The Witch S Flight

Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima’s film Sankofa, images of women in the Black Panther Party, Pam Grier’s roles in the blaxploitation films of the early 1970s, F. Gary Gray’s film Set It Off, and Kasi Lemmons’s Eve’s Bayou.

A detective investigates the disappearance of a beautiful Welsh teenager in this “deeply satisfying” mystery by the author of the Brother Cadfael series (Publishers Weekly). Annet Beck is hauntingly beautiful, which worries her parents so much that they guard her as closely as a prisoner . . . until the rainy Thursday in October when she disappears. Annet is last seen vanishing over the crest of the eerie Hallowmount, a hill said to be the abode of witches. Five days later, she mysteriously reappears, claiming that she was only gone for two hours. Enchanted by her beauty, Annet’s parents’ lodger Tom Kenyon is determined to find the explanation for her disappearance: Could it be deceit, amnesia, or witchcraft? Tom’s amateur investigations lead to nowhere until Detective Inspector George Felse finds cause to connect those missing five days with his inquiry into a death. Flight of a Witch is the 3rd book in the Felse Investigations, but you may enjoy reading the series in any order.

A serious intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom. Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

Two novellas—Mary H. Schaub’s “Exile,” in which a disfigured witch struggles to regain her powers, and P. M. Griffin’s “Falcon Hope,” in which two unlikely allies try to save their peoples from extinction—are accompanied by “The Chronicler,” by series creator Andre Norton.

In this lovely, poetic picture book, a young girl dreams of flying on her broom. Stunning block illustrations make this a perfect choice for a fall story time. NY Times bestselling author Alison McGhee creates a bewitching tale about finding one's own path.

NEW YORK TIMES BESTSELLER • A powerful thriller about the ways an entire life can change in one night: A flight attendant wakes up in the wrong hotel, in the wrong bed, with a dead man—and no idea what happened. • Don't miss the acclaimed HBO Max series! Cassandra Bowden is no stranger to hungover mornings. She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean-or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did? Set amid the captivating world of those whose lives unfold at forty thousand feet, The Flight Attendant unveils a spellbinding story of memory, of the giddy pleasures of alcohol and the devastating consequences of addiction, and of murder far from home. Look for Chris Bohjalian's new novel, The Lioness!

Preserved in medieval and early modern witch-lore, the image of the witch embarking upon flight has become iconic from a historic and folkloric perspective. In the accounts of previous ages, however, it was commonly understood that witches flew in spirit form rather than corporeal form, leaving the physical body behind as the practitioner voyaged into the otherworld to procure knowledge, learn charms, visit boon or bane upon others, and attend the spiritual gathering of the witches' sabbat. In this unique offering, the author organizes the lore and charms of the transvective arts around thirteen central lessons and approaches in methodology, acting as gates through which the practitioner may cross. Some approaches offered here may be familiar to folk and traditional witches, such as via veneficium (by way of poison) and via equarum (by way of steed), while others, like via imaginibus (by way of image) and via tempestatis (by way of storm) draw on historic lore and charms in order to innovate upon old craft while maintaining the spirit that flavors these beloved arts. By mastering the often overlooked work of sabbatic ekstasis, the witch is brought into direct contact with familiar spirits, powers of the land and of ancestry, and with the primal sources of witchcraft itself, yielding an inexhaustible and ever-unfolding curriculum of the art magical.