The Woman Who Read Too Much

“Breathtaking in its scope and wonderfully illuminating. . . . one of the most powerfully convincing characters in recent historical fiction.” —Alberto Manguel, The Guardian Gossip was rife in the capital about the poetess of Qazvin. Some claimed she had been arrested for masterminding the murder of the grand Mullah, her uncle. Others echoed her words, and passed her poems from hand to hand. Everyone spoke of her beauty, and her dazzling intelligence. But most alarming to the Shah and the court was how the poetess could read. As her warnings and predictions became prophecies fulfilled, about the assassination of the Shah, the hanging of the Mayor, and the murder of the Grand Vazir, many wondered whether she was not only reading history but writing it as well. Was she herself guilty of the crimes she was foretelling? Set in the world of the Qajar monarchs, mayors, ministers, and mullahs, this book explores the dangerous yet luminous legacy left by a remarkable person. Bahiyyih Nakhjavani offers a gripping tale that is at once a compelling history of a pioneering woman, a story of nineteenth century Iran told from the street level up, and a work that is universally relevant to our times. “Mordant and seethingly intelligent.” —Sam Sacks, Wall Street Journal “An engrossing story.” —Gayatri Devi, World Literature Today “Haunting . . . reminds us all that whether Tudor, Qajar, or Clinton, behind every throne is a queen mother, wife, and sister who runs the show.” —Davar Ardalan, Washington Independent Review “Nakjavani offers a philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights.” —Carol Haggas, Booklist “Nakhjavani deftly transforms an incomplete history into legend. . . . An expertly crafted epic.” —Kirkus Reviews

In 1930s California, glamour and seduction spawn a multitude of sins in this New York Times bestseller from the author of Tightrope. At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool.... The dead woman had something Irene wanted: a red-hot secret about an up-and-coming leading man—a scoop that may have gotten her killed. As Irene searches for the truth about the drowning, she’s drawn to a master of deception. Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the Burning Cove Hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under....

Discusses "loving too much" as a pattern of thoughts, feelings, and behaviors which certain women develop as a reponse to various problems in their family backgrounds.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."

A beautifully told, transcendent tale of truth, salvation, and the power of desire.

The life story of the epidemiologist who discovered the harmful effects of fetal X rays and other radiation exposure

Read Along or Enhanced eBook: In this timeless tale from Thailand, A girl cannot decide which of her many silken dresses and lavish jewels to wear to the dance, so she wears them all. Her foolish decision, teaches her a valuable lesson.