining.

When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.

"No one in the news media should write or talk about immigration without reading Writing Immigration.” --Lawrence O'Donnell, Host of MSNBC The Last word with Lawrence O'Donnell “I cannot help but applaud the idea for this book, especially given the caliber of the editors. The communication between social scientists and journalists is often not smooth, and there is a strong rationale for attempting to bridge this divide on the issues surrounding immigration, which appear at times to divide the American public into opposing camps.” --Richard Alba, author of Blurring the Color Line: The New Chance for a More Integrated America "Bringing together academics and journalists--inviting them to talk with, not at, one another--is an enterprise as important as it is rare. When the participants in the conversation are as lively, provocative and insightful as the contributors to Writing Immigration, the result is a real treat. For anyone who wants to understand how immigration is molding the nation's future, this book is an indispensable read.” --David Kirp is a professor at the Goldman School of Public Policy at the University of California at Berkeley and former associate editor of the Sacramento Bee. "A compelling book on an extremely timely topic, from writers with a great capacity to spin a story." –Professor Patricia Gándara, Co-Director of The Civil Rights Project at UCLA "Academics and journalists share the weighty responsibility of helping the public see where our ship is headed. When it comes to immigration, we need a cure for myopia and this important, timely book is it: a map for thinking about immigration in the round. It will elevate the public conversation." --Danielle Allen, UPS Foundation Professor of Social Science at the Institute for Advanced Study “Immigration in the United States is our past, our present, and very likely our future. The brilliance of this volume is that it looks both at it subject—immigration—through the very different lenses of journalism and academia, juxtaposing their styles and approaches to explore one of the central policy dilemmas of our day, the integration of immigrants –not all of them legal—and their children into American society and economy, while critiquing the role of media and scholarly observers who shape our understanding of immigration as well.” --Michael Jones-Correa, Professor of Government, Cornell University

When thinking about the border separating the United States from Mexico, what typically comes to mind is an unwelcoming zone with violent, poverty-ridden towns, cities, and maquiladoras on one side and an increasingly militarized network of barriers and surveillance systems on the other. It was not always this way. In fact, from the end of Mexican-American War until the late twentieth century, the border was a very porous and loosely regulated region. In this sweeping account of life within the United States-Mexican border zone, acclaimed urbanist and geographer Michael Dear traces the border's long history of cultural interaction, from exchanges between the region's numerous Mesoamerican tribes onwards. Once Mexican and American settlers met at the Rio Grande and the southwest in the nineteenth century, new forms of interaction evolved. But as Dear warns in his bracing study, this vibrant zone of cultural and social amalgamation is in danger of fading away because of highly restrictive American policies and the violence along Mexico's side of the border. As he explains through analyses of the U.S. border security complex and the emerging Mexican narco-state, the very existence of the "third nation" occupied by both Americans and Mexicans is under serious threat. But through a series of evocative portraits of contemporary border communities, he shows that the potential for revitalizing this in-between nation still remains. Combining a broad historical perspective and a commanding overview of present-day problems, Why Walls Won't Work represents a major intellectual foray into one of the most hotly contested political issues of our era.

Borderland immigration and drug trafficking are heated issues for most people living in the Southwest. But for Arizona rancher-author Richard Collins, who operates a 13,000 acre ranch near the Mexican border, they are a daily occurrence. Wanting to hear firsthand from those living and working in the middle of the action, Collins embarks on a horseback journey along the Arizona-Sonoran borderlands in Riding Behind the Padre: Horseback Views from Both Sides of the Border. In this true story, Collins joins up with a congenial group of Mexican riders retracing the pathways of Eusebio Francisco Kino, the pioneering Jesuit priest who explored the same borderlands three hundred years prior. The riders include a cross-section of Mexico's growing middle class, bonded by faith in the Catholic Church, love of family and their country, and dedicated to the cause of Kino's sainthood. They are also troubled by America's failed war on drugs and its outdated immigration policies, and they often wonder if the United States is their ally or adversary. Through their perspectives and insights, the reader comes away with a better understanding of borderland complexities and a difficult but workable road map for the future. With a passion for landscape, horses, and history, this modern-day cowboy adventure unfolds in the Sonoran Desert where the dangers are fewer than advertised, beauty far outweighs ugliness, and most people are still friendly and caring.