The Women Who Ruled China

This text offers in-depth biographies of Chinese women from the fifth century BCE to the early 20th century. It reflects their achievements in poetry, literature, painting, music, dancing, calligraphy, medicine, science, politics, military leadership, diplomacy, religion, family and community life.

From the beloved, internationally bestselling author of Wild Swans, and co-author of the bestselling Mao: The Unknown Story, the dramatic, epic biography of the unusual woman who ruled China for 50 years, from concubine to Empress, overturning centuries of traditions and formalities to bring China into the modern world. A woman, an Empress of immense wealth who was largely a prisoner within the compound walls of her palaces, a mother, a ruthless enemy, and a brilliant strategist: Chang makes a compelling case that Cixi was one of the most formidable and enlightened rulers of any nation. Cixi led an intense and singular life. Chosen at the age of 12 to be a concubine by the Emperor Xianfeng, she gave birth to his only male heir who at four was designated Emperor when his father died in 1861. In a brilliant move, the young woman enlisted the help of the Emperor's widow and the two women orchestrated a coup that ousted the regents and made Cixi sole Regent. Untrained and untaught, the two studied history and politics together, ruling the huge nation from behind a curtain. When her boy died, Cixi designated a young nephew as Emperor, continuing her reign till her death in 1908. Chang gives us a complex, riveting portrait of Cixi through a reign as long as that of her fellow Empress, Victoria, whom she longed to meet: her ruthlessness in fighting off rivals; her curiosity to learn; her reliance on Westerners who she placed in key positions; and her sensitivity and desire to preserve the distinctiveness of China's past while overturning traditions (she, as Chang reveals--not Mao, as he claimed--banned footbinding) and exposing its culture to western ideas and technology.

Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony—rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.

In the dynastic history of China, Wu Zetian was the one woman who attained the status of emperor in her own right. A stone tablet marking her mausoleum was left blank, reportedly at her request because she wanted the future world to assess her. And her rise in the patriarchal system supported by Confucianism did later inspire many novelists and playwrights. Dien's slim study looks at the rise and achievements of the historical empress, her influence in the form of defiant woman who appear in legend and fiction, and (very briefly) the state of urban gender equality today. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.