The Winter Palace Saint Petersburg

Tsar Nicholas I commissioned 128 delightful watercolors depicting views and interiors of the private and state apartments of the Winter Palace, the main imperial residence of Saint Petersburg. These watercolors together make up one of the jewels of the collections of the Hermitage Museum. Of immense documentary value, they are also - with their crystalline clarity and their irresistible elegance - dazzling examples of the graphic art of the nineteenth century. Immortalizing as they do the splendor of the first palace of the Russian sovereigns, they are of immeasurably greater interest than other works of decorative art of this type. In a technical tour de force, these artists contrived to depict space in such a way that their paintings present a broader perspective than could normally be taken in by the naked eye.

A stunning volume presenting the history of the Winter Palace. The Winter Palace is connected with the life of Russia and Saint Petersburg for more than 250 years. Externally the Palace has remained true to the original design, however its interior has been updated numerous times for the royal family members'needs, status, and artistic tastes. These changes are reflected in splendid illustrations, primarily from the State Hermitage collection. This richly illustrated book will let you both walk along the halls of bygone epochs and become acquainted with the Palace's modern life and it's magnificent art collection

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.

When Vavara, a young Polish orphan, arrives at the glittering, dangerous court of the Empress Elizabeth in St Petersburg, she is schooled in skills ranging from lock-picking to love-making, learning above all else to stay silent - and listen. Then Sophie, a vulnerable young princess, arrives from Prussia as a prospective bride for the Empress's heir. Set to spy on her, Vavara soon becomes her friend and confidante, and helps her navigate the illicit liaisons and the treacherous shifting allegiances of the court. But Sophie's destiny is to become the notorious Catherine the Great. Are her ambitions more lofty and far-reaching than anyone suspected, and will she stop at nothing to achieve absolute power?

"In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history."--Amazon.

From award-winning author Eva Stachniak comes this passionate novel that tells the epic story of Catherine the Great’s improbable rise to power—as seen through the ever-watchful eyes of an all-but-invisible servant close to the throne. Her name is Barbara—in Russian, Varvara. Nimble-witted and attentive, she’s allowed into the employ of the Empress Elizabeth, amid the glitter and cruelty of the world’s most eminent court. Under the tutelage of Count Bestuzhev, Chancellor and spymaster, Varvara will be educated in skills from lock picking to lovemaking, learning above all else to listen—and to wait for opportunity. That opportunity arrives in a slender young princess from Zerbst named Sophie, a playful teenager destined to become the indomitable Catherine the Great. Sophie’s destiny at court is to marry the Empress’s nephew, but she has loftier, more dangerous ambitions. What Sophie needs is an insider at court, a loyal pair of eyes and ears who knows the traps, the conspiracies, and the treacheries that surround her. Varvara will become Sophie’s confidante—and together the two young women will rise to the pinnacle of absolute power. “A majestic and splendidly written tale of pride, passion, intrigue, and deceit that is brought alive from the first page to the last.”—Rosalind Laker “At the same time baroque and intimate, worldly and domestic, wildly strange and soulfully familiar, The Winter Palace offers a flickering glimpse of history through the gauze of deft entertainment.”—The Washington Post “A thrilling point of view . . . Readers are treated to a firsthand account of the young princess’s slow ascent to the throne, a path deliciously strewn with discarded lovers and sanguine court intrigues.”—Minneapolis Star-Tribune “[A] brilliant, bold historical novel . . . This superb biographical epic proves the Tudors don’t have a monopoly on marital scandal, royal intrigue, or feminine triumph.”—Booklist (starred review)