The World Of Dante

The Paradise, which Dante called the sublime canticle, is perhaps the most ambitious book of The Divine Comedy. In this climactic segment, Dante's pilgrim reaches Paradise and encounters the Divine Will. The poet's mystical interpretation of the religious life is a complex and exquisite conclusion to his magnificent trilogy. Mark Musa's powerful and sensitive translation preserves the intricacy of the work while rendering it in clear, rhythmic English. His extensive notes and introductions to each canto make accessible to all readers the diverse and often abstruse ingredients of Dante's unparalleled vision of the Absolute: elements of Ptolemaic astronomy, medieval astrology and science, theological dogma, and the poet's own personal experiences.

These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.

Using Dan Brown's book as a jumping off point, Inferno Revealed will provide readers of Brown's Inferno with an engaging introduction to Dante and his world. Much like the books on Leonardo that followed the release of the Da Vinci Code, this book will provide readers with more information about the ever-intriguing Dante. Specifically, Inferno Revealed explores how Dante made himself the protagonist of The Divine Comedy, something no other epic poet has done, a move for which the ramifications have not yet been fully explored. The mysteries and puzzles that arise from Dante's choice to personalize the epic, along with his affinity for his local surroundings and how that affects his depiction of the places, Church, and politics in the poem are considered--along with what this reveals about Brown's own usage of the work. The authors will focus on and analyze how Dan Brown has repurposed Inferno in his newest book--noting what he gets right and what errors are made when he does not. Of course, Dan Brown is not the first author to base his work on Dante. The Comedy has elicited many adaptations from major canonical writers such as Milton and Keats to popular adaptations like David Fincher's Se7en and Tim Burton's Beetlejuice-- all of which will be discussed in detail within Inferno Revealed.

Dante's Vita nuova has taken on a wide variety of different forms since its first publication in 1294. How could one work have generated such different physical forms? Through examining the work's transformations in manuscripts, printed books, translations, and adaptations, Eisner reconceives of the relationship between the work and its reception. Dante's New Life of the Book investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements. Dante framed his book as an attempt to understand his own experiences through the experimental form of the book, and later scribes, editors, and translators use different material forms to embody their interpretations of Dante's collection of thirty-one poems surrounded by prose narrative and commentary. Traveling from Boccaccio's Florence to contemporary Hollywood with stops in Emerson's Cambridge, Rossetti's London, Nerval's Paris, Mandelstam's Russia, De Campos's Brazil, and Pamuk's Istanbul, this study builds on extensive archival research to show how Dante's strange poetic forms, including incomplete canzoni and sonnets with two beginnings, continue to challenge readers. Each chapter focuses on how one of these distinctive features has been treated over time, offering new perspectives on topics such as Dante's love of Beatrice, his relationship with Guido Cavalcanti, and his attraction to another woman. Numerous illustrations show the entanglement of the work's poetic form and its material survival. Eisner provides a fresh reading of Dante's innovations, demonstrating the value of this philological analysis of the work's survival in the world.

Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.

The book analyses the medieval vision of the world as depicted in Dante Alighieri's poetic works. In detail it discusses two works, The Banquet and The Divine Comedy, and offers a view on politics, faith and the universe of the medieval period. For modern people that period with its debates, polemics and visions represents something exceedingly remote, obscure and unknown. While admiring Dante's poetic artistry, we often fail to recognize the inspirations that permeated the works of medieval scholars and poets. Although times are constantly changing, every generation has to face the same fundamental questions of meaning, purpose and value of human existence: Dante's cosmological and poetical picture turns out to be surprisingly universal.