The World Of Fantastic Films

Filmograpy: p. (180)-221. Discusses the rise of the fantasy movie from 1950 to 1984.

Filmograpy: p. (180)-221. Discusses the rise of the fantasy movie from 1950 to 1984.

A collection of fantasy, science fiction, and horror films in various languages listed in title order referencing the crew for each production. For the purpose of this work, fantastic films are defined as those motion pictures depicting or strongly implying significant exceptions to man's conception of natural reality.

​This book analyzes how contemporary popular films with fantastic themes, including Candyman, Frozen, The Cabin in the Woods, and The Incredible Burt Wonderstone, cultivate neoliberal subjectivities. These films promise dramatic change, but they too often deliver more of the same. Although proponents maintain the illusion that the militant enforcement of freemarket economics will resolve racism, climate change, and imperialism, their magical thinking actually fuels the crises. Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism explores the ways in which the visual economies of Hollywood fantasy compliment this particular political economy.

The intersection of religious practice and theatricality has long been a subject of interest to scholars. This collection of twenty-two critical essays addresses the relationship between Roman Catholicism and films of the fantastic, which includes the genres of fantasy, horror, science fiction and the supernatural. The collection covers a range of North American and European films from Dracula and other vampire movies to Miracle at Fatima, The Exorcist, Danny Boyle's Millions, The Others, Maurice Pialat's Sous le Soleil de Satan, the movies of Terry Gilliam and George Romero's zombie series. Collectively, these essays reveal the durability and thematic versality of what the authors term the "Catholic fantastic."

Have you ever read a book and thought 'They should make this into a film'? If so, read on! Packed with fun facts and figures, Fantastic Films takes you behind the scenes of the movie-making process. Along the way, you'll find out how your favourite stories make it to the big screen, from Harry Potter and The Hunger Games, to Jurassic World and Guardians of the Galaxy. Famous Faces is a fantastic series of non-fiction books for struggling readers. It is comprised of eight titles, all written especially for pupils who have a lower reading age than their chronological age, and all designed to be fun and attention-grabbing. The series is pitched at 11-14 year olds with a lower reading age of just 9-10, and each title has a length of roughly 1600-1800 words. The books are packed full of engaging images, fantastic facts and fun layouts. Each chapter is short so struggling readers aren't daunted by the amount of text.

In recent decades, the Spanish 'fantastic' has been at the forefront of genre filmmaking. Films such as The Day of the Beast, the Rec trilogy, The Orphanage and Timecrimes have received widespread attention and popularity, arguably rescuing Spanish cinema from its semi-invisibility during the creativity-crushing Franco years. By turns daring, evocative, outrageous, and intense, this new cinema has given voice to a generation, both beholden to and yet breaking away from their historical and cultural roots. Beginning in the 1990s, films from directors such as Alex de la Iglesia, Alejandro Amenabar, and Jaume Balaguero reinvigorated Spanish cinema in the horror, science fiction and fantasy veins as their work proliferated and took centre stage at international festivals such as Sitges, Fantasia International Film Festival and Fantastic Fest. Through an examination of key films and filmmakers, Shelagh Rowan-Legg here investigates the rise of this unique new wave of genre films from Spain, and how they have recycled, reshaped and renewed the stunning visual tropes, wild narratives and imaginative other worlds inherent to an increasingly influential cinematic field.Its emergence is part of a new trend of postnational cinema, led by the fantastic, which approaches the national boundaries of cinema with an exciting sense of fluidity.